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Medium: Etching
Pelicans, by Stephen McMillan
Located in Palm Springs, CA
The wildlife and scenery of the Pacific Northwest is the constant focus for McMillan, who spends a lot of his time backpacking and hiking to find the inspiration for his prints like ...
Category

2010s Etching Animal Prints

Materials

Etching, Aquatint

Kurt Meyer-Eberhardt (1895-1977) - Early 20th Century Etching, The Meeting
Located in Corsham, GB
A humorous etching by the artist Kurt Meyer-Eberhardt (1895-1977) depicting the meeting of an unusual group of birds. Signed to the lower right. Presented in a gilt frame with a deli...
Category

20th Century Etching Animal Prints

Materials

Etching

Lakeshore, landscape by lake, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....
Category

1980s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

C. Hunt (1803-1877) after J.F. Herring (1795-1865) - Aquatint, The Baron
By C. Hunt
Located in Corsham, GB
A fine etching by Charles Hunt (1803-1877) and coloured using aquatint by C. Simpson after a painting by John Frederick Herring (1795-1865). It depicts The Baron, a Thoroughbred race...
Category

19th Century Etching Animal Prints

Materials

Aquatint

Which Occurred in My Garden, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching Edition of 100 Year: 1971 ImageSize: 16 x 11.5 inches Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...
Category

1970s Contemporary Etching Animal Prints

Materials

Etching

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

1920s Academic Etching Animal Prints

Materials

Paper, Etching

'Lida & the Swan', New York Armory Show, Ashcan School, ASL, NYMOMA, AIC, LACMA
Located in Santa Cruz, CA
Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise...
Category

Early 1900s Etching Animal Prints

Materials

Paper, Aquatint

German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Fiel...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Bulls Fighting /// Antique Victorian Animal Landscape Etching Landscape Horse
Located in Saint Augustine, FL
Artist: (after) James Ward (English, 1769-1859) Title: "Bulls Fighting" Portfolio: The Portfolio *Signed by Wise in pencil lower right. It is also signed in the plate (printed signat...
Category

1870s Victorian Etching Animal Prints

Materials

Laid Paper, Etching, Intaglio

l' Ivrogne et sa Femme
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985) Title: l'Ivrogne et sa Femme Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image ...
Category

Early 20th Century Modern Etching Animal Prints

Materials

Etching

Félicité Sleeping with Parrot, from: Illustration for a Simple Heart of Gustave
Located in London, GB
This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin. It is also hand signed in pencil from the edition of 100, at the...
Category

1970s Etching Animal Prints

Materials

Etching, Aquatint

Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
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Early 20th Century Modern Etching Animal Prints

Materials

Etching

Cudham, Kent
Cudham, Kent
$2,800 Sale Price
20% Off
Cheval Noir, Modern Etching and Aquatint by Andre Francois
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval Noir, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size: 15.5 x ...
Category

1960s Modern Etching Animal Prints

Materials

Etching, Aquatint

20th century etching animal print black and white cows farm scene sketch signed
Located in Milwaukee, WI
"Bovine Family" is an original etching by Leroy Neiman. The artist signed the piece lower left. It is edition 182/250 and dated 1980. It depicts a cow an...
Category

1980s Modern Etching Animal Prints

Materials

Etching

Lilypad Swans
Located in Houston, TX
Elegant etching of pair of swans by French artist Francois Soulas, 1969. Signed in pencil lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...
Category

1960s Etching Animal Prints

Materials

Etching

Cheval jaune et bleu, Modern Etching and Aquatint by Andre Francois
Located in Long Island City, NY
Andre Francois, Hungarian (1915 - 2005) - Cheval jaune et bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size:...
Category

1960s Modern Etching Animal Prints

Materials

Etching, Aquatint

Het leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard
By Dirk Stoop
Located in Saint Augustine, FL
Artist: Dirk Stoop (Dutch, c.1615-1686) Title: "Het leeuwendeel (The Lion's Share)" Portfolio: The Fables of Aesop Year: 1665 (an earlier state of unknown states) Medium: Original Et...
Category

