Face Animal Prints

Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...

Rocca Luis César Pajarito cantor (Singing Bird) [diptych], 2022 Serigraph in three colors Each of the two pieces is 19.70 x 19.70 in Edition of 20 Th...

After Marc Chagall - Lithograph From the deluxe art review, Derrière le Mirroir, printed by Charles Sorlier 1964 Printed signature Dimensions: 38 x...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

Mychael Barratt Cindy Sherman’s Dog Limited Edition Print Edition of 50 Sheet Size: H 40cm x W 38cm Signed and Titled Sold Unframed Please note that in situ images are purely an indi...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Paul Jouve - Chimpanzee - Original Engraving Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Artwork by Paul Jouve. Original copper engraving ...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

Lithograph in colors on paper. Hand signed, dated, titled and numbered lower margin by Will Barnet. From edition of 300. Image size 29.5 x 38 inches. Sheet size 33 x 41 inches. F...

"Minotaure-Manga-B ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

Lithographic print / Black ink printed on 240gr JOHANOT paper. This version borrows the codes of the comic book, to represent a woman-eating shark. References used for this print: S...

This Blue Dog work consists of a blue dog draped in a hooded red cape on a blue background with a lighter blue half-moon behind the head of the dog. The dog has soulful yellow eyes. ...

Artist: Dan May (American, 1955-) Title: "Reading Pig" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited ...

George Rodrigue Angel Baby From the rare limited edition of 150 Original serigraph on paper Hand signed and numbered 2000 20x16 inches MINT CONDITION

This Blue Dog work consists of a single dog with soulful yellow eyes sitting in the center of a yellow background diagonally divided with stars on the top and solid on the bottom. Th...

Artist: George Rodrigue Title: Blue Dog “Truly Rudy” Medium: Silkscreen Date: 2000 Edition: Artist Proof Dimensions: 20" X 16" Description: Signed &...

This Blue Dog work consists of a blue dog. The background is split on a diagonal of yellow and purple with a red painted frame and red "Rodrigue" written vertically on the left of the dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. (unique because it's missing the McLean County Arts Center Bloomington, IL silk-screening logo on the lower right) Artist: George Rodrigue Title: Blue Dog “Museum Edition...

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

This Blue Dog work consists of a white background. There are 2 blue dogs with a naked female between them. Both dogs have soulful yellow eyes and the female has brown hair and brow...

Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Final state no. 12/23 and titled ...

Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Woman with Black Swans by Georges Manzana Pissarro (1871-1961) Monotype 26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches) Signed lower right, Manzana Executed circa 1908 Artist biography: Like...

This Blue Dog work consists of a white background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

This is an artist proof (one of a kind) etching of a woman with a cactus growing in and out of her. Whimsical and both funny and thoughtful, the composition is both rhythmic and pow...

This is an artist proof aquatint of a woman peeking around a cactus with ducks mysteriously hovering in the upper right corner and a giant beautiful cactus overgrowing. The mood is ...

This is an artist proof aquatint of a woman stepping forward in a tiled Mexican living room with her dog and a mysterious giant cactus coming out of the floor. Image is 9.75 x 9.75 ...

Hand signed, titled, dated and numbered by the artist. Image size 22 x 28 inches. Sheet size 28 x 34 inches. Custom framed as pictured. From the main edition of 150. Artwork i...

The Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and title...

Etching on paper. Hand signed and numbered by the artist. Sheet size 11 x 15 inches. Image size 4.75 x 7 inches. Edition of 300. Artwork is in excellent condition. Certificate o...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

This Blue Dog work consists of a black background framed in white. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black ...

This Blue Dog work consists of a black background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

This Blue Dog work consists of a purplish/blue background, a blue dog with a red cape covering head, ears and body, sitting atop 3 brownish/yellow moons. The dog has soulful yellow ...

This Blue Dog work consists of a blue bear with a red nose in the center of a white background adorned with yellow and red flowers. The bear has the blue dog soulful yellow eyes. T...

This Blue Dog work consists of a white background with a blue and white female with yellow and black hair centered between 2 blue dogs. All 3 have soulful yellow eyes. This pop art...

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

"Minotaure-Manga-A ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

'Being Mundari' South Sudan - 2025 Available sizes: Edition of 6: 20in x 30in (50.8 x 76.2cm) Edition of 6: 32in x 48in (81.3 x 121.9cm) Edition of 6: 40in x 60in (101.6 x 152.4 ...

Louis Icart, French (1888 - 1950) - Joie de Vivre, Year: 1929, Medium: Etching, signed in pencil, Image Size: 23.5 x 15 inches, Size: 26 x 20 in. (66.04 x 50.8 cm), Reference: ...

An iconic and highly collectible unique work on paper by Andy Warhol outside of the Endangered Species portfolio, Siberian Tiger TP was created as a unique screenprint in colors on L...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. “Mark was an outlaw on...