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Etching Animal Prints

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Medium: Etching
The Guitar Player
Located in Palm Springs, CA
This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Medium: Lithograph ...
Category

1980s Contemporary Etching Animal Prints

Materials

Etching

Owlphabet, etching by Kelvin Mann
Located in Palm Springs, CA
This print relates to a complete series of 26 letters done for his Alphabet portfolio. A close look at the feathers shows letters, spelling Owlphabet. The owl and other animals form ...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
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1930s Other Art Style Etching Animal Prints

Materials

Paper, Pencil, Aquatint

Soldat Seeing the Panther - Original etching
Located in Paris, IDF
Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...
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Early 20th Century Art Deco Etching Animal Prints

Materials

Etching

"Q", for Quail, from Kelvin Mann's animal Alphabet
Located in Palm Springs, CA
The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...
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2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Le Chat Sauvage - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.
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1770s Modern Etching Animal Prints

Materials

Etching

Horse head Leon Danchin original limited edition etching signed
Located in Paonia, CO
Horse Head by Leon Danchin... 1887-1938... is a handsome portrait of a thoroughbred turning his head to look behind him. Born in Lille, France Danchin began his career as an artist a...
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20th Century Etching Animal Prints

Materials

Etching

Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
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1770s Modern Etching Animal Prints

Materials

Etching

Mychael Barratt, Gormley’s Dog II, Contemporary Art, Affordable Art, Art Online
Located in Deddington, GB
Mychael Barratt Gormley’s Dog II Limited Edititon Print Edition of 100 Sheet Size: H 40cm x W 38cm Signed and Titled Sold Unframed Please note that in situ images are purely an indi...
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21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Paper, Etching

Signed and numbered Salvador Dali etching with gold dust on arches paper
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989) The beloved is as fair as a company of horses Etching with gold dust on arches. Signed and numbered ‘204 / 250’ (lower left) and ‘Dali’ (lower ...
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20th Century Surrealist Etching Animal Prints

Materials

Etching

The Donkey in the Roman Countryside - Etching After Charles Coleman-1992
Located in Roma, IT
The donkey in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of on...
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1990s Modern Etching Animal Prints

Materials

Etching

Le Margay - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...
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1770s Modern Etching Animal Prints

Materials

Etching

Cat and Mouse : Original etching, Handsigned and Numbered
Located in Paris, IDF
Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...
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1980s Modern Etching Animal Prints

Materials

Etching

Uccellini Imbalsamati (Embalmed Birds) - Etching by Luigi Bartolini - 1943
Located in Roma, IT
Image dimensions: 22.5 x 34.7 cm. Uccellini imbalsamati is an original artwork realized by the Italian artist and poet Luigi Bartolini in 1943. Original etching on paper.  Signed ...
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1940s Etching Animal Prints

Materials

Etching

Le Serval - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Serval is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
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1770s Modern Etching Animal Prints

Materials

Etching

Untitled (Horses)
By Laura Owens
Located in New York, NY
Los Angeles-based artist, Laura Owens' horse prints often incorporate her characteristic style, which challenges traditional assumptions about figuration and abstraction . Her work f...
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Early 2000s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Minna Citron, Heifer
Located in New York, NY
This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority. It is signed, dated, and annotated 'Et...
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1930s Ashcan School Etching Animal Prints

Materials

Etching

St Georges et le Dragon, Surrealist Etching by Salvador Dali 1974
Located in Long Island City, NY
Salvador Dali was a Spanish painter, printmaker, and sculptor heralded as the father of surrealism. This piece features the fabled story of Saint George gallantly slaying a dragon. T...
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1960s Surrealist Etching Animal Prints

Materials

Etching, Stencil

A Fierce Bull
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
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1910s Modern Etching Animal Prints

