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Victor Vasarely
Untitled

circa 1970

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    By Mon Levinson
    Located in New York, NY
    This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...
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    1960s Op Art Abstract Prints

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  • Abstract Modernist Art Brut Expressionistic Etching by Gianfranco Asveri
    Located in New York, NY
    This sophisticated etching on paper was realized by the self-taught outsider artist Gianfranco Asveri (b. 1948), in the latter half of the 20th Century. Rendered in an Art Brut style, the composition offers a cluster of four rectangular planes- like little vignettes- each inscribed with their own scene. Predominantly abstract- but leaving plenty of room for interpretation- these rhombus forms offer miniature worlds within teeming with what appear to be loosely rendered figures, rolling hills and stylized clouds. These figurative elements are created with frenetic and energized strokes- full of verve and dynamism- and largely in black pigment against a warm off white paper. The most clearly articulated figurative element appears in the bottom right rectangular pane of the composition. A person in a dress or frock with elementally drawn, stick- figure like arms extended outwards, whose body is turned sideways (captured in flight as a phantasmagoric figure perhaps). A solid hourglass block of umber pigment and a chalky olive green represent the only chromatic accents, offering a restrained contrast to the monochromatic dominance of the piece. Reminiscent of the work of Lee Lozano...
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  • Mid-Century Modern Lithograph in Colors by Marino Marini, Italy, circa 1970
    By Marino Marini
    Located in New York, NY
    This vibrant and iconic lithograph in colors was realized by the acclaimed Italian artist Marino Marini, circa 1970. A contemporary of Jean Arp, Alexa...
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    1970s Surrealist Animal Prints

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  • Mon Levinson Modernist Abstract Geometric Screen Print in Grey Squares
    By Mon Levinson
    Located in New York, NY
    This brilliantly precise and sophisticated Mid-Century Modernist Abstract Geometric Screen Print in Grey Squares Edition 78/90 is by Mon Levinson and originates from the United State...
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    1960s Modern Abstract Prints

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  • Nuage Blanc (White Cloud)
    Located in New York, NY
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    1970s Modern Landscape Prints

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  • Naissance
    By Wolfgang Gäfgen
    Located in New York, NY
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    Etching

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    Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...
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  • ANUSZKIEWICZ, monograph (hand signed and inscribed by Richard Anuszkiewicz)
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  • Life (limited edition, hand signed and numbered Op Art First Day Cover (framed)
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    Yaacov Agam "Life", (Hand Signed and numbered), 1980 Hand Signed, Stamped Gallery Art Center Envelope with French postage stamp & numbered Triple signature "Agam" and number 46/54 on the front Frame Included: floated in original vintage frame This very special vintage limited edition work features the “Agam” design by Yaacov Agam, a pioneer of Op Art. It is the first artist...
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  • Soft Lime, Signed/N 1970s geometric abstraction by renowned Op Artist 38" x 46"
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  • Untitled
    By Victor Vasarely
    Located in Miami, FL
    Victor Vasarely was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...
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  • The Whale Watch
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