Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Wassily Kandinsky
Les étoiles, Verve: Revue Artistique et Littéraire

1938

$1,276
$1,59520% Off
£953.11
£1,191.3920% Off
€1,104.98
€1,381.2320% Off
CA$1,771.69
CA$2,214.6220% Off
A$1,985.84
A$2,482.3020% Off
CHF 1,033.97
CHF 1,292.4620% Off
MX$24,247.97
MX$30,309.9620% Off
NOK 13,127.65
NOK 16,409.5620% Off
SEK 12,443.83
SEK 15,554.7920% Off
DKK 8,244.35
DKK 10,305.4420% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et Littéraire, Vol. I, N° 2, 1938. Published by Éditions de la revue Verve, Paris, under the direction of Tériade, éditeur, Paris; printed by Mourlot Frères, Paris, 1938 in an edition of MM. Additional notes: Excerpted from Poppy Sfakianaki, ‘La revue Verve (1937–60): Un tremplin pour la carrière de Tériade dans les éditions d’art’, Journal of European Periodical Studies, 4.2 (Winter 2019), 70–89, In 1937, Tériade (1897-1983) met David Smart (1892-1952), the American publisher of Esquire magazine, who offered him to the opportunity to collaborate on the creation of 'the most beautiful magazine in the world'. Smart recognized in Tériade not only his ability as a publisher and knowledge of art history, but also his professional network and the name he made for himself in the Parisian art world—all crucial advantages for an editorial business. Having had the commercial conviction that beauty "sells", Smart intended to address the American public, attracted to French art, including Modern art, and the myth of artistic life in Paris. For his part, Tériade saw the proposed collaboration as an opportunity for a foray into the American market—a powerful ally of modern art in France. Éditions de la Revue Verve was founded in November 1937, largely funded by Smart, and directed by Tériade. Verve: Revue Artistique et Littéraire was a luxurious and ambitious art publication, published not only in French, but also in English in its early years, and distributed in Europe and the United States. Its configuration was reminiscent of that of the French art journals Cahiers d'art, Minotaure, and Arts et métiers graphiques, as well as that of the American art magazine, Coronet. However, Verve was superior to the competition because of its copious iconography and high printing quality. Its price varied between 60 and 150 francs (for double numbers) before the war, and between 120 and 350 francs during the war. Given its high price, the magazine mainly targeted art dealers, collectors, bibliophiles and wealthy art lovers. The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature. The dominant factor of each issue remains its iconography, composed of reproductions of works by modern artists that Tériade admired, and 'masters', mainly of the French tradition, alongside photos and miniatures of medieval manuscripts. Tériade undoubtedly realized with his magazine an idea expressed in 1934 according to which books served as an 'ideal museum' or an exhibition where all the artistic masterpieces are gathered, which Malraux developed later in Le Musée imaginaire (Geneva: Skira, 1947), parts of which will appeared in Verve. During Second World War the periodicity of the journal changed, then irregular, and the less varied nature of the subjects treated. Thus, the issues published during the War (as well as in 1945 and 1946) were devoted exclusively to the reproduction of medieval illuminations. Finally, the special issues of the post-war period each present the recent production of a modern art painter. Only numbers 8 (1940) and 27-28 (1952) were an exception with a more varied summary. Verve's reception was positive as evidenced by several laudatory press articles throughout its run. The success of the magazine, Tériade's passion for modern art and medieval manuscripts, his admiration for the publications of Ambroise Vollard and Albert Skira, and his knowledge of the world of bibliophiles, soon led him to amplify his editorial activity. In 1943, despite the practical difficulties imposed by the war, his first artist's book was published, written and illustrated by Georges Rouault. Until 1975, Tériade published Éditions de la Revue Verve, nine books by modern artists, such as Henri Matisse, Pablo Picasso, Marc Chagall, Joan Miró, entirely composed (text and images) by the artists; seventeen books illustrated by recognized modern artists; an album of lithographs by Fernand Léger on Paris; two photographic albums by Henri Cartier-Bresson; two monographs on the artists André Beaudin and Francisco Borès; a luxurious series of reproductions of medieval illuminations; and, a series of portfolios on great French architecture. Ultimately, the comparative study of the journal and the editions of Verve: Revue Artistique et Littéraire illustrates the importance of the tacit relational dynamic that results from the relations of collaboration and exchange of symbolic capital based on common perceptions and interests, as well as on feelings of mutual friendship and appreciation of actors in the art world who share a visual and bibliophilic culture and thus contribute to the success of the journal and the publishing house. WASSILY KANDINSKY (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art and in influence to the Modern masters including, Picasso. Born in Moscow, he spent his childhood in Odessa, Ukraine, where he graduated from Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession, he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896 Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky," and helped establish the Museum of the Culture of Painting. However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society", and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944, three days before his 78th birthday.
  • Creator:
    Wassily Kandinsky (1866 - 1944, Russian)
  • Creation Year:
    1938
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 10.25 in (26.04 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465216344802

More From This Seller

View All
Comets, Verve: Revue Artistique et Littéraire
By Wassily Kandinsky
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Modern Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By Alexander Calder
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 3 (double) Juin 1952,...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

L'automne, Verve: Revue Artistique et Littéraire
By Abraham Rattner
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Surrealist Abstract Prints

Materials

Lithograph

La Lune, Verve: Revue Artistique et Littéraire
By André Masson
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Modern Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By André Masson
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIe Année, N°32, Juin...
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By Alberto Magnelli
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 2 (double) Janvier 19...
Category

1950s Modern Abstract Prints

Materials

Lithograph

You May Also Like

Untitled (Edition 54/250)
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled", Edition 54/250, Abstract Lithograph signed and numbered in pencil, 26 x 34, Late 20th Century Colors: White, Black, Yellow, Orange, Red, Bl...
Category

Late 20th Century Abstract Abstract Prints

Materials

Lithograph

French Contemporary Art by Marie-Pierre Autonne - Vies Communes
By Marie-Pierre Autonne
Located in Paris, IDF
Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...
Category

2010s Contemporary Abstract Paintings

Materials

Wood, Mixed Media

Untitled
By Will Faber
Located in Barcelona, BARCELONA
The painting is being offered with a work and authenticity certificate
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Untitled
Located in Fairfield, CT
Artist Statement: Industrial materials and processes, ideas about placemaking and the creation of unexpected juxtapositions compels me and empowers my work. Whether it's sculpture,...
Category

2010s Abstract Abstract Prints

Materials

Screen

Cosmogonies No. 2
Located in Columbia, MO
Cécile Reims (French, 1927–2020) Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...
Category

1950s Surrealist Abstract Prints

Materials

Cotton, Paper, Drypoint, Etching

Untitled
By Will Faber
Located in Barcelona, BARCELONA
The painting is being offered with a work and authenticity certificate
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Untitled
$901
Free Shipping