Materials

Drypoint, Etching

A Fierce Bull
A Fierce Bull
$1,500 Sale Price
40% Off
Gunner Riding - Original Etching by Giovanni Fattori - 1900 ca.
Located in Roma, IT
Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...
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Early 1900s Naturalistic Etching Animal Prints

Materials

Etching

"S"
Located in Palm Springs, CA
The single letter "S", from the alphabet, illustrated by a seahorses. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting Framed size: 21.63" x 25.19" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
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1770s Baroque Etching Animal Prints

Materials

Watercolor, Handmade Paper, Etching, Intaglio

A La Queue (Join the Queue) Naughty Dogs of Paris by O'Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.
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1930s Other Art Style Etching Animal Prints

Materials

Etching

Leda and the Swan
Located in West Hollywood, CA
Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...
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1920s Etching Animal Prints

Materials

Etching

Cattle Trail
Located in Houston, TX
Lovely etching of cattle and ranchers on mountain pass trail, 1991. Signed lower left. 20/50 Original artwork on paper displayed on a white mat with a gold border. Archival plasti...
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1990s Etching Animal Prints

Materials

Etching

Mychael Barratt, Yayoi Kasuma's Dog, Bright Art, Affordable Art, Humorous Art
Located in Deddington, GB
Mychael Barratt Yayoi Kasuma’s Dog Limited Edition Etching Edition of 100 Image Size: H 21.5cm x W 22cm Sheet Size: H 40cm x W 38cm Signed and titled Sold...
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2010s Contemporary Etching Animal Prints

Materials

Paper, Etching

La Quete du Graal Viviane et Lancelot di Lac
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: La Quete du Graal Viviane et Lancelot di Lac MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog ...
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1970s Surrealist Etching Animal Prints

Materials

Etching

Sheep by coast, antique colour aquatint engraving, circa 1800
Located in Melbourne, Victoria
Sheep by coast. Colour etching, circa 1800. 20cm by 26cm (sheet) 16cm by 20cm (platemark)
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19th Century Victorian Etching Animal Prints

Materials

Etching

Horse and Knight - Original Etching by Mimmo Paladino - 2008
Located in Roma, IT
Hand signed etching, 2008 Dimensions: 94,5 x 70 cm This work by is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and pro...
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Early 2000s Contemporary Etching Animal Prints

Materials

Etching

Astrology and Zodiac : Leo (Lion) - Original Etching Handisigned, 1979
Located in Paris, IDF
Raymond PEYNET Astrology - Zodiac : Leo (Lion), 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76 x 56 cm (c. 30 x 22 inches) This etching is authentified ...
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1970s Modern Etching Animal Prints

Materials

Etching

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
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1790s Northern Renaissance Etching Animal Prints

Materials

Engraving, Etching, Aquatint, Laid Paper

Sheep 7, Conceptual Etching and Screenprint by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep 7 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 78.74 cm)
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1980s Conceptual Etching Animal Prints

Materials

Etching, Screen

untitled (horseman)
Located in Palm Springs, CA
This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...
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1980s Contemporary Etching Animal Prints

Materials

Etching

Guy Allen, Horse Study Fuschia, Horse Art Prints, Limited Edition Print
Located in Deddington, GB
Horse Study Fuchsia [2020] Limited Edition Figurative Etching, Aquatint, and Screen Print on Paper Edition of 45 Image size: H:53.5 cm x W:56 cm Work: H:76...
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21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Etching, Aquatint, Screen

Jaguar Catching a Snake - Original etching
Located in Paris, IDF
Paul Jouve Jaguar Catching a Snake, c. 1926 Original etching Unsigned proof On vellum 59 x 80 cm (c. 23 x 32 in) REFERENCES : Catalog Galeries Georges Petit, 'Exposition du groupe ...
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Early 20th Century Art Deco Etching Animal Prints

Materials

Etching

Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
Located in SANTA FE, NM
Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...
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1880s French School Etching Animal Prints

