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Art Subject: Head
Al unísono (In Unison) [triptych] (1/15)
Located in San Francisco, CA
Rocca Luis César
Al unísono (In Unison) [triptych], 2022
Serigraph in five colors
Each of the three pieces is 15.75 x 15.75 in
Edition of 15
This serigraph (silkscreen or screen pri...
Category
21st Century and Contemporary Modern Animal Prints
Materials
Screen
MEDITATION AND MINOU
By Will Barnet
Located in Aventura, FL
Hand signed, titled, dated and numbered by the artist. Image size 22 x 28 inches. Sheet size 28 x 34 inches. Custom framed as pictured. From the main edition of 150.
Artwork i...
Category
1980s Contemporary Portrait Prints
Materials
Lithograph
$2,765 Sale Price
30% Off
Insects - Etching by Sergio Barletta - 1974
Located in Roma, IT
Insects is an etching realized by Sergio Barletta in 1974.
Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints.
...
Category
1970s Modern Figurative Prints
Materials
Etching
Insect - Etching by Sergio Barletta - 1974
Located in Roma, IT
Insects is an etching realized by Sergio Barletta in 1974.
Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints.
...
Category
1970s Modern Figurative Prints
Materials
Etching
Interior of Animals - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Interior of Animals is an etching realized by Antoine Defehrt in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
...
Category
1770s Modern Figurative Prints
Materials
Etching
Lion Whisperer
Located in Toronto, ON
7" x 4" Unframed
Woodcut
Hand Signed by Gerhard Marks
Category
21st Century and Contemporary Animal Prints
Materials
Woodcut
The Teeth - Original Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
The Teeth is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...
Category
1850s Modern Figurative Prints
Materials
Lithograph
Ancient Roman Statue - Original Etching by Vincenzo Segoni - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Segoni in the 18th century. Signed on the plate on the lower ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Ancient Roman Statue - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by anonymous artist in the 18th cent...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
The Skull - Original Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la N...
Category
1850s Modern Animal Prints
Materials
Lithograph, Paper
"Stopping and Staring" Folk inspired Teal and White Linoleum Bird Print
By Lisa Houck
Located in Wellesley, MA
'Stopping and Staring,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually...
Category
2010s Contemporary Animal Prints
Materials
Linocut
The Monkey - Original Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...
Category
1850s Modern Animal Prints
Materials
Lithograph, Paper
Ancient Roman Fresco - Original Etching by Pietro Campana - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana in the 18th century.
Sig...
Category
18th Century Old Masters Figurative Prints
Materials
Etching
Ancient Roman Fresco - Etching by Filippo Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen in the 18th century.
Signed on the plate on the lower...
Category
18th Century Old Masters Figurative Prints
Materials
Etching
The Child and the Monkey - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Child and the Monkey is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love...
Category
1810s Modern Figurative Prints
Materials
Etching
Animal Figures from Ancient Rome - Original Etching by Various Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters.
In ...
Category
1750s Old Masters Figurative Prints
Materials
Etching
'The Rabbit' original woodcut engraving by Clarice George Logan
Located in Milwaukee, WI
In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year.
Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...
Category
1930s American Modern Figurative Prints
Materials
Engraving, Woodcut
Headdress
By Leonor Fini
Located in Columbia, MO
Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....
Category
Mid-20th Century Surrealist Figurative Prints
Materials
Etching
Faces
By Leonor Fini
Located in Columbia, MO
Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....
Category
Mid-20th Century Surrealist Figurative Prints
Materials
Etching
Angel Baby
Located in Philadelphia, PA
George Rodrigue
Angel Baby
From the rare limited edition of 150
Original serigraph on paper
Hand signed and numbered
2000
20x16 inches
MINT CONDITION
Category
Early 2000s Animal Prints
Materials
Lithograph, Screen
Les Elus De La Nuit (10B)
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Les Elus De La Nuit (10B)
1986
15 x 11
Etching on Arches paper
Ed. 14/31
Category
1980s Surrealist Animal Prints
Materials
Etching
Jean Cocteau - Europe's Agriculture - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Europe's Agriculture
Signed in the stone/printed signature
Dimