Items Similar to Serge Gladky - Art Deco Colorful Composition - Original Pochoir
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Serge GladkySerge Gladky - Art Deco Colorful Composition - Original PochoirC.1925
C.1925
$1,181.06
£889.15
€1,000
CA$1,626.98
A$1,822.12
CHF 950.75
MX$22,256.38
NOK 12,096.32
SEK 11,402.23
DKK 7,612.14
About the Item
Serge Gladky - Art Deco Colorful Composition
Original Pochoir
Circa 1925
33 x 26 cm
So what is a "pochoir?" In its most basic sense, it is a stencil. By the 1920’s and 1930’s, the color application process of the stencil again popular with the French, especially in terms of bringing color illustrations to mass-printed materials. The increasing use of machine printing and the poor quality of color reproductions in publishing brought about a need for pochoir printing. is regarded as one of the pioneers in the modern pochoir process, although the style of his work was not necessarily modern. It was Gladky who pioneered the combination of moderne style along with modern process.
Gladky had the genius of adopting the pochoir process for his modernist work. He has stated that his inspiration for these pochoirs came from nature, either landscapes or wild creatures, and that his eastern travels provided influence as well. I have to admit that on several of these, I see no resemblance to nature at all, but as I mentioned before, who really cares? They are like ice cream: Some flavors are amazing, some not so much but still tasty, and what we like is entirely subjective so why bother to explain it too much.
A prominent figure in the Art Deco movement and a leading precursor of modern abstract art, Serge Gladky was a French architect, designer, and graphic artist, who was active during the 1920s and 30s. He was primarily renowned for his cubist style, and his decorative abstract prints were characterized by the creative, harmonious synthesis of geometric forms derived mostly from nature.
Although inspired by natural motifs, his ornamental patterns were imaginative abstract interpretations rather than literal depictions of these subjects. In 1928, Gladky published his most well known work, Nouvelles Compositions Decoratives, a collection of vibrant, fanciful designs of animals, plants, fish, birds, and insects.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2015
1stDibs seller since 2015
963 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Collonge Bellerive, Geneve, Switzerland
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All(after) Alberto Magnelli - Composition - Pochoir
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
(after) Alberto Magnelli
Untitled (Cubist Composition) after the collage
Pochoir on paper
Conditions: excellent
32 x 24 cm
1956
Printed by Daniel Jacomet for XXe Siecle (issue number...
Category
1950s Abstract Geometric Abstract Prints
Materials
Stencil
Alberto Magnelli (after) - Composition
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli (after)
Untitled (Composition)
Linoleum cut (after the original) on yellow wove paper
32 x 24 cm
1959
From XXe siècle (No. 13)
Published in Paris by San Lazzaro, th...
Category
1950s Abstract Geometric Abstract Prints
Materials
Linocut
After Delaunay - Color Compositions - Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
After Sonia Delaunay - Color Compositions - Pochoir
Dimensions: 32 x 24 cm.
From DELAUNAY, Sonia (1885-1979). Compositions couleurs idées. Paris
Éditions d'Art Charles Moreau.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Figurative Prints
Alberto Magnelli - Composition - Original Lithograph
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli
Original Lithograph
Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism")
published in Paris by San Lazzaro
There is a fold in the center, as issu...
Category
1960s Abstract Geometric Abstract Prints
Materials
Lithograph
After Alberto Magnelli - Sorlier Lithograph
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli (After)
Lithograph, Charles Sorlier
32 x 24 cm
1971
XXe siècle, San Lazzaro
Signed in the plate
Unumbered as issued
Category
1970s Abstract Geometric Abstract Prints
Materials
Lithograph
Living Painting - Colour Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
Sonia Delaunay
Full-page, colour pochoir after costume designs by Sonia Delaunay
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Abstract Prints
Materials
Vellum
You May Also Like
Structure VII - XX century, Abstract print, Colorful, Vibrant, Geometric
By Jan Pamula
Located in Warsaw, PL
JAN PAMUŁA (b. in 1944)
A Polish artist, professor of Academy of Fine Arts in Cracow. In 1961-1968 he studied painting and printmaking in Cracow. In 1967 he was studying in École nat...
Category
20th Century Other Art Style Abstract Prints
Materials
Paper, Color
Untitled Mid-Century Modern Geometric Abstraction
By Rolph Scarlett
Located in New York, NY
Rolph Scarlett
Untitled Mid-Century Modern Geometric Abstraction, ca. 1950
Gouache on paper painting
Hand signed on lower right front
This is a stunning original, signed vintage 1950...
Category
Mid-20th Century Abstract Geometric Abstract Paintings
Materials
Gouache, Mixed Media, Pencil
Geometric composition
By Geneviève Claisse
Located in Paris, FR
Silkscreen and relief collage
Handsigned by the artist in pencil and annotated "5130"
Edition : 30 ex.
74.00 cm. x 60.50 cm. 29.13 in. x 23.82 in. (paper)
74.00 cm. x 60.50 cm. 29....
Category
1980s Abstract Abstract Prints
Materials
Silk
Bauhaus Archiv en rombo. Futurist colorful abstract constructivist painting
Located in Segovia, ES
"Bauhaus Archiv in diamond". Futurist colorful abstract constructivist painting.
Acrylic paint, mixed media on panel. 2021
Dimensions in cm.: 104 x 178 cm. With frame 108.5 x 186 x ...
Category
2010s Constructivist Mixed Media
Materials
Mixed Media, Acrylic, Wood Panel
Geometric composition
By Geneviève Claisse
Located in Paris, FR
Silksreen, 2015
Handsigned by the artist in pencil and annotated EA
Artist proof
Edition : 30 ex.
74.50 cm. x 60.50 cm. 29.33 in. x 23.82 in. (paper)
57.50 cm. x 46.50 cm. 22.64 in...
Category
2010s Abstract Abstract Prints
Materials
Silk
Relation Couleur
By Hugo Demarco
Located in New York, NY
Hugo Dermaco
Relation Couleur, 1973
Silkscreen on velincarton
Hand-signed by artist, Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the front.
29 1/2 × 29 1/2 inches
Unframed
This beautiful silkscreen on velincarton (thin board) by Hugo Demarco...
Category
1970s Abstract Geometric Abstract Prints
Materials
Screen
More Ways To Browse
1929 Art Deco
French Art Deco Designer
Reproduction Art Deco
Art Deco Fish
Antique Printing Machines
Riera I Arago
Rooster Print Picasso
Rrose Selavy
Salvador Dali Tristan And Isolde
Shoichi Hasegawa
Sun Ting
Vintage Nepal Poster
Calder Pyramid Prints
Calder Sky Swirl
Carlo Scarpa Print
Carmen Gracia
Carol Crawford
Chateau De Culan