Materials

Paper, Ink, Etching

Le Cheval de Briques, Modern Etching by Lucien Coutaud
Located in Long Island City, NY
Lucien Coutaud, French (1904 - 1977) - Le Cheval de Briques, Medium: Etching on BFK Rives, signed and dedicated in pencil, Image Size: 5.5 x 8.75 inches, Size: 9.75 x 13 in. (24.77...
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1950s Modern Etching Animal Prints

Materials

Etching

Italian Summer, Framed Etching by Michael Chapman
By Michael James Chaplin
Located in Brecon, Powys
Etching from the studio of this acclaimed British Watercolorist. Good condition. Image 15.5" x 11.5" English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...
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1990s Realist Etching Animal Prints

Materials

Etching

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
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Early 19th Century Realist Etching Animal Prints

Materials

Laid Paper, Drypoint, Etching

17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...
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17th Century Old Masters Etching Animal Prints

Materials

Etching

'Foul Rope (Left)' — Early American Southwest Rodeo
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...
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1920s Realist Etching Animal Prints

Materials

Etching

Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...
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1830s Victorian Etching Animal Prints

Materials

Watercolor, Engraving, Aquatint, Intaglio

Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Not framed, but matted in a handmade custom French matting Matted size: 30" x 38.75" Sheet size: 25.5" x 36" Platemark size: 20.75" x 30.25" Image size: 18.5" x 27.75" Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors Rare Notes: Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right. Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
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Early 1800s Victorian Etching Animal Prints

Materials

Watercolor, Engraving, Aquatint, Intaglio

Goldfintch - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Goldfintch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history...
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1840s Modern Etching Animal Prints

Materials

Etching

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
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20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Nightingale - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Nightingale is a Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...
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1840s Modern Etching Animal Prints

Materials

Etching

Three Cocker Spaniels original signed etching by Leon Danchin
Located in Paonia, CO
Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...
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1930s Realist Etching Animal Prints

Materials

Etching

17th century etching Rembrandt landscape house trees field sky cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
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17th Century Renaissance Etching Animal Prints

Materials

Etching

Helen Fay, Brodie Standing, Limited Edition Print, Dog Art, Affordable Art
Located in Deddington, GB
Brodie Standing [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition of 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look N.B. Original Print, handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...
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21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Paper, Etching

Chemin de Halage
Located in San Francisco, CA
This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...
Category

Early 20th Century Impressionist Etching Animal Prints

Materials

Etching, Aquatint

BROWN TROUT
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category

1970s Etching Animal Prints

Materials

Etching, Aquatint

Tauromachie Surrealiste The Giraffe on Fire
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...
Category

1970s Surrealist Etching Animal Prints

Materials

Etching

Le Chats Des Chartreux - Etching by Louis-Simon Lempereur - 1771
Located in Roma, IT
Le Chats Des Chartreux is an etching realized by Louis-Simon Lempereur in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
Category

1770s Modern Etching Animal Prints

Materials

Etching

"X", for Xingu River Ray, from Kelvin Mann's animal alphabet
Located in Palm Springs, CA
Searching for a "PG rated" image - Xingu River ray, illustrates the letter "X", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio box...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

"Z", for Zoo from Kelvin Mann's animal alphabet
Located in Palm Springs, CA
"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in fol...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

"K", for Kiwi from Kelvin Mann's animal alphabet
Located in Palm Springs, CA
The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

A Burro Train, New Mexico
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category

Late 19th Century American Realist Etching Animal Prints

Materials

Laid Paper, Etching

The Cow, etching by Stan Washburn
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 100. In individual prints, and his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravi...
Category

1970s Contemporary Etching Animal Prints

Materials

Etching

The Analysis of the Hunting Field - Etching by Henry Alken- 1846
Located in Roma, IT
Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...
Category

Mid-19th Century Modern Etching Animal Prints

Materials

Etching

A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Etching Animal Prints

Materials

Laid Paper, Etching

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available

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