Etching Animal Prints
to
106
1,071
239
172
33
16
Overall Width
to
Overall Height
to
701
253
133
84
15
13
6
5
5
4
2
1
62
46
42
37
31
545
227
569
194
7
8
24
27
15
30
44
162
54
61
526
935
556
38
599
558
491
307
282
175
139
135
126
115
84
78
72
64
55
51
50
47
46
42
2,249
1,535
1,259
690
520
109
946
865
390
Medium: Etching
A La Queue (Join the Queue) Naughty Dogs of Paris by O'Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is t...
Category
1930s Other Art Style Etching Animal Prints
Materials
Etching
$440 Sale Price
20% Off
Salvador Dali - The Oak and the Reed - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI
The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine
1974
Hand signed by Dali
Edition: /250
Conditions: A small tear defect has been restaured...
Category
1970s Surrealist Etching Animal Prints
Materials
Drypoint, Aquatint
Minne Playing with a Cat (Minne Jouant avec un Chat)
Located in New York, NY
Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...
Category
Early 1900s Impressionist Etching Animal Prints
Materials
Drypoint, Etching, Aquatint
Untitled
Located in Toronto, Ontario
Stanley Whitney (b.1946) is a contemporary African-American abstract painter known for his signature composition of loose grids of saturated color. Whitney holds an MFA from Yale Uni...
Category
2010s Abstract Etching Animal Prints
Materials
Etching
Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet
Le Chat et les Fleurs (from "Les Chats par Champfleury")
1869
Etching and aquatint on Rives paper
Image: 6.25 x 5.125 (17.3 × 13 cm)
Plate: 8 x 6 inches (20.3 x 15.2 c...
Category
1860s Impressionist Etching Animal Prints
Materials
Etching, Aquatint
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Leonor Fini - Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture...
Category
1980s Modern Etching Animal Prints
Materials
Etching
You, Me and Rose on the Sea
Located in Toronto, ON
4 1/4" x 6" Unframed
Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured
Hand signed by Mariko Ando 2021
Category
2010s Etching Animal Prints
Materials
Etching
Carmen, The Bull's Horns - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO
Carmen, The Bull's Horns, 1949
Original burin engraving (Atelier Lacourière, Paris)
Unsigned
On Montval wove paper 33 x 26 cm (12.9 x 10.2 in)
REFERENCES :
- Catalog...
Category
1940s Modern Etching Animal Prints
Materials
Etching
Leonor Fini - Cats Trio - Original Hand-Signed Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985
Hand-Signed
Conditions: excellent
Edition: 71/100
Support: Arches paper.
Dimensions: Pape...
Category
1980s Modern Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep tree black and white signed
Located in Milwaukee, WI
"Ram Eating Bark" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams.
3 3/4" x 7 3/4" art
16 3/8" x 19 1/8" f...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Facing Each Other" is an original etching by Karel DuJardin. The artist signed the plate. DuJardin completed many delicate etchings of rams.
...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
Mr. Ginguelino
Located in New York, NY
Color etching. Image Size: 8 ¼ x6.” Full margins. Signed lower right
Son of the famous publisher and etcher Auguste Delâtre,
Eugène Delâtre was to bec...
Category
1890s Art Nouveau Etching Animal Prints
Materials
Etching
Turtle Fishing in the Water, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Fishing in the Water'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Leonor Fini - Purple Surrealist Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down, One Quarter View, One Straight Ahead" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of ram...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Etching Animal Prints
Materials
Etching, Aquatint
$996 Sale Price
20% Off
The Obscure Fable, by Stan Washburn
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 120. In individual prints, and in his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravings and tongue-in-cheek wit. This image of a rhinoceros and a lamb, hints at an imaginary fable similar to the lion and the lamb.
Stan Washburn...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Etching Animal Prints
Materials
Etching
Wassily Kandinsky - Horse Knight - Original Etching
Located in Collonge Bellerive, Geneve, CH
Wassily Kandinsky - Horse Knight - Original Etching
32 x 24 cm
1966
From the art review XXe siècle, San Lazzaro
Unsigned and unumbered as issued
Category
1960s Abstract Geometric Etching Animal Prints
Materials
Etching
A Yorkshire Dell or The Heron’s Pool.
