Etching Animal Prints
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Medium: Etching
George Edwards: c18th Engravings of Birds in Decalcomania Frames
Located in Richmond, GB
George Edwards: "A History of Uncommon Birds", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...
Category
18th Century Etching Animal Prints
Materials
Watercolor, Etching
Downtown Lion (1st State), Pop Art Etching on paper unique signed Printers Proof
By Larry Rivers
Located in New York, NY
Larry Rivers
Downtown Lion (1st State), 1967
Etching on wove paper, signed, inscribed and dated with blind stamps
Signed, dated and inscribed in graphite; Printers Proof aside from ...
Category
1960s Pop Art Etching Animal Prints
Materials
Etching
Scribble Cat
Located in Toronto, Ontario
William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Kentridge balances universal experiences with the complexity of South African political history and society.
Born in Johannesburg to two prominent lawyers active in anti-apartheid efforts, Kentridge’s proximity to the dissolution of apartheid gave him a unique social sensitivity. His upbringing would shape the socio-political lens that informed his work as an artist.
Kentridge is somewhat of a polymath. Having pursued formal education across politics, fine art, miming, and theater, it comes as no surprise that his work cannot be contained to the bounds of a single medium. Charcoal and ink are often his first tools for creation. The density, darkness and texture of the medium is instantly recognizable throughout his oeuvre..
Click here to learn more about Kentridge’s artist process from inside his Johannesburg studio.
"Scribble Cat" is a paradigm of Kentridge's work and is instantly recognizable for its strong aesthetic and composition of layered pages.
Kentridge's interest in cats stems back to his childhood when the prominent South African artist Cecil Skotnes...
Category
2010s Contemporary Etching Animal Prints
Materials
Aquatint
Ass, Ape & Mole, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Engraving, Etching
Tiger and Python by Orovida Pissarro, 1917 - Etching Print
Located in London, GB
SOLD UNFRAMED
Tiger and Python by Orovida Pissarro (1893 - 1968)
Etching
22.5 x 27 cm (8 ⅞ x 10 ⅝ inches)
Signed, inscribed with title and dated 1917
State 1, no. 9/10
Provenance...
Category
1910s Etching Animal Prints
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down, One Quarter View, One Straight Ahead" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of ram...
Category
17th Century Old Masters Etching Animal Prints
Materials
Etching
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
BLUE HERON
Located in Portland, ME
Zavorkas, Joyce (American, contemporary, Cape Cod MA). BLUE HERON. Etching and Aquatint, 1981. An artist's proof, outside of the edition of five. Signed, titled, dated and inscribed ...
Category
1980s Etching Animal Prints
Materials
Etching, Aquatint
Swallowtail Butterfly, Guy Allen, Limited Edition Print, Affordable Animal Art
By Guy Allen
Located in Deddington, GB
Please note the price is for the unframed original etching .
Swallowtail Butterfly is an original etching, engraved onto a copper plate, from wh...
Category
21st Century and Contemporary Minimalist Etching Animal Prints
Materials
Gold Leaf
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
Griffon With Woodcock original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...
Category
20th Century Realist Etching Animal Prints
Materials
Etching
Ducks on Lake, Signed Modern Etching by Frank Weston Benson
Located in Long Island City, NY
Ducks on Lake
Frank Weston Benson, American (1862–1951)
Date: 1923
Etching on thin wove paper, signed in pencil and dated in the plate
Image Size: 11 x 14 inches
Size: 14 x 16.5 in. ...
Category
1920s Modern Etching Animal Prints
Materials
Etching
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Peccarys and Tiger Pranks by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968)
Etching and aquatint
31.5 x 23 cm (12 ⅜ x 9 inches)
Sig...
Category
1920s Etching Animal Prints
Materials
Etching, Aquatint
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Leonor Fini - Purple Surrealist Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Etching Animal Prints
Materials
Etching
Laying the Ghost by Orovida Pissarro - Animal etching
Located in London, GB
Laying the Ghost by Orovida Pissarro (1893-1968)
Etching
39 x 26.3 cm (15 ⅜ x 10 ⅜ inches)
Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle
...
Category
1930s Etching Animal Prints
Materials
Etching
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and title...
Category
1920s Etching Animal Prints
Materials
Etching
Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America'
Colour aquatint by Merke after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
African Rhinoceros Hunting, antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Ark Interior III, four etchings by Arthur Geisert
Located in Palm Springs, CA
Title: Noah's Ark III
Medium: Etching with hand watercolor
Four plates, each one 14.5 x 20 inches
Condition: new, never framed
Date: 1981
This is a set of four etchings that make up...
