Ruth Eckstein

Sense of Summer

Ruth Eckstein (1916-2011), "Fire In the Space". Number 28 in an edition of 35. Titled and numbered in pencil lower left margin: "Fire in Space 28/35"; signed ...

Number 74 in an edition of 79. Signed, numbered, and dated lower right margin: 'Rauschenberg 74/79 '69'. With blindstamp lower right corner. A fine impression in fine condition.

Titled lower left: "Rayner". Signed and dated lower right: "John Thompson 2013". A fine impression in fine condition. Inspired by direct observation of the natural world, Thompson’s process begins with a series of sketches executed en plein air. He frequents the banks of several local rivers and ponds, collecting imagery from favorite spots like the Sudbury and Charles Rivers...

Joan Hall is known for her innovative approaches to material and process. Also an avid sailor, Hall works tirelessly to promote marine advocacy through her art. The Pandemic Reef series is a body of work created during 2020-2021 using handmade paper using overbeaten abaca, hemp and flax. The pandemic has not only affected millions of people around the world but it’s now...

Natvar Bhavsar (Indian/American, b. 1934), Cool Tones Color Field, Serigraph on Paper, 1970, blue, green, and ochre dots, numbered edition "15/50" and dated lower left, signed in pen...

Brightly colored one-of-a-kind multi-layer abstract composition in primary colors, one of one created by Michael William Eggleston (American, 20th Century). Initialed "MWE" on the bo...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...