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Etching Animal Prints
Materials
Mezzotint, Etching
$1,000 Sale Price
20% Off
Guy Allen, Dachshund and Butterfly, Affordable Animal Art, Limited Edition Print
By Guy Allen
Located in Deddington, GB
Guy Allen
Dachshund and Butterfly
Etching
Edition Size: 75
Year Completed: 2015
Image Size: H 40m x W 54 cm
Approximate Size When Framed: H 69c...
Category
21st Century and Contemporary Contemporary Etching Animal Prints
Materials
Paper, Etching
CANGREJO MANO LARGA
Located in New York, NY
paper: 22 x 15 in.
printed image: 4 3/4 x 6 in.
english translation: Long Hand Crab
Latin
Category
Late 20th Century Post-Modern Etching Animal Prints
Materials
Archival Paper, Drypoint, Etching, Aquatint
l' Ivrogne et sa Femme
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: l'Ivrogne et sa Femme
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Montval Laid paper
Image ...
Category
Early 20th Century Modern Etching Animal Prints
Materials
Etching
Moon Cycle, Psychedelic Aquatint Etching by Jean Richardson
Located in Long Island City, NY
Moon Cycle - State V by Jean Richardson, American (1940)
Date: 1990
Aquatint Etching, Signed and numbered in pencil
Edition of 1/50
Size: 47.5 in. x 31.5 in...
Category
1990s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"Tattoos" 2003 unique engraving etching with 12 plates 34x48 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'Tatuajes (Ensemble 12 plates)', 2003
engraving on paper Deponte 300 g.
33.5 x 48.5 in. (85 x 123 cm.)
Edition of 1
Category
Early 2000s Contemporary Etching Animal Prints
Materials
Etching
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Wolf
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Etching
Kerr Eby Shepherd and His Flock
By Kerr Eby
Located in San Francisco, CA
Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...
Category
Early 20th Century Realist Etching Animal Prints
Materials
Etching
Félicité Sleeping with Parrot, from: Illustration for a Simple Heart of Gustave
Located in London, GB
This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin.
It is also hand signed in pencil from the edition of 100, at the...
Category
1970s Etching Animal Prints
Materials
Etching, Aquatint
Betelgeuse
Located in Toronto, ON
Image Size: 7" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2013
Category
2010s Etching Animal Prints
Materials
Etching
Tiger and Python by Orovida Pissarro, 1917 - Etching Print
Located in London, GB
SOLD UNFRAMED
Tiger and Python by Orovida Pissarro (1893 - 1968)
Etching
22.5 x 27 cm (8 ⅞ x 10 ⅝ inches)
Signed, inscribed with title and dated 1917
State 1, no. 9/10
Provenance...
Category
1910s Etching Animal Prints
Materials
Etching
Hiding From the Lord
Located in Palm Springs, CA
Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene.
Signed, titled and num...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Veterinarian, Animal Lover - Original etching, Handsigned & Numbered /80
By Miguel Conde
Located in Paris, IDF
Miguel CONDÉ (1939-)
Veterinarian, Animal Lover, 1981
Original etching
Signed in pencil
Numbered / 80 copies
On vellum, 24 x 16.5 cm (c 10 x 6.5 in)
Excellent condition
Category
1980s Modern Etching Animal Prints
Materials
Etching
Head of a Bull (Plate XXXII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Head of a Bull (Plate XXXII)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Sheet Size: 13" x 10 3/16"
Signed: No (signe...
Category
1940s Cubist Etching Animal Prints
Materials
Etching
A Burro Train, New Mexico
By Peter Moran
Located in San Francisco, CA
This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163.
About the artist:
The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer.
Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs.
In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...
Category
Late 19th Century American Realist Etching Animal Prints
Materials
Etching
Zebra and foal by Orovida Pissarro - Animal etching
Located in London, GB
Zebra and foal by Orovida Pissarro (1893-1968)
Etching
20 x 17.3 cm (7⁷/₈ x 6³/₄ inches)
Signed and dated lower right Orovida 1938
Titled lower middle and numbered 4/50 lower right
...
Category
1930s Etching Animal Prints
Materials
Etching
Print by Georges Manzana Pissarro 'La Bergère Turque' (The Turkish Shepherdess)
Located in London, GB
'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961)
Etching
33.5 x 27 cm (13 ¼ x 10 ¾ inches)
Signed lower left, Manzana Pissarro, titled and inscri...
