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Robert InmanSoho #61991
1991
About the Item
This artwork titled "Soho #6" 1991 is an offset lithograph on paper by noted American artist Robert Inman, 1927-2016. It is hand signed, dated, titled and numbered 4/350 in pencil by the artist The artwork size is 22 x 16.25 inches, framed size is 31.75 x 25.75 inches. Custom framed in a
beige oak frame, with off white matting. It is in excellent condition.
About the artist:
Robert Inman 1927-2016. Studied at the Chouinard Art Institute
The first job started in 1959 at Bob Clampett’s Snowball Productions, filling in for a few months for a staffer on vacation. Bob’s career in animation really took off, though, when longtime friend and former roommate, Corny Cole, who was working at UPA, told him of an opening in the background department. UPA paid better than Douglas and Inman spent the next five years there, working on The Mr. Magoo Show, The Dick Tracy Show, Gay Purr-ee , Mr. Magoo's Christmas Carol and finally leaving in 1964 when production shut down after the completion of The Famous Adventures of Mr. Magoo. When I asked Bob what he thought of his tenure there, he replied, “UPA was the only animation studio I worked for that really let me be creative. They never held your hand and made being creative impossible. Corny’s recommendation had long term ramifications for Bob as he spent much of the rest of his career working with people he met while at UPA-Lee Orgel, who produced the animated series, The New Three Stooges at Cambria Studios; Abe Levitow at Chuck Jones’ MGM Visual Arts where Bob painted backgrounds for Tom & Jerry shorts, How the Grinch Stole Christmas, Horton Hears a Who, The Phantom Tollbooth, Off to See the Wizard and The Pogo Special Birthday Special (for which he painted every single background despite being stricken with the Hong Kong flu); and fellow painter Gloria Wood, at Jay Ward, painting on George of the Jungle and Super Chicken. He briefly returned to UPA in 1970 to once again work with Abe Levitow on Uncle Sam Magoo (produced by Lee Orgel and scored by Walter Scharf , also veterans of Mr. Magoo’s Christmas Carol). The New Three Stooges at Cambria Studios; Abe Levitow at Chuck Jones’ MGM Visual Arts where Bob painted backgrounds for Tom & Jerry shorts, How the Grinch Stole Christmas, Horton Hears a Who, The Phantom Tollbooth, He worked also for Hannah Barbera in many productions. Later in his career he devoted is time to painting ad graphic art becoming a very successful and recognized artist.
The work of Robert Inman is held in private and corporate collections nationwide. The Art Gallery of the Los Angeles County Museum of Art has been representing his art over 20 years.
- Creator:Robert Inman (1927 - 2016, American)
- Creation Year:1991
- Dimensions:Height: 31.75 in (80.65 cm)Width: 25.75 in (65.41 cm)Depth: 0.6 in (1.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: inm/soh/6/011stDibs: LU66639531952
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About the artist:
Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions.
Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing.
In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York.
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Zao's works, influenced by Paul Klee, are orientated to abstraction. He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a Big Bang, where light structures the canvas. He worked formats in triptychs and diptychs. While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism. Zao Wou-Ki stated that he had been influenced by the works of Matisse, Picasso and Cézanne.[
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Selected public collections and museums:
Vienna, Albertina Museum, Graphische Sammlung
Brussels, Museum of Modern Art
Brussels, Royal Museums of Fine Arts of Belgium
Rio de Janeiro, Museum of Modern Art
Montreal, Museum of Contemporary Art of Montreal (Quebec)
Montréal, Museum of Fine Art (Quebec)
Quebec City, National Museum of Fine Arts of Quebec (Quebec)
Toronto, Art Gallery of Ontario (Ontario)
Hangzhou, China Academy of Art
Hong Kong, Hong Kong Museum of Art
Beijing, China Central Academy of Fine Arts
Suzhou, Suzhou Museum
Helsinki, Ateneum Museum
Tempere, Sara Hildén Art Museum
Châteauroux, Bertrand Museum
Colmar, Unterlinden Museum
Dunkirk, LAAC
Évreux, Museum of Art, History and Archeology
Gravelines, Musée du Dessin et de l’Estampe Originale
Issoudun, Musée de l’Hospice Saint-Roch
Le Havre, Malraux Museum
Lyons, École normale supérieure
Metz, Museum of Art and History
Montauban, Ingres Museum
Montpellier, Fabre Museum
Nantes, Museum of Fine Art
Orléans, Museum of Fine Art
Paris, L’Adresse – Musée de La Poste
Paris, Bibliothèque nationale de France
Paris, Bibliothèque de l’Institut de France
Paris, Centre Pompidou, National Museum of Modern Art / Industrial Design Center
Paris, Cercle de l’Union Interalliée
Paris, Fonds National d’Art Contemporain
Paris, Institut national d’histoire de l’art
Paris, Manufacture Nationale des Gobelins
Paris, Manufacture Nationale de la Savonnerie
Paris, Manufacture Nationale de Sèvres
Paris, Mobilier National
Paris, Museum of Modern Art of Paris
Paris, Cernuschi Museum
Paris, Musée du Louvre (at Musée Fabre in Montpellier)
Paris, Schlumberger Ltd.
Paris-La Défense, Société Générale
Paris-La Défense, TOTAL France
Rennes, Museum of Fine Art
Saint-Dié-des-Vosges, Musée Pierre-Noël
Sceaux, Musée de l’Ile-de-France, Château de Sceaux
Tournus, Musée Greuze
Tours, Museum of Fine Art
Tours, Conseil général d’Indre-et-Loire, fourteen windows for La Demeure de Ronsard, La Riche
Valence, Museum of Fine Art and Natural History
Essen, Folkwang Museum
Liverpool, The Tate Gallery
London, The Tate Gallery
London, Victoria and Albert Museum
Jakarta, Jakarta Museum
Tel Aviv, Tel Aviv Museum
Genova, Gallery of Modern Art
Milan, Museum of MOdern Art of Milan
Fukuoka, Fukuoka Art Museum
Fukushima, Iwaki City Art Museum
Hakone-Machi, The Hakone Open-Air Museum
Kyoto, Kyoto National Museum of Modern Art
Nagaoka, Nagaoka Contemporary Art Museum
Osaka, National Museum of Art
Tokyo, Bridgestone Museum of Art, Ishibashi Foundation
Luxembourg City, Grand Ducal Collections of the State of Luxembourg
Luxembourg City, National Museum of History and Art
Skopje, Museum of Contemporary Art
Mexico, Centro Cultural/Arte Contemporáneo
Mexico, Museum of Modern Art
Mexico, Tamayo Museum of Contemporary Art
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