Category
1980s Contemporary Etching Animal Prints
Materials
Watercolor, Etching
Shooting an African Buffalo, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting an African Buffalo'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Etching Animal Prints
Materials
Etching
"Our time", 1977 original linocut signed limited edition 24x18in Cuban Latin art
Located in Miami, FL
Ernesto Garcia Peña (Cuba, 1949)
'Our time" (from Porfolio Grabados Cubanos)', 1977
linocut print on paper Canson 320 g.
23.6 x 17.6 in. (59.8 x 44.6 cm.)
Edition of 200
Ref: GAE-309...
Category
1970s Contemporary Etching Animal Prints
Materials
Paper, Engraving, Etching, Aquatint, Screen, Linocut
Nymph Crowns
By Leonor Fini
Located in Columbia, MO
Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....
Category
Mid-20th Century Surrealist Etching Animal Prints
Materials
Etching
Two Britany Spaniel Heads Leon Danchin etching signed
By Leon Danchin
Located in Paonia, CO
Two Britany Spaniel Heads by Leon Danchin is a hand signed limited edition etching published in France and is in very good condition. The paper is slightly wavey which can be fl...
Category
20th Century Realist Etching Animal Prints
Materials
Etching
The Parlour
Located in Llanbrynmair, GB
’The Parlour’
By Richard Bawden
Medium - Etching
Signed - Yes
Edition - 33/85
Size - 775mm x 570mm
Richard Bawden 1936
Painter and printmaker, born i...
Category
Late 20th Century Other Art Style Etching Animal Prints
Materials
Etching
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Etching Animal Prints
Materials
Etching, Aquatint
Mare and Foal by Orovida Pissarro - Etching Print
Located in London, GB
SOLD UNFRAMED
Mare and Foal by Orovida Pissarro (1893 - 1968)
Etching
15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches)
Artist's Biography
Orovida Camille Pissarro, Lucien and Esther Pissarr...
Category
20th Century Etching Animal Prints
Materials
Etching
Horse by Félix Pissarro - Etching
Located in London, GB
Horse by Félix Pissarro (1874-1897)
Etching
8 x 10 cm (3 ¹/₈ x 4 inches)
London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...
Category
19th Century Impressionist Etching Animal Prints
Materials
Etching
Tauromachie Surrealiste The Giraffe on Fire
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Tauramachie Surrealiste The Giraffe on Fire
MEDIUM: Etching
SIGNED: Hand Signed
EDITION NUMBER: LXIV/C
MEASUREMENTS: 20" x 26"
YEAR: 1970
FRAMED:...
Category
1970s Surrealist Etching Animal Prints
Materials
Etching
Hiding From the Lord
Located in Palm Springs, CA
Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene.
Signed, titled and num...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Salvador Dalí, "Le Chateau de Gala", original etching, hand colored, signed
Located in Chatsworth, CA
Salvador Dalí
Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism
Original etching, hand colored
1974
Image size: 15 3/...
Category
1970s Modern Etching Animal Prints
Materials
Etching
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Sandwich Tern (with Florida Cray Fish) (Florida Keys) /// Ornithology Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56)
Portfo...
Category
1830s Victorian Etching Animal Prints
Materials
Gold Leaf
Animal Kingdom (Magnificent Jungle Cats)
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats)
Etching, 1953-1955
Signed and titled in pencil by the artist (see photos)
Annotated: "First Proof" (see photo)
Estate stamp verso (see photo)...
Category
1950s American Modern Etching Animal Prints
Materials
Etching
Saint Martin
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Saint Martin
MEDIUM: Etching
SIGNED: Hand Signed
PUBLISHER: Jean Schneider, Basel/Berggruen, Paris
EDITION NUMBER: Epreuve d'artiste
MEASUREMENTS:...
Category
1960s Surrealist Etching Animal Prints
Materials
Etching
Etching by Curtis C Harmon Fishing Boats at Gloucester Mass
Located in Chesterfield, NJ
Curtis C. Harmon
(American, 20th century)
Fishing Boats at Gloucester, Massachusetts
etching
signed Curtis C. Harmon (lower right) and titled (lower left)
18.75 x 19.75 framed
Disco...