1660s Old Masters Etching Animal Prints

Materials

Gesso, Laid Paper, Etching, Intaglio

Veterinarian, Animal Lover - Original etching, Handsigned & Numbered /80
Located in Paris, IDF
Miguel CONDÉ (1939-) Veterinarian, Animal Lover, 1981 Original etching Signed in pencil Numbered / 80 copies On vellum, 24 x 16.5 cm (c 10 x 6.5 in) Excellent condition
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1980s Modern Etching Animal Prints

Materials

Etching

Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

The Wild Cat (Chat Sauvage)
Located in Middletown, NY
Etching on cream laid paper, full margins. From Eaux-Fortes Animaux & Paysages. [Beraldi II.140.34] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
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Mid-19th Century Barbizon School Etching Animal Prints

Materials

Laid Paper, Etching

Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...
Category

1860s Impressionist Etching Animal Prints

Materials

Etching, Aquatint

Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
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Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Chimera No. 5
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Etching Animal Prints

Materials

Paper, Etching, Aquatint

Chimera No. 2
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Etching Animal Prints

Materials

Paper, Etching, Aquatint

Bulls and a Frog - Original Etching - Ref. Sorlier #106
Located in Paris, IDF
Marc Chagall Fables : Bulls and a Frog , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery a...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Death and The Lumberjack - Original Etching - Ref. Sorlier #101
Located in Paris, IDF
Marc Chagall Fables : Death and The Lumberjack, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the ga...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Le Singe à l'électronique, by Pierre-Yves Trémois
Located in Palm Springs, CA
Pierre-Yves Trémois’s Le singe à l’électronique (1976) merges scientific imagery with primal instinct, juxtaposing a pensive baboon beside circuit-like engravings and a serene human ...
Category

1980s Etching Animal Prints

Materials

Engraving, Etching

Le Cerf De Corse - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...
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1770s Modern Etching Animal Prints

Materials

Etching

Peter Moran (1841-1914) - Framed Etching, On the Road to Santa Fe
Located in Corsham, GB
An original etching by Peter Moran (1841-1914). On the Road to Santa Fe. Presented in a Hogarth style frame with an antique white mount. Signed in plate to the lower right and again ...
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Late 19th Century Etching Animal Prints

Materials

Etching

Sandwich Tern (with Florida Cray Fish) (Florida Keys) /// Ornithology Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfolio: The Birds of America, Ha...
Category

1830s Victorian Etching Animal Prints

Materials

Gold Leaf

La Notte di Felix - Etching by Isabella Collodi - 2000
Located in Roma, IT
Etching made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 70cm x 40cm, work size 40cmx20cm . Excellent condition, no defects. Work number P.A. ; work title “La Notte ...
Category

Early 2000s Contemporary Etching Animal Prints

Materials

Etching

Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Category

1990s Contemporary Etching Animal Prints

Materials

Drypoint, Etching, Aquatint

Le Tapir - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Tapir is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Mouse and Chair
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 (762 x 571 mm), full margins. Signed and numbered 20/50 in penc...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

The Rat and the Elephant - Original Etching - Ref. Sorlier #179
Located in Paris, IDF
Marc Chagall Fables : The Rat and the Elephant, 1952 Original etching Printed signature in the plate On Montval vellum 39 x 30 cm (c. 15.5 x 12 in) With COA of the gallery and photo...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Grallae - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...
Category

1830s Modern Etching Animal Prints

Materials

Etching

Watchdog, from Eaux-Fortes Animaux & Paysages
Located in Middletown, NY
Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full margins. Minor uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.24...
Category

Mid-19th Century French School Etching Animal Prints

Materials

Laid Paper, Etching

Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting' Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Kurt Meyer-Eberhardt (1895-1977) - Framed Etching, Study of a Foal
Located in Corsham, GB
A hyper-realistic etching of a foal's head by the well-listed German artist Kurt Meyer-Eberhardt (1895-1977). This particular print is a restrike produced from the artist's original ...
Category

