Etching Animal Prints
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Medium: Etching
Rhinoceros
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Rhinoceros
MEDIUM: Etching
SIGNED: Hand Signed
PUBLISHER: Michelle Broutta, Paris
EDITION NUMBER: 97/150
MEASUREMENTS: 35.4" x 25"
YEAR: 1971
F...
Category
1970s Surrealist Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Facing Each Other" is an original etching by Karel DuJardin. The artist signed the plate. DuJardin completed many delicate etchings of rams.
...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
Surprise Mail
Located in Toronto, ON
Image Size: 7" x 5.5" Unframed
Limited Edition Etching of 25
Hand Signed by Mariko Ando
2009
Category
Early 2000s Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down, One Quarter View, One Straight Ahead" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of ram...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media Framed
Located in New York, NY
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil sign...
Category
1970s Abstract Expressionist Etching Animal Prints
Materials
Mixed Media, Pencil, Graphite, Engraving, Drypoint, Etching, Aquatint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Which Occurred in My Garden, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching
Edition of 100
Year: 1971
ImageSize: 16 x 11.5 inches
Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
The Forbidden Tree, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching
Edition of 90
Year: 1977
ImageSize: 4 x 4 inches
Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
George Edwards: c18th Engravings of Birds in Decalcomania Frames
Located in Richmond, GB
George Edwards: "A History of Uncommon Birds", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...
Category
18th Century Etching Animal Prints
Materials
Watercolor, Etching
Peter Moran (1841-1914) - Framed Etching, On the Road to Santa Fe
By Peter Moran
Located in Corsham, GB
An original etching by Peter Moran (1841-1914). On the Road to Santa Fe. Presented in a Hogarth style frame with an antique white mount. Signed in plate to the lower right and again ...
Category
Late 19th Century Etching Animal Prints
Materials
Etching
Venados (Deer), circa 1975-1985, (A/P)
Located in San Francisco, CA
Francisco Toledo
Venados (Deer), circa 1975-1985
Color etching and aquatint
Plate: 8 13/16 x 11 11/16 inches
Sheet: 15 x 20 7/16 inches
Edition A/P (Artist Proof)
This limited editi...
Category
Late 20th Century Contemporary Etching Animal Prints
Materials
Etching, Aquatint
The Obscure Fable, by Stan Washburn
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 120. In individual prints, and in his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravings and tongue-in-cheek wit. This image of a rhinoceros and a lamb, hints at an imaginary fable similar to the lion and the lamb.
Stan Washburn...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Dog and Snipe original signed limited edition etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Leon Danchin, born in Lille, France in 1887 began his career as an artist at the age of sixteen when he was accepted by the Salon des Artists in Paris. He eventually became known as ...
Category
20th Century Realist Etching Animal Prints
Materials
Etching
Swallowtail Butterfly, Guy Allen, Limited Edition Print, Affordable Animal Art
By Guy Allen
Located in Deddington, GB
Please note the price is for the unframed original etching .
Swallowtail Butterfly is an original etching, engraved onto a copper plate, from wh...
Category
21st Century and Contemporary Minimalist Etching Animal Prints
Materials
Gold Leaf
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
BROWN TROUT
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category
1970s Etching Animal Prints
Materials
Aquatint, Etching
Leonor Fini - Red Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture...
Category
1980s Modern Etching Animal Prints
Materials
Etching
Leonor Fini - Purple Surrealist Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Hopping Clown
Located in Toronto, ON
Image Size: 11" x 5 1/2" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2009
Category
Early 2000s Etching Animal Prints
Materials
Etching
Clown and Flower
Located in Toronto, ON
Image Size: 6" x 3.5" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Etching Animal Prints
Materials
Etching
Siamese Cats by Orovida Pissarro - Animal etching
Located in London, GB
SOLD UNFRAMED
Siamese Cats by Orovida Pissarro (1893-1968)
Etching
10 x 7.5 cm (4 x 3 inches)
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...
Category
1940s Etching Animal Prints
Materials
Etching
Oval Dove of Peace Abstract Carborundum etching with embossing, Signed/N, Frame
By Max Papart
Located in New York, NY
Max Papart
Oval Dove, 1982
Carborundum Etching on embossed paper
Hand signed and numbered 26/135 by the artist on the front
Vintage frame included
Elegant carborundum etching on embo...
