Abstract Expressionist Abstract Prints

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Artist: Larry Rivers (1923-2002) Title: Dutch Masters Year: 1991 Medium: Lithograph and silkscreen on wove paper Edition: 23/500, plus proofs Size: 25 x 3...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

46.75 x 30.5 ins (118.7 x 77.5 cms) Edition of 70 Signed in pencil lower right. Numbered in pencil lower right; workshop chop mark lower right; workshop number "RM83-718" in pe...

Mark Tobey, American (1890 - 1976) - Apparuit, Year: 1971, Medium: Screenprint on BFK Rives, signed, numbered and dated in pencil, Edition: 75, Image Size: 24 x 17 inches, Size: 30...

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 88/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by T...

SAM FRANCIS: Limited Signed Deluxe Edition (Hand signed and numbered by Sam Francis), 1982 Deluxe limited edition hardback monograph with cloth boards, held in special slipcase of ts...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500 ej 384/1500

Antoni Tapies, Spanish (1923 - 2012) - Invitation, Medium: Lithograph, signed in the plate, Size: 9 x 17 in. (22.86 x 43.18 cm), Frame Size: 16.25 x 24.25 inches, Description: An...

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Gina Pellón (1926-2014) Cuban Artist "Untitled" 1978 Lithograph 25.5 x 20 in Free Shipping

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Gina Pellón (1926-2014) "Untitled" Lithograph 30 x 20 in Signed by the artist at the bottom right corner

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

Sam Francis, American (1923 - 1994) - Untitled (SF-355), Portfolio: Papierski Portfolio, Year: 1992, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 50...

54.9 x 56.5 cms (21.6 x 22.25 ins) Edition of 50 Paper: Somerset paper Signature:Signed "RM" in pencil lower right Inscriptions:Numbered in pencil lower right Proofs:20 AP, number...

Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Frank Stella The New York State Christopher Columbus Quincentenary Commission, 1991 Offset Lithograph Printed in Colors Signed and dated by the artist in ink on the lower right front in black ink (Edition of 100) Limited Edition of 100 (unnumbered) 39 1/2 × 23 1/2 inches Unframed Accompanied by gallery issued Certificate of Guarantee This vibrant, hand signed offset lithograph poster designed by Frank Stella commemorates The New York State Christopher Columbus Quincentenary Commission. The poster alone is uncommon, but it is extremely rare to find a hand signed edition as this one. Highly collectible and desirable! An uncommon Stella print...

Artist: Larry Rivers (1923-2002) Title: Golden Tales Year: 1990 Medium: Lithograph with hand coloring on wove paper Edition: H.C. VI/VIII; 35, plus proofs...

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Lithograph on vélin paper. Paper Size: 11.181 x 14.173 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 17.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Artist: James Rosenquist, American (1933 - ) Title: Hot Lake (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 78 Size: 23 in. x 40 in. (58.42 c...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Artist: Larry Rivers (1923-2002) Title: Those who Fire, Those Who Run (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition...

Artist: Paul Jenkins, American (1923 - 2012) Title: Earth Day Year: 1971 Medium: Lithograph on Mourlot watermarked Wove Paper, signed in the plate Size: 29 in. x 21.5 in. (73.66 cm x...

Artist: Raymond Parker – American (1922-1990) Title: Red, Orange, Blue, Purple Year: 1969 Medium: Color Lithograph Sight size: 22.25 x 30 inches. Sheet size: 22.25 x 30 inches Sig...

LEONARD EDMONDSON (1906 – 2001) WINTER GARDEN, 1957 Color intaglio, Edition 50. signed, titled and no. in pencil. Image 11 x 8 ¾”, sheet 15 ¾ x 12 3/8”....

Gerhard Richter Untitled Abstract Picture (one plate) - Artist Authorized, 2002 Limited Edition Artist Authorized Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition...

Artist: John Chamberlain Title: Flashback VII Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 28 x 20 inches

Sam Francis, American (1923 - 1994) - Untitled (SF-354), Portfolio: Papierski Portfolio, Year: 1992, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 50...

Mojo by Dan Christensen, American (1942–2007) Date: circa 1980 Screenprint, Signed and numbered in Pencil Edition Size: 175 Size: 43 in. x 29.5 in. (109.22 cm x 74.93 cm)

Jose Maria Sicilia Fleur Rouge IV Color Etching with Chine Colle Year: 1988 Size: 30.25 x 23.3 inches Edition: 25 Signed, dated, numbered and titled by hand Publisher: Crown Point Pr...

Mark Tobey, American (1890 - 1976) - Glowing Fall, Year: 1975, Medium: Screenprint on Richard Des Bas, signed and numbered in pencil, Edition: 100, Image Size: 19 x 13.25 inches, S...

118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 153/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by ...

This artwork "Untitled" 1999, is an original color etching on wove paper by noted American artist Charles Eckart, b.1935. It is hand signed, dated and inscribed T.P in pencil by the ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). ABOUT THE ARTIST Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. Signed o the plate on the lower. The print suite was realized in a...

Artist: Phil Sims (American, born 1940) Title: Untitled #3 Year: 1984 Medium: Monotype Paper: Wove Image size: 4 x 4 inches paper size: 11.25 x 10 inches Framed size: 18.5 x 17.25 inches Signature: Signed and dated (1984) in pencil lower right Printer: The artist Condition: Very good Frame: Framed in the custom original frame The print and mat are in very good condition. The frame is in fair to good condition with some light scratches and very slight separation in the lower left and upper right corners.. Phil Sims is born in 1940 in Richmond, California. Before turning to painting, Sims was a potter and a ceramic artist. In the mid- 1960s he attends the San Francisco Art Institute, and he is now considered a master in the use of color as an expressive medium. At the beginning of his artistic education, he looks at the use of color by the Abstract Expressionism artists. His early career develops as part of the artistic group Radical Painters (Marcia Hafif, Joseph Marioni...

Karel Appel Clown Cat Animals and monsters series Print - Lithograph 22.0'' x 30'' inches Edition: signed in pencil and marked 1/175

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 62/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by T...

Adja Yunkers, American (1900 - 1983) - Pueblo, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 56/70, Size: 33.5 x 25 in. (85.09 x 63.5 cm), Frame Size:...

Sam Francis, American (1923 - 1994) - Untitled (SF-353), Portfolio: Papierski Portfolio, Year: 1992, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: AP...

Lithograph on vélin d’Arches paper. Paper Size: 28 x 20 inches. Inscription: Hand signed and numbered, 76/175, as issued. Notes: Published by London Arts, Inc., Detroit; printed by T...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition of 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

John von Wicht, American (1888 - 1970) - Improvisation, Blue-Brown, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 2/15, Image Size: 17 x 8...

Mark Tobey, American (1890 - 1976) - Geometric Composition, Year: 1970, Medium: Color Lithograph on BFK Rives, signed, numbered and dated in pencil, Edition: 22, Image Size: 13 x 1...

Robert Savoie, Canadian (1939 - ) - Blue Streaks, Year: 1976, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 38/50, Image Size: 17.75 x 19 inches, Siz...