Category
21st Century and Contemporary Realist Etching Animal Prints
Materials
Etching
German Wolf Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Wolf Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Sam...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
RAM
Located in Portland, ME
Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150.
Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent
condition. Framed.
Category
1970s Etching Animal Prints
Materials
Etching
The Nomads by Orovida Pissarro - Etching
Located in London, GB
The Nomads by Orovida Pissarro (1893-1968)
Etching and aquatint, final state 21/42
27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches)
Signed, Orovida, and dated 1925
Orovida was a gifted printmake...
Category
1920s Art Deco Etching Animal Prints
Materials
Etching
From the suite "Les Fables De La Fontaine" original etching
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: From the suite "Les Fables De La Fontaine"
Year: 1927
Medium: Original etching
Edition: fom...
Category
Early 20th Century Modern Etching Animal Prints
Materials
Etching
Which Occurred in My Garden, by Stan Washburn
Located in Palm Springs, CA
Medium: Etching
Edition of 100
Year: 1971
ImageSize: 16 x 11.5 inches
Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...
Category
1970s Contemporary Etching Animal Prints
Materials
Etching
Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet
Le Chat et les Fleurs (from "Les Chats par Champfleury")
1869
Etching and aquatint on Rives paper
Image: 6.25 x 5.125 (17.3 × 13 cm)
Plate: 8 x 6 inches (20.3 x 15.2 c...
Category
1860s Impressionist Etching Animal Prints
Materials
Etching, Aquatint
Swan - Original Etching on Paper - 19th Century
Located in Roma, IT
Swan is an original etching on paper realized by an unknown artist of the XIX century.
The State of preservation is very good.
Sheet dimension: 29 x 22.5 cm.
The artwork represen...
Category
Early 19th Century Modern Etching Animal Prints
Materials
Paper, Etching
The Lion - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a...
Category
Early 17th Century Etching Animal Prints
Materials
Etching
Faculty Meeting
Located in San Francisco, CA
This artwork titled "Faculty Meeting" c.1990 in an original etching with intensive hand coloring on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered E.V 5/8 in pencil by the artist. The image size is 16 x 15.65 inches, sheet size is 24.35 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern Etching Animal Prints
Materials
Etching
The Bird Harmed by an Arrow - Original Etching - Ref. Sorlier #108
By Marc Chagall
Located in Paris, IDF
Marc Chagall
Fables : The Bird Harmed by an Arrow , 1952
Original etching
Printed signature in the plate
Numbered 61 / 85
On Montval vellum 39 x 28 cm (c. 15 x 11 in)
With COA of th...
Category
1950s Modern Etching Animal Prints
Materials
Etching, Aquatint
Pelicans, by Stephen McMillan
Located in Palm Springs, CA
The wildlife and scenery of the Pacific Northwest is the constant focus for McMillan, who spends a lot of his time backpacking and hiking to find the inspiration for his prints like ...
Category
2010s Etching Animal Prints
Materials
Etching, Aquatint
The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Etching Animal Prints
Materials
Etching
Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Engraving, Etching
Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Etching Animal Prints
Materials
Drypoint, Etching
"Under the skin IV" Mexican artist large mixed media woodcut etching serigraph
Located in Miami, FL
Amador Montes (Mexico, 1975)
'Debajo de la piel IV', 2021
Mixed media, etching, aquatint woodcut on paper
49 x 118 in. (124 x 300 cm.)
Edition of 30
Ref...
Category
2010s Contemporary Etching Animal Prints
Materials
Paper, Ink, Etching, Aquatint, Screen, Woodcut
German Fox Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Fox Trap'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. S...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Early 19th Century Naturalistic Etching Animal Prints
Materials
Aquatint
Grazing Horse by Guy Allen. Print from a copperplate etching. Unframed print
By Guy Allen
Located in Coltishall, GB
A stallion stooped to graze…
Guy Allen’s etchings inspired by the fauna of rural England have a remarkable level of detail. His etchings capture the ch...
Category
21st Century and Contemporary Other Art Style Etching Animal Prints
Materials
Paper, Etching
Spring Pageant, Psychedelic Aquatint Etching by Jean Richardson
Located in Long Island City, NY
Artist: Jean Richardson, American (1940 - )
Title: Spring Pageant
Year: 1995
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 20/95
Size: 28.5 in. x 39 in. (72.39 cm ...
Category
1990s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Etching animal prints for sale on 1stDibs.
Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available