Picture Gallery
View Similar Items
Robert RauschenbergPicture Gallery1978
1978
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1978
- Dimensions:Height: 39.5 in (100.33 cm)Width: 31.15 in (79.13 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: rausch/pic/011stDibs: LU66634284162
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- Allied Chemical Tower, Packed, Project for Number 1 Time Square New YorkLocated in San Francisco, CAThis artwork titled ' Allied Chemical Tower, Packed, Project for Number 1 Time Square, New York" 1971, in an original color lithograph on Arjomari paper by renown Bulgarian/American ...Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Gloster Heming, Vote For WomenBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: Gloster Heming, Vote For Women Year: 1977 Medium: Color lithograph Edition: Numbered 67/150 in penci...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- FlyBy James RosenquistLocated in San Francisco, CAThis artwork titled "Fly" 1981 is an original color lithograph on Arches paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, titled and numbered P....Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Why can't you tellBy Robert RauschenbergLocated in San Francisco, CAThis artwork titled "Why Can't You Tell" from the suite "Nine Prints" is an original screen print with offset lithograph and fabric collage on B.F.K. Rives paper by American artist ...Category
Late 20th Century Pop Art Abstract Prints
MaterialsScreen
- Swing ScreenBy James RosenquistLocated in San Francisco, CAThis artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...Category
Late 20th Century Pop Art Abstract Prints
MaterialsEtching, Aquatint
- Darryl Pottorf Exceptional Print – Truck Stop de Marra KechBy Darryl PottorfLocated in San Francisco, CAThis impressive 12 color screenprint is by Darryl Pottorf (1952- ) The print is titled “Truck Stop de Marra Kech”. It was printed and published in 2000 by Gemini G.E.L. the well-kno...Category
Early 2000s Pop Art Abstract Prints
MaterialsScreen
- "Woman in the Sun" by James Rosenquist, 1991By James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...Category
1990s Pop Art Abstract Prints
MaterialsLithograph
- "Ten Days" limited edition lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- ScoreBy Robert RauschenbergLocated in New York, NYRobert Rauschenberg Score, 1970 Lithograph 26 x 19 1/2 inches Edition 51 of 75 Signed This print belongs to Rauschenberg’s “Stoned Moon” seri...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Tumbleweed, James RosenquistBy James RosenquistLocated in New York, NYLithograph on Black Fabriano paper. Signed by the artist and dated 1970 lower right in pencil; numbered 59/68 lower left in pencil. This electric blue image of a neon sculpture was d...Category
Late 20th Century Pop Art Figurative Prints
MaterialsLithograph
- Large Bus by Allen Jones classic British 1960s pop art in bright primary colorsBy Allen JonesLocated in New York, NYThis large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...Category
1960s Pop Art Abstract Prints
MaterialsLithograph
- Sightseeing (black pull) James Rosenquist text Pop Art in black and whiteBy James RosenquistLocated in New York, NYThis abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen