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Medium: Etching
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Robert Henry Lewis, Modernist etching of Sofie the sleeping cat
Located in Harkstead, GB
Robert Henry Lewis (mid 20th Century) "Sofie: : A sleeping cat Signed, numbered 4/5 and dated "(19)64" beneath in image in pencil Titled, "Sofie" Etching 5.5 x 6.5 inches (image) 14....
Category

Mid-20th Century Modern Etching Animal Prints

Materials

Paper, Etching

untitled (horseman)
Located in Palm Springs, CA
This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...
Category

1980s Contemporary Etching Animal Prints

Materials

Etching

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Etching Animal Prints

Materials

Handmade Paper, Drypoint, Etching

Félicité Sleeping with Parrot, from: Illustration for a Simple Heart of Gustave
Located in London, GB
This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin. It is also hand signed in pencil from the edition of 100, at the...
Category

1970s Etching Animal Prints

Materials

Etching, Aquatint

Conquest of Cosmos Saturnian Giraffe
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Conquest of Cosmos Saturnian Giraffe MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 27.5" x 38.5" YEAR: 1974...
Category

1970s Surrealist Etching Animal Prints

Materials

Etching

A La Queue (Join the Queue) Naughty Dogs of Paris by O'Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.
Category

1930s Other Art Style Etching Animal Prints

Materials

Etching

'Foul Rope (Left)' — Early American Southwest Rodeo
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...
Category

1920s Realist Etching Animal Prints

Materials

Etching

Lizards - Original handsigned etching / 90ex
Located in Paris, IDF
Mikio WATANABE (1954-) Lizards , 2003 Original etching (Mezzotint) Signed and dated in pencil Numbered / 90 ex On vellum 57 x 35 cm (c. 22.4 x 13.7 inch) Excellent condition
Category

Early 2000s Modern Etching Animal Prints

Materials

Mezzotint, Etching

La PEtite Chouette 2
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: La Petite Chouette 2 MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 12" x 18" YEAR: 1968 FRAMED: No CONDI...
Category

1960s Surrealist Etching Animal Prints

Materials

Etching

Owl - Etching by Leo Guida - 1972
Located in Roma, IT
Owl is an original black and white etching realized in 1972 by Leo Guida. Hand-signed and dated by the artist on the lower margin. Edition of 11/30. Includes frame: 80 x 2.5 x 59 ...
Category

1970s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Not an oversea jay. Limited edition print Animal, Bird, Realistic, Polish artist
Located in Warsaw, PL
Contemporary etching print by Polish artist Marian Bocianowski. The print depicts a jay standing in a wintery scene. There is church behind her and house with snow on the roof next t...
Category

Early 2000s Other Art Style Etching Animal Prints

Materials

Paper, Etching

Pigeon - Etching by Enotrio Pugliese - 1963
Located in Roma, IT
Pigeon is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 18 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (M...
Category

1960s Contemporary Etching Animal Prints

Materials

Etching

Leda and the Swan
Located in West Hollywood, CA
Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...
Category

1920s Etching Animal Prints

Materials

Etching

Astrology and Zodiac : Leo (Lion) - Original Etching Handisigned, 1979
Located in Paris, IDF
Raymond PEYNET Astrology - Zodiac : Leo (Lion), 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76 x 56 cm (c. 30 x 22 inches) This etching is authentified ...
Category

1970s Modern Etching Animal Prints

Materials

Etching

"Q", for Quail, from Kelvin Mann's animal Alphabet
Located in Palm Springs, CA
The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

To the Sea
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category

1960s American Modern Etching Animal Prints

Materials

Aquatint

To the Sea
To the Sea
$131 Sale Price
34% Off
Le Jaguar - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Jaguar is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la desc...
Category

1770s Modern Etching Animal Prints

Materials

Etching

A Fierce Bull
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category

1910s Modern Etching Animal Prints

Materials

Drypoint, Etching

A Fierce Bull
A Fierce Bull
$1,500 Sale Price
40% Off
Der Beobachter, Modern Etching by Oskar Kokoschka
Located in Long Island City, NY
Oskar Kokoschka, Austrian (1886 - 1980) - Der Beobachter, Year: circa 1959, Medium: Etching on natural laid paper, signed and numbered in pencil, Edition: 96, Image Size: 9.25 x 7 ...
Category

1950s Modern Etching Animal Prints

Materials

Etching

A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Etching Animal Prints

Materials

Laid Paper, Etching

Galloping Horse - Etching by Jean-Marie Guiny - 2000s
Located in Roma, IT
Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...
Category

Early 2000s Modern Etching Animal Prints

Materials

Etching

"S"
Located in Palm Springs, CA
The single letter "S", from the alphabet, illustrated by a seahorses. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

Chemin de Halage
Located in San Francisco, CA
This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...
Category

Early 20th Century Impressionist Etching Animal Prints

Materials

Etching, Aquatint

The Old Horse - Etching by Giovanni Fattori - 1900-1908 ca.
Located in Roma, IT
Image dimensions: 20.2 x 15.3 cm. The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...
Category

Early 1900s Naturalistic Etching Animal Prints

Materials

Etching

Framed 20th Century Etching - A Cock Fight
Located in Corsham, GB
A dynamic, illustrative etching depicting two cockerels mid-fight, wings spread and spurs at the ready. Inscribed '1o ETAT' to the lower margin. Presented in a slim wooden frame with...
Category

20th Century Etching Animal Prints

Materials

Etching

A stork. Contemporary figurative print, Animal, Bird, Colourful, Polish artist
Located in Warsaw, PL
Small scale contemporary figurative etching print by Polish artist Marian Bocianowski. Artwork depicts a stork standing in a meadow. There is rural landscape in the backround. Main ...
Category

2010s Other Art Style Etching Animal Prints

Materials

Paper, Etching

Tiger Eating - Original etching (Marcilhac #370)
Located in Paris, IDF
Paul Jouve Tiger Eating, c. 1931 Original etching Unsigned proof On vellum 42 x 50 cm (c. 16 x 20 in) REFERENCES : Félix Marcilhac, "Paul Jouve, Peintre sculpteur animalier", Les É...
Category

Early 20th Century Art Deco Etching Animal Prints

Materials

Etching

The Cat - Original Etching by Giselle Halff - 1950s
Located in Roma, IT
The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .
Category

1950s Modern Etching Animal Prints

Materials

Etching

"K", for Kiwi from Kelvin Mann's animal alphabet
Located in Palm Springs, CA
The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges' Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Skeleton of the Wolf - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Skeleton of a Fox - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Horns - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Helen Fay, Brodie Standing, Limited Edition Print, Dog Art, Affordable Art
Located in Deddington, GB
Brodie Standing [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition of 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look N.B. Original Print, handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...
Category

21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Paper, Etching

Skeleton of the Buffalo - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Etching Animal Prints

Materials

Drypoint, Etching

Le Ganga - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

La Gélinote - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Skeletons - Etching after Jacques De seve - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category

Early 17th Century Etching Animal Prints

Materials

Etching

Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America' Colour aquatint by Merke after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Minna Citron, Heifer
Located in New York, NY
This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority. It is signed, dated, and annotated 'Et...
Category

1930s Ashcan School Etching Animal Prints

Materials

Etching

Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer Horns  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....
Category

1770s Modern Etching Animal Prints

Materials

Etching

Hooked Salmon, angling fish etching by George Marples, circa 1920
Located in Melbourne, Victoria
Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...
Category

1920s Other Art Style Etching Animal Prints

Materials

Etching, Drypoint

Medusa (Blue)
Located in London, GB
Cathrine Raben Davidsen Medusa (Blue), 2024 46 × 37 cm Edition of 42 hand-signed and nubered by the artist Cathrine Raben Davidsen (b. 1972) is a Danish artist based in Copenhagen, ...
Category

2010s Contemporary Etching Animal Prints

Materials

Etching

Bulls - Original Etching by M. Chirnoaga - Late 20th Century
Located in Roma, IT
Minotaur is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The...
Category

Late 20th Century Contemporary Etching Animal Prints

Materials

Etching

Guy Allen, Dachshund and Butterfly, Affordable Animal Art, Limited Edition Print
Located in Deddington, GB
Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...
Category

21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Paper, Etching

Birds - XXI century, Figurative print, Black and white, Animals
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Etching Animal Prints

Materials

Paper, Etching

Deer Horns - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Fantastic Zoology I.
Located in Slovak Republic, SK
Lovely etching, framed, with fine art glass. Signed, E/A.
Category

20th Century Abstract Etching Animal Prints

Materials

Etching

Goat - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category

Early 17th Century Etching Animal Prints

Materials

Etching

Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
Located in SANTA FE, NM
Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...
Category

1880s French School Etching Animal Prints

Materials

Paper, Ink, Etching

Goldfintch - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Goldfintch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history...
Category

1840s Modern Etching Animal Prints

Materials

Etching

A wren. Contemporary figurative print, Animal, Bird, Colourful, Polish artist
Located in Warsaw, PL
Small scale contemporary figurative etching print by Polish artist Marian Bocianowski. Artwork depicts a wren standing in a meadow. There are flowers behind it. Main colors are gree...
Category

2010s Other Art Style Etching Animal Prints

Materials

Paper, Etching

Resting. Contemporary Figurative Etching Print, Female Nude, Polish artist
Located in Warsaw, PL
Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a woman laying on her side with head resting on her arm. Artwork is monochromati...
Category

2010s Contemporary Etching Animal Prints

Materials

Paper, Etching

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Etching Animal Prints

Materials

Drypoint, Aquatint

Ancient Roman Statue of a Horse - Original Etching by Carlo Nolli - 1700s
Located in Roma, IT
Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th ce...
Category

18th Century Old Masters Etching Animal Prints

Materials

Etching

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available

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