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Alphonse Mucha
Alphonse Mucha's Le Pater: "Lead Us Not Into Temptation" 1899 lithograph

1899

$6,600List Price

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Die Alte Stadt (The Old City) by Georg Muller-Breslau, Medieval-style lithograph
By Georg Muller-Breslau
Located in Chicago, IL
Two patrons examine art objects in Georg Muller-Breslau’s medieval-style poster for the 1896 exhibition of Saxon artisanry and works of art in Dresden, “the old city” (Die Alte Stadt...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

Le Pater: "Forgive Us Our Trespasses" 1899 mystical lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from his masterpiece of mysticism, Le Pate...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

Alphonse Mucha's Le Pater: "Hallowed Be Thy Name" 1899 sepia lithograph
By Alphonse Mucha
Located in Chicago, IL
Stone lithograph sepia plate of Hallowed Be Thy Name from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899. “Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

David Copperfield Par Charles Dickens by Jules Chéret, Japon lithograph, 1886
By Jules Chéret
Located in Chicago, IL
Extremely rare early work by “The Father of the Poster,” Jules Chéret: Lithograph announcing Charles Dickens’s David Copperfield, printed on Imperial...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

Frem Program Anno 1900 by Louis Moe, Danish Art Nouveau mermaid poster
By Louis Moe
Located in Chicago, IL
Each country that approached the ideology of Art Nouveau clearly had their own unique contribution to the movement. The popularity of French Art Nouveau became globally recognized and produced in large numbers. While we recognize the rarity and extraordinary work of Italian Art Nouveau, or Stile Liberty, as it was known in that country, very little of this art survived and in very small quantities. What’s impossibly rare Scandinavian Art Nouveau...
Category

Early 1900s Art Nouveau Prints and Multiples

Materials

Lithograph

Alphonse Mucha's Le Pater: "Thy Kingdom Come" 1899 mandala lithograph
By Alphonse Mucha
Located in Chicago, IL
Stone lithograph mandala plate of Thy Kingdom Come from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899. “Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts with Moorish arabesques, Byzantine mandalas, and Classical Renaissance melodrama to create a body of work that guided viewers across the gap between the ancient and the modern. The published plates for Le Pater were struck by Champenois on December 20, 1899 in an edition of 510 copies with the express agreement that they never be reprinted. As much of Mucha's work had been commercialized by Champenois due to numerous printings across multiple mediums, by this point he felt he had earned the right to insist on this deeply personal work existing only in the original release he had envisioned. The title page, prayer plates, and illuminated manuscript pages...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

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