Category
1980s Surrealist Etching Animal Prints
Materials
Etching, Graphite
Tim Southall, Ravens at the Tower, Etching, Affordable Art, Art Online
By Tim Southall
Located in Deddington, GB
Tim Southall
Ravens at the Tower
Limited Edition Etching and Aquatint
Edition of 75
Image Size: H 10cm x W 15cm
Sheet Size: H 20cm x W 24cm x D 0.1cm
Sold Unframed
Please note that i...
Category
21st Century and Contemporary Contemporary Etching Animal Prints
Materials
Paper, Etching, Aquatint
Félicité Sleeping with Parrot, from: Illustration for a Simple Heart of Gustave
Located in London, GB
This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin.
It is also hand signed in pencil from the edition of 100, at the...
Category
1970s Etching Animal Prints
Materials
Etching, Aquatint
Fear by Orovida Pissarro, 1917 - Etching Print
Located in London, GB
SOLD UNFRAMED
Fear by Orovida Pissarro (1893 - 1968)
Etching
26 x 19.5 cm (10 ¼ x 7 ⅝ inches)
Signed and dated lower right, Orovida 1917
State 2, trial proof no.2
Provenance
Priva...
Category
1910s Etching Animal Prints
Materials
Etching
Shattered Silence, American Western Art Etching by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Shattered Silence, Year: Circa 1980, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: 8/40, Size: 22 x 29 in. (55...
Category
1980s American Realist Etching Animal Prints
Materials
Etching
"Under the skin IV" Mexican artist large mixed media woodcut etching serigraph
Located in Miami, FL
Amador Montes (Mexico, 1975)
'Debajo de la piel IV', 2021
Mixed media, etching, aquatint woodcut on paper
49 x 118 in. (124 x 300 cm.)
Edition of 30
Ref...
Category
2010s Contemporary Etching Animal Prints
Materials
Paper, Ink, Etching, Aquatint, Screen, Woodcut
Mare and Foal by Orovida Pissarro - Etching Print
Located in London, GB
SOLD UNFRAMED
Mare and Foal by Orovida Pissarro (1893 - 1968)
Etching
15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches)
Artist's Biography
Orovida Camille Pissarro, Lucien and Esther Pissarr...
Category
20th Century Etching Animal Prints
Materials
Etching
Horse by Félix Pissarro - Etching
Located in London, GB
Horse by Félix Pissarro (1874-1897)
Etching
8 x 10 cm (3 ¹/₈ x 4 inches)
London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...
Category
19th Century Impressionist Etching Animal Prints
Materials
Etching
Chemin de Halage
Located in San Francisco, CA
This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...
Category
Early 20th Century Impressionist Etching Animal Prints
Materials
Etching, Aquatint
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Etching Animal Prints
Materials
Etching, Aquatint
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
The Nomads by Orovida Pissarro - Etching
Located in London, GB
The Nomads by Orovida Pissarro (1893-1968)
Etching and aquatint, final state 21/42
27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches)
Signed, Orovida, and dated 1925
Orovida was a gifted printmake...
Category
1920s Art Deco Etching Animal Prints
Materials
Etching
Ancient Roman Fresco - Original Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good condi...
Category
18th Century Old Masters Etching Animal Prints
Materials
Etching
Animal Kingdom (Magnificent Jungle Cats)
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats)
Etching, 1953-1955
Signed and titled in pencil by the artist (see photos)
Annotated: "First Proof" (see photo)
Estate stamp verso (see photo)...
Category
1950s American Modern Etching Animal Prints
Materials
Etching
Lemur - Etching by Leo Guida - 1972
By Leo Guida
Located in Roma, IT
Lemur is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original etching on cardboard.
Good conditions.
Leo Guida (1992 - 2017). S...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Ark Interior III, four etchings by Arthur Geisert
Located in Palm Springs, CA
Title: Noah's Ark III
Medium: Etching with hand watercolor
Four plates, each one 14.5 x 20 inches
Condition: new, never framed
Date: 1981
This is a set of four etchings that make up...
Category
1980s Contemporary Etching Animal Prints
Materials
Watercolor, Etching
The Bear Trap, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'The Bear Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Fore...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet
Le Chat et les Fleurs (from "Les Chats par Champfleury")
1869
Etching and aquatint on Rives paper
Image: 6.25 x 5.125 (17.3 × 13 cm)
Plate: 8 x 6 inches (20.3 x 15.2 c...
