Korin: The Time of Celebration
View Similar Items
Takashi MurakamiKorin: The Time of Celebration2016
2016
About the Item
- Creator:Takashi Murakami (1963, Japanese)
- Creation Year:2016
- Dimensions:Height: 30 in (76.2 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118526467642
Takashi Murakami
Japanese contemporary artist Takashi Murakami may be famous among collectors for the psychedelic flowers and chaotic cartoons that populate his prints and paintings, but artists likely know him as the theorist behind the contemporary art movement he calls “Superflat.”
Partially inspired by the Pop art of Andy Warhol, in which celebrity culture and mundane mass-produced items became the focus of bright and colorful works that both celebrated and criticized consumerism, Murakami’s Superflat encompasses painting, sculpture, digital design and more to present a subversive look at consumerism but is also an effort to blend fine art and lowbrow culture.
A multifaceted and remarkably influential artist as well as a compulsive art collector, Murakami has collaborated with brands such as Louis Vuitton, while one of his most famous Superflat works is the teddy bear on the cover of the Graduation album by American rapper Kanye West.
In 1993 Murakami earned his Ph.D. from Tokyo University of the Arts, where he was trained in nihonga, a style of painting that originated in the late 19th century by artists who worked to preserve and promote the conventions and processes associated with traditional Japanese art. While practicing nihonga, Murakami began to realize that his beliefs didn’t align with the tradition, so his art subsequently took on a satirical feel that embodied a critique of the movement. Before long, his style took a drastic turn, embracing otaku, a rising postwar cultural phenomenon among Japan’s younger crowd who loved anime and manga. (Otaku is also integral to Superflat.)
This is when Murakami’s most well-known character, Mr. DOB, was born. This anime-inspired icon, which Americans might interpret as a cross between Walt Disney’s Mickey Mouse and Lewis Carroll’s Cheshire Cat given its pronounced ears and broad and menacing grin, was part of the artist’s endeavor to elevate the otaku subculture but also to target mass consumerism. While Murakami conceived of Mr. DOB years ahead of his 2000-era Superflat theory, there is much common ground between the two. Not unlike his other creations, Murakami’s Mr. DOB is equal parts erotic, disturbing and cartoonish — an incisive mockery of the mingling of commerce and fine art so prevalent in Japanese popular culture.
Find original Takashi Murakami prints, sculptures and other art on 1stDibs.
- Wind, from Weather SeriesBy David HockneyLocated in New York, NY1973 Lithograph in colors Sheet: 40 x 30 7/8 in. (101.6 x 78.4 cm) Edition of 98 Signed, dated and numbered in red crayon on lower marginCategory
1970s Pop Art Abstract Prints
MaterialsLithograph
Price Upon Request - Korin: Azure RiverBy Takashi MurakamiLocated in New York, NY2015 Offset lithograph in colors, with foil and gloss varnish on smooth wove paper Sheet: 30-inch diameter Edition of 300 Signed and numbered in silver ink, rectoCategory
2010s Pop Art Abstract Prints
MaterialsLithograph, Offset
Price Upon Request - Kansei: Wildflowers Glowing in the NightBy Takashi MurakamiLocated in New York, NY2014 Offset lithograph in colors, with foil and gloss varnish on smooth wove paper Sheet: 28-inch diameter Edition of 300 Signed and numbered in silver ink, rectoCategory
2010s Pop Art Abstract Prints
MaterialsLithograph, Offset
Price Upon Request - Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen
Price Upon Request - Over the RainbowBy Yoshitomo NaraLocated in New York, NY2005 Set of two lithographs in colors, on wove paper Sheet: 16 1/8 x 12 1/4 in., each Edition of 100 Each signed, dated, and numbered in pencil, lower marginCategory
Early 2000s Pop Art Abstract Prints
MaterialsPaper, Lithograph
Price Upon Request - Marching on a Butterbur LeafBy Yoshitomo NaraLocated in New York, NY2019 Offset lithograph in colors, on archival paper Sheet: 24 x 18 in. Edition of 1000 UnsignedCategory
2010s Pop Art Abstract Prints
MaterialsLithograph, Offset
Price Upon Request
- "Woman in the Sun" by James Rosenquist, 1991By James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...Category
1990s Pop Art Abstract Prints
MaterialsLithograph
- "Ten Days" limited edition lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- ScoreBy Robert RauschenbergLocated in New York, NYRobert Rauschenberg Score, 1970 Lithograph 26 x 19 1/2 inches Edition 51 of 75 Signed This print belongs to Rauschenberg’s “Stoned Moon” seri...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Tumbleweed, James RosenquistBy James RosenquistLocated in New York, NYLithograph on Black Fabriano paper. Signed by the artist and dated 1970 lower right in pencil; numbered 59/68 lower left in pencil. This electric blue image of a neon sculpture was d...Category
Late 20th Century Pop Art Figurative Prints
MaterialsLithograph
- Large Bus by Allen Jones classic British 1960s pop art in bright primary colorsBy Allen JonesLocated in New York, NYThis large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...Category
1960s Pop Art Abstract Prints
MaterialsLithograph
- Sightseeing (black pull) James Rosenquist text Pop Art in black and whiteBy James RosenquistLocated in New York, NYThis abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
