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Robert IndianaLOVE (Plate 4) /// Pop Art Robert Indiana Screenprint Post-War New York Minimal1996
1996
$12,000
£8,991.79
€10,541
CA$16,805.91
A$18,836.55
CHF 9,861.19
MX$232,431.80
NOK 123,874.99
SEK 116,605.71
DKK 78,636.52
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About the Item
Artist: Robert Indiana (American, 1928-2018)
Title: "LOVE (Plate 4)"
Portfolio: Book of Love
*Signed and dated by Indiana in pencil lower right
Year: 1996
Medium: Original Screenprint on A.N.W. Crestwood Museum Edition paper
Limited edition: 75/200, (there were also 50 impressions in roman numerals)
Printer: Freeman Burks of American Image Editions, New York, NY
Publisher: Michael McKenzie of American Image Editions, New York, NY
Framing: Framed in a contemporary silver moulding and silver filet with white cotton rag matting
Framed size: 32.13" x 30.63"
Sheet size: 24" x 20"
Image size: 18.19" x 18"
Condition: Minor cosmetic wear to frame. In excellent condition
Notes:
Provenance: private collection - Cincinnati, OH. Numbered by Indiana in pencil lower left. Comes from Indiana's 1996 "Book of Love" portfolio of twelve screenprints of the same image in various colors, originally issued in a black-lettered brown paper-covered folio with accompanying twelve poems. Besides the Arabic and Roman numeral editions, there were also 15 artist's proofs. Technical Director: Peter Engert; Plate Maker: James Harvey; Counsel: Gregory S. Smith, Esq.; Fabricator: Al Hirshson; and Die Maker: York Display. Printed in three colors: white, gray, and dark gray.
The "Book of Love" project was conceived by the artist as a portfolio that would make a definitive statement on his masterpiece "LOVE", fulfilling his original vision as both a poet and a painter. The prints in the portfolio were created by Indiana as illustrations for his own love poems, written circa 1958-1973. The prints were produced in silkscreen using oil based paints on a newly created fine art paper that he found perfect for rendering "LOVE", which demands a precise line and radiant true color. The poems each have a highly raised embossment of "LOVE", trapped in colors, just below the title. Each print is hand pencil signed, and each poem hand pencil initialed by the artist.
Biography:
Robert Indiana was born on September 13, 1928 named Robert Clark in New Castle, Indiana, and was adopted as an infant by Earl Clark and Carmen Watters. After his parents divorced, he relocated to Indianapolis to live with his father so he could attend Arsenal Technical High School (1942–1946), from which he graduated as valedictorian of his class. After serving for three years in the United States Army Air Forces, Indiana studied at the Art Institute of Chicago (1949–1953), the Skowhegan School of Painting and Sculpture in Maine (summer 1953) and Edinburgh University and Edinburgh College of Art (1953–1954). He returned to the United States in 1954 and settled in New York City. In New York, Indiana's lover Ellsworth Kelly, whom he met in 1956, helped him find a loft on Coenties Slip. On Coenties Slip he met neighboring artists like Jack Youngerman, Agnes Martin and Cy Twombly, with whom he shared his studio for a time. Indiana's career took off in the early 1960s after Alfred H. Barr, Jr., bought The American Dream, 1 for the Museum of Modern Art.
In 1964, Indiana moved from Coenties Slip to a five-story building at Spring Street and the Bowery. In 1969, he began renting the upstairs of the mansarded Victorian-style Odd Fellows Hall named "The Star of Hope" in the island town of Vinalhaven, Maine, as a seasonal studio from the photographer Eliot Elisofon. Half a century earlier, Marsden Hartley had made his escape to the same island. When Elisofon died in 1973, Indiana bought the lodge for $10,000 from his estate. He moved in full-time when he lost his lease on the Bowery in 1978. Indiana grew reclusive in his final years. He died on May 19, 2018, at his home in Vinalhaven, Maine, of respiratory failure at the age of 89. One day before his death, a lawsuit was filed over claims that his caretaker had isolated him from family and friends, and was marketing unauthorized reproductions of his works.
- Creator:Robert Indiana (1928 - 2018, American)
- Creation Year:1996
- Dimensions:Height: 32.13 in (81.62 cm)Width: 30.63 in (77.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121212258232
Robert Indiana
Robert Indiana's work evolved into hard-edged graphic images of words, logos and typographic forms, earning him a reputation as one of the country's leading contemporary artists.
Indiana is known for using public signs and symbols with altered lettering to make stark and challenging visual statements. In his prints, paintings and constructions, he gave new meaning to basic words like Eat, Die and Love. Using them in bold block letters in vivid colors, he enticed his viewers to look at the commonplace from a new perspective. One indication of his success was the appearance of his immensely popular multi-colored Love on a United States postage stamp in 1973.
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Located in Saint Augustine, FL
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By Robert Indiana
Located in Saint Augustine, FL
Artist: Robert Indiana (American, 1928-2018)
Title: "The Calumet"
Portfolio: The American Dream
*Issued unsigned
Year: 1997
Medium: Original Screenprint on Coventry paper
Limited edition: 395, (there were also 30 artist's proofs)
Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA
Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA
Sheet size: 22" x 16.75"
Image size: 15.07" x 14"
Condition: In excellent condition
Notes:
Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued.
Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering.
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"The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...
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