Category
1860s Impressionist Etching Animal Prints
Materials
Etching, Aquatint
Peccarys and Tiger Pranks by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968)
Etching and aquatint
31.5 x 23 cm (12 ⅜ x 9 inches)
Sig...
Category
1920s Etching Animal Prints
Materials
Etching, Aquatint
Fantastic Zoology I.
Located in Slovak Republic, SK
Lovely etching, framed, with fine art glass. Signed, E/A.
Category
20th Century Abstract Etching Animal Prints
Materials
Etching
Le Haut d'Un Battant de Porte - Etching by Félix Bracquemond - 1870s
Located in Roma, IT
Le Haut d'Un Battant de Porte is an artwork realized by Félix Bracquemond in the 1870s.
Etching.
image size: 28x38
Good conditions.
Realized for the "Société des Aquafortistes. ...
Category
1870s Modern Etching Animal Prints
Materials
Etching
Oiseau dans son nid (Bird in its Nest) from Août (August)
Located in Palo Alto, CA
Braque Oiseau dans son nid (Bird in its Nest) from Août (August), 1958 is an exquisite work that revisits Braque’s beloved bird motif. Beautifully inspir...
Category
1950s Modern Etching Animal Prints
Materials
Aquatint, Etching
The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Etching Animal Prints
Materials
Etching
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Wolf
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Etching
Ayant Couru à Chantilly - Etching by Jacques-Joseph Lecurieux - 1870s
Located in Roma, IT
Ayant Couru à Chantilly is an artwork realized by Jacques-Joseph Lecurieux in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the init...
Category
1870s Modern Etching Animal Prints
Materials
Etching
A Yorkshire Dell or The Heron’s Pool.
Located in Storrs, CT
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...
Category
Early 20th Century Romantic Etching Animal Prints
Materials
Mezzotint, Etching
Covey of Grouse II by Guy Allen. Unframed print. Game birds in flight.
By Guy Allen
Located in Coltishall, GB
Covey of Grouse II is a celebration of game birds in flight. A moment after taking off the birds have scattered in an explosion of aerial speed and agility. The etching reveal the ...
Category
21st Century and Contemporary Contemporary Etching Animal Prints
Materials
Paper, Etching
Cowdray Castle (with Geese)
Located in Roma, IT
Beautiful proof on vergé crème, signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298).
Ref. Cat. Harrington 221; Schneiderman 208.
Category
1880s Modern Etching Animal Prints
Materials
Drypoint, Etching
A Burro Train, New Mexico
By Peter Moran
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category
Late 19th Century American Realist Etching Animal Prints
Materials
Laid Paper, Etching
Large Donald Saff Surrealist Pop Art Aquatint Etching African Elephant
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Medium: Etching with Aquatint, Hand signed and numbered in pencil.
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, ...
Category
1980s Pop Art Etching Animal Prints
Materials
Etching, Aquatint
Soldat Seeing the Panther - Original etching
By Paul Jouve
Located in Paris, IDF
Paul JOUVE (1878-1973)
Soldat apercevant la panthère, c. 1949
Gravure originale à l'eau-forte (atelier Haasen)
Non signée
Sur vélin 32.5 x 25 cm
INFORMATION : Gravure créée pour le...
Category
Early 20th Century Art Deco Etching Animal Prints
Materials
Etching
Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Etching Animal Prints
Materials
Etching
Birdlesque, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching
Edition of 90
Year: 1973
ImageSize: 4.25 x 4.25 inches
Signed, titled and numbered etching from the edition of 90. Humorous portrait of nearly nude bird performing a...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
"Our time", 1977 original linocut signed limited edition 24x18in Cuban Latin art
Located in Miami, FL
Ernesto Garcia Peña (Cuba, 1949)
'Our time" (from Porfolio Grabados Cubanos)', 1977
linocut print on paper Canson 320 g.
23.6 x 17.6 in. (59.8 x 44.6 cm.)
Edition of 200
Ref: GAE-309...
Category
1970s Contemporary Etching Animal Prints
Materials
Paper, Engraving, Etching, Aquatint, Screen, Linocut
Horse and Knight - Original Etching by Mimmo Paladino - 2008
Located in Roma, IT
Hand signed etching, 2008
Dimensions: 94,5 x 70 cm
This work by is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and pro...
Category
Early 2000s Contemporary Etching Animal Prints
Materials
Etching
Etching animal prints for sale on 1stDibs.
Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available