Early 20th Century Etching Animal Prints

Materials

Etching

Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Engraving, Etching

"Our time", 1977 original linocut signed limited edition 24x18in Cuban Latin art
Located in Miami, FL
Ernesto Garcia Peña (Cuba, 1949) 'Our time" (from Porfolio Grabados Cubanos)', 1977 linocut print on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 Ref: GAE-309...
Category

1970s Contemporary Etching Animal Prints

Materials

Paper, Engraving, Etching, Aquatint, Screen, Linocut

Girls and Pigs - Etching by William Ward After George Morland - 1797
Located in Roma, IT
Image dimensions: 38.2 x 45.7 cm. Girl and Pigs is an original etching, hand-colored, d'après George Morland. Interesting artist's proof by William Ward ...
Category

1790s Etching Animal Prints

Materials

Etching

Le Porc - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Porc is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Covey of Grouse I & II by Guy Allen. Diptych of etchings with wooden frames
Located in Coltishall, GB
Covey of Grouse I and II are a celebration of game birds in flight. A moment after taking off the birds have scattered in an explosion of aerial speed and agility. The etching reve...
Category

21st Century and Contemporary Contemporary Etching Animal Prints

Materials

Paper, Etching

Alice In Wonderland: CHESHIRE CAT Signed Etching, Grinning Cat, Erotic Drawing
Located in Union City, NJ
Alice In Wonderland: CHESHIRE CAT is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmak...
Category

1970s Contemporary Etching Animal Prints

Materials

Etching

From the suite "Les Fables De La Fontaine" original etching
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...
Category

Early 20th Century Modern Etching Animal Prints

Materials

Etching

Sea Dragon - Etching by M. Chirnoaga - Late 20th Century
Located in Roma, IT
Sea Dragon is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subj...
Category

Late 20th Century Contemporary Etching Animal Prints

Materials

Etching

Downtown Lion (1st State), Pop Art Etching on paper unique signed Printers Proof
Located in New York, NY
Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...
Category

1960s Pop Art Etching Animal Prints

Materials

Etching

The Lion and the Gnat
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985) Title: The Lion and the Gnat Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Japan Image (plate mark) ...
Category

Early 20th Century Modern Etching Animal Prints

Materials

Etching

Birds in Love, Folk Art Etching by Mireille Kramer
Located in Long Island City, NY
Mireille Kramer, Egyptian/American (1932 - ) - Birds in Love, Year: circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 14 x 17 inches, ...
Category

1980s Folk Art Etching Animal Prints

Materials

Etching

The Stag Reflected in the Water - Etching - 1974
Located in Roma, IT
The Stag Reflected in the Water is an artwork realized in 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the...
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20th Century Surrealist Etching Animal Prints

Materials

Etching

Homo Ludens - Etching by Sergio Barletta - 1960s
Located in Roma, IT
Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...
Category

1960s Contemporary Etching Animal Prints

Materials

Etching

Oak and Reed - Original Etching - Ref. Sorlier #105
Located in Paris, IDF
Marc Chagall Fables : Oak and Reed , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery and ...
Category

1950s Modern Etching Animal Prints

Materials

Etching, Aquatint

Tippoo, antique India sheep aquatint engraving, circa 1780
Located in Melbourne, Victoria
‘Tippoo - A Ram of the Mysore breed in the East Indies, sent by Dr. Anderson of Madrass to Sir John Sinclair, Bt & presented by him to His Royal Highness...
Category

19th Century Victorian Etching Animal Prints

Materials

Aquatint

The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Etching Animal Prints

Materials

Drypoint, Etching

Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Engraving, Etching

A La Queue (Join the Queue) Naughty Dogs of Paris by O'Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is t...
Category

1930s Other Art Style Etching Animal Prints

Materials

Etching

Shooting an African Buffalo, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting an African Buffalo' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Le Pigeon- Paon - Etching by Jacques Menil - 1771
Located in Roma, IT
Le Pigeon- Paon is an etching realized by Jacques Menil in 1771.Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...
Category

1770s Modern Etching Animal Prints

Materials

Etching

Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available

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