Category
1920s Post-Impressionist Etching Animal Prints
Materials
Etching
WINTER WILDFOWLING
By Frank Benson
Located in Portland, ME
Benson, Frank. WINTER WILDFOWLING. Etching, 1927. Paff 265. Edition of 150. Signed in pencil, lowwer left. 11 7/8 x 9 7/8 inches (plate), 14 1/2 x 12 1/2 inches (sheet). Printed on W...
Category
1920s Etching Animal Prints
Materials
Etching
Siamese Cats by Orovida Pissarro - Animal etching
Located in London, GB
SOLD UNFRAMED
Siamese Cats by Orovida Pissarro (1893-1968)
Etching
10 x 7.5 cm (4 x 3 inches)
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...
Category
1940s Etching Animal Prints
Materials
Etching
$1,052 Sale Price
20% Off
Cheval, Modern Etching and Aquatint by Andre Francois
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x 22.5 ...
Category
1960s Modern Etching Animal Prints
Materials
Etching, Aquatint
Surprise Mail
Located in Toronto, ON
Image Size: 7" x 5.5" Unframed
Limited Edition Etching of 25
Hand Signed by Mariko Ando
2009
Category
Early 2000s Etching Animal Prints
Materials
Etching
The Forbidden Tree, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching
Edition of 90
Year: 1977
ImageSize: 4 x 4 inches
Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Sommets d'Auvergnelaure - Etching by Jules Laurens - 1870s
Located in Roma, IT
Sommets d'Auvergnelaure is a black and white etching realized by Jules Laurens (1825–1901) in 1870s.
Titled in the lower.
Image size: 23cmx30.5cm.
Very Good condition.
Signed in ...
Category
1870s Modern Etching Animal Prints
Materials
Etching
The Lion - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a...
Category
Early 17th Century Etching Animal Prints
Materials
Etching
Fish, Surrealist Etching by Rita Simon
By Rita Simon
Located in Long Island City, NY
Rita Simon (aka Atirnomis), American (1938 - ) - Fish, Year: 1972, Medium: Etching, signed and dated in the plate, Size: 24 x 30.5 in. (60.96 x 77.47 cm)
Category
1970s Surrealist Etching Animal Prints
Materials
Etching
Fear by Orovida Pissarro, 1917 - Etching Print
Located in London, GB
SOLD UNFRAMED
Fear by Orovida Pissarro (1893 - 1968)
Etching
26 x 19.5 cm (10 ¼ x 7 ⅝ inches)
Signed and dated lower right, Orovida 1917
State 2, trial proof no.2
Provenance
Priva...
Category
1910s Etching Animal Prints
Materials
Etching
Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Shooting an African Buffalo, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting an African Buffalo'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
The Parlour
Located in Llanbrynmair, GB
’The Parlour’
By Richard Bawden
Medium - Etching
Signed - Yes
Edition - 33/85
Size - 775mm x 570mm
Richard Bawden 1936
Painter and printmaker, born i...
Category
Late 20th Century Other Art Style Etching Animal Prints
Materials
Etching
The Lion and the Gnat
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: The Lion and the Gnat
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Japan
Image (plate mark) ...
Category
Early 20th Century Modern Etching Animal Prints
Materials
Etching
Belgian sheep dogs II and III. Contemporary Figurative Etching Print, Animals
Located in Warsaw, PL
Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts three dogs standing in line, each in different pose. Artist's unique technique o...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Paper
Dog and Snipe original signed limited edition etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Leon Danchin, born in Lille, France in 1887 began his career as an artist at the age of sixteen when he was accepted by the Salon des Artists in Paris. He eventually became known as ...
Category
20th Century Realist Etching Animal Prints
Materials
Etching
Owl - Etching by Leo Guida - 1972
By Leo Guida
Located in Roma, IT
Owl is an original black and white etching realized in 1972 by Leo Guida.
Hand-signed and dated by the artist on the lower margin.
Edition of 11/30.
Includes frame: 80 x 2.5 x 59 ...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Etching Animal Prints
Materials
Etching
Ellissostomi - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
1830s Modern Etching Animal Prints
Materials
Etching
$167 Sale Price
30% Off
Downtown Lion (1st State), Pop Art Etching on paper unique signed Printers Proof
By Larry Rivers
Located in New York, NY
Larry Rivers
Downtown Lion (1st State), 1967
Etching on wove paper, signed, inscribed and dated with blind stamps
Signed, dated and inscribed in graphite; Printers Proof aside from ...
Category
1960s Pop Art Etching Animal Prints
Materials
Etching
Etching animal prints for sale on 1stDibs.
Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available