Op Art Abstract Prints

Yellow Composition is an original screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. On headed paper.

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Inward Eye 9 Richard Anuszkiewicz, American (1930–2020) Date: 1970 Screenprint, signed and numbered in pencil Edition of 34/100 Size: 25.5 x 19.75 in. (64.77 x 50.17 cm) Printer: Dom...

A geometric abstract print by Japanese artist Takaaki Matsumoto. World Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 54 Size: 24 x 24 in. (60.96 x 60.96 cm)

Hommage a Bach I. Original etching and aquatint, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. ...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Hommage a Bach II. Original etching and aquatint, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky's and Malev...

A limited-edition serigraph from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand-signed. Limited edition of 100 copies numbered and signed by the artist with pencil o...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Sixties Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 68 Size: 24 x 24 in. (60.96 x 60.96 cm)

A bright yellow geometric abstract print by Japanese artist Takaaki Matsumoto. Yellow Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 89 Size: 24 x 24 in. (60....

A geometric abstract print by Japanese artist Takaaki Matsumoto. Flat Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 55 Size: 24 x 24 in. (60.96 x 60.96 cm)

A geometric abstract print by Japanese artist Takaaki Matsumoto. Computer Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 198 Size: 24 x 24 in. (60.96 x 60.96 cm)

A geometric abstract print by Japanese artist Takaaki Matsumoto. Cloud Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 125 Size: 24 x 24 in. (60.96 x 60.96 cm)

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Screen print square, inscribed 'Vasarely' at bottom, hung diagonally, sides of the square 23 1/2 x 23 1/2 (59.5 x 59.5); as hung, 33 x 33 (84 x 84). VICTOR VASARELY (1908-1997) In...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Hommage a Bach III. Original etching and aquatint, cca. 1980. Edition H.C. (horse commerce/exhibition copy). Victor Vasarely was a French painter of Hungarian origin. Influenced by B...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Richard Anuszkiewicz (American, 1930-2020) Red with Green, 1990 Silkscreen on paper Signed and dated lower right, numbered 8/20 lower left 13.75 x 14.25 inches 23.75 x 24 inches, framed Richard Anuszkiewicz was born in Erie, Pennsylvania to Polish immigrants. While at the Cleveland Institute of Art, he studied plein-air painting with Henry Hensche. After winning a Pulitzer Traveling Fellowship in 1953, Anuszkiewicz attended Yale University where he studied under Josef Albers. While at Yale he studied alongside fellow Cleveland Op artist Julian Stanczak. After receiving his M.F.A. at Yale, Anuszkiewicz went on to Kent State University where he graduated with a Bachelor of Science in Education. At just age 23, his work was exhibited at the May Show at the Cleveland Institute of Art. He was given his first solo show in March 1960 in New York. Because of his early success, Anuszkiewicz had the freedom to pursue his ideas creatively. Anuszkiewicz was one of the leading artists of the Op Art movement during the 1960s and 1970s. His style is distinctive for its high-intensity colors that he applies to geometric configurations. Many of Anuszkiewicz works are reminiscent of Josef Albers paintings...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Abstract Yellow Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Artist: Jean-Pierre Vasarely Yvaral, French (1934 - 2002) Title: 50 Shades of Blue Year: circa 1970 Medium: Screenprint, signed and numbered in penci...

Space Sounds no.3 Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 7/25 Image Size: 28 x 21 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Lattice is a contemporary artwork realized by Victor Vasarely (1906-1997) in 1978. Silkscreen in colors on wove paper. Hand signed on the lower right. Includes frame.

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Kandahar is a contemporary artwork realized by Victor Vasarely in 1955. Screen print on wove paper after a painting of 1951. Hand signed and numbered on the lower margin. Edition ...

Abstract Electric Blue Composition is aScreen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the l...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Evelyn B. Johnson was an American Optical artist. Her work specialized in striking geometric abstract forms in bright colors whose shading mimics the effects of neon lighting. These ...

Victor Vasarely (1906-1997) Kinetic Composition Bi-Hexa, 1975 Original Screen Print Handsigned in pencil Numbered / 300 On Arches vellum 76 x 56 cm (c. 30 x 22 in) REFERENCE : C...

Red to Green Portal Aquatint, 1979 Signed and dated in pencil lower right (see photo) Edition: 95 (84/95), see photo Provenance: U.S. Representative James A. Leach Condition: Excelle...

Doric Game XX Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered and titled in pencil Edition of 7/25 Image Size: 38 x 28.5 inches Size: 41.5 x 29.5 in. (105.41 x 74.93...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size:...

Skylight XXXVII Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 9/25 Image Size: 36 x 26 inches Size: 41.5 x 30 in. (105.41 x 76.2 cm)

Skylight XXX Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 14/30 Image Size: 38 x 28.5 inches Size: 41.5 x 29.5 in. (105.41 x 74.9...

Skylight XVII Evelyn B. Johnson Date: 1981 Screenprint, signed, numbered, dated and titled in pencil Edition of 19/25 Image Size: 26 x 38 inches Size: 30 x 42 ...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, Americ...

Skylight XXXIII Evelyn B. Johnson Date: 1982 Screenprint, signed, numbered, dated and titled in pencil Edition of 18/25 Image Size: 35 x 28 inches Size: 42 x 30 in. (106.68 x 76.2 cm)

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Highway Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30 x 22 inches Paper Si...