Framed Animal Prints

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...

Edition 108/150, framed Sheet size: 25 x 20 inches Image size: 9.75 x 9.75 inches Frame size: 28 x 23 inches Signed lower left: 108/150 Signed lower right: Jamie Wyeth Jamie Wyeth (...

19th Century "Ground Squirrel" Hand Colored Lithograph by T. Doughty C.1830s From "Nature and on Stone" by T. Doughty The print measures 8.5" wide x ...

Prideaux John Selby "King Eider" "King Eider, Male & Female" Hand Colored Etching C.1830 Plate dimensions 24" wide x 19" high The distressed frame measures 25.75" wide x 20.75" hig...

Midcentury colorful representation of 4 coy fish by Chinese artist (signed and dated). Painted on silk. Framed and exhibited in Honk Kong. Numbered 13/30.

This artwork titled "Bird and Mouse" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...

A "Homelovers" print By permission of the Southampton Corporation, owners of the original painting Published by Frost & Reed London Art Sz: 20 1/4"H x 25 3/4"W Frame Sz: 27 1/2"H x...

This artwork titled "Emerging Insect" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Grah...

Archival pigment print on textured matte paper. Signed on back, edition of 25.

This artwork titled "Cynocephalus" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham ...

This artwork titled "Beetles #1" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vi...

Listing includes framing with UV Plexi ($1,700 value), free shipping to the continental US and a 14-day return policy. Interloper (2019) by Karen Knorr. 31.5 x 39.5 inches, 34 x 4...

Border 3 is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida (1992 - 2017). Original Etching. Hand-signed, Dated and titled in pencil on the lower ...

This artwork titled "Insect, Simulating Seeds" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown British artist Graham Vivia...

"The Holy Cow" is a contemporary work of art by Indian artist, Binay Sinha. This work depicts a cow split with a head on either side. One side is focused whil...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Abstract modern screen print of a pair of intertwining snails floating against a grey toned ombre background. Signed, titled, and editioned along the lower edge of the print. Current...

This artwork titled "Bird About to Take a Flight" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist...

This artwork titled "Hybrid" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian...

This artwork titled "Owl (Rose Ground)" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Gr...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...

Stylish equestrian image of two polo players attacking the ball Hand-coloured lithograph 1930s Art Sz: 23 3/4"H x 17 1/2"W Frame Sz: 31"H x 24 3/4"W w...

Marcus Elieser Bloch "Sparus Tetracanthus" Framed Print 20th c. This fine print is a copy from "Ichtyologie, ou Histoire Naturelle, Generale et Particuliere des Poissons" aka "Ichth...

This artwork titled "Prowling Leopard" 2003 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 64/425 in pencil by the artist. The image size is 26.5 x 35 inches, framed size is 40 x 48 inches. It is custom framed in a gold frame, with fabric matting and green/gold spacer. It is in excellent condition. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

NOZEMAN, Cornelius and Jan Christian SEPP. A Group of Four Birds Nests: NIDUS ARDEAE, Nycticoracis; NIDUS PLATALEA, Leucorodia; NIDUS ARDEAE STELLARIS and NIDUS PELECANI, Carbonis f...

Serigraph from "Visual Poetics: The Art of Donald Sultan" framed under glass in natural wood frame. Initialed and numbered. Edition 112 of 395. Framed dimensions: 19 1/2 x 19 1/4 inc...

Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...

This artwork titled " Horse pulling a Sledge" c.1950 is an original woodcut on paper by noted Japanese artist Kaoru Kawano, 1916-1965. It is hand signed in pencil by the artist, with...

This poster, produced for the 1978 International Meeting of Fine Art Dealers in Washington, features prominently one of Claude Weisbuch's dynamic images: Le Condottiere. It is an original color lithograph advertising his new works, and is one of only twenty-five that bears the artist's signature in the lower right. In line with Weisbuch's interest in the Renaissance and Baroque in Europe, this image looks back to the early modern period. Condottieri were Italian captains...

Ken Price Hermit Crab Cup 1972 Silkscreen on paper Print: 28 x 22 inches; 71 x 56 cm Frame: 30 5/8 x 24 3/4 inches; 78 x 63 cm Edition of 60 Signed, title...

Artist: Ronnie Cutrone, American (1948 - ) Title: Bugsy Miranda Year: 1988 Medium: Serigraph with acrylic paint and marker, signed and dated lower Size: 30 in. x 22.5 in. (76.2 cm x ...

Artist: Lumen Martin Winter, American (1908 - 1982) Title: Steeds of Apollo (Apollo XIII) Year: 1981 Medium: Lithograph, signed and numbered in pencil...

This rare original first edition Audubon hand-colored imperial folio-sized lithograph entitled "Mud Minimus Aud and Bach, Little Harvest Mouse, Males and Females, Natural Size" was e...

Whimsical "Long Legs" Bird With Orange Feathers Signed Lithograph 20th C The print is pencil signed and numbered Signed illegibly in the lower right ...

Cheetah Profile, 2019 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Numbered 18/20 Work on paper Red wooden frame with glass pane 44 x 59 x 1,5 cm

Raphael Macek Adornay 2020 - Afresco series 90 x 60 inches Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendary and compl...

Artist: Leonor Fini Title: La Grande Parade des Chats (The Great Parade of the Cats) Year: 1973 Medium: Color lithograph Edition: Numbered 1...

David Burdeny - Elephant mother and calf, Amboseli, Africa (BW Photograph) Archival Pigment Print Signature Label

Hand signed, titled, dated and numbered by the artist. Image size 22 x 28 inches. Sheet size 28 x 34 inches. Custom framed as pictured. From the main edition of 150. Artwork i...

Raphael Macek Domino, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one....

Raphael Macek Ornate, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one....

Raphael Macek Music, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. ...

A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Saugthiere in Abbildungen n...

This artwork titled "Chauve-Souris" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sut...

Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...

Raphael Macek Maternum, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring on...

Raphael Macek Ornate II, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring o...

In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year. Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...

Raphael Macek Domum, 2020 - Afresco series 60 x 40 inches Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

George Cronias (1925-2004) "Track Pals" Original Color Lithograph C.1960 Track pals hanging out on a nice day at Santa Anita Lithograph dimensions 17.75"...

Raphael Macek Motif, 2020 - Afresco series 41 x 27 inches 105 x 70 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendar...

Raphael Macek Calceus, 2020 - Afresco series 71 x 48 inches 180 x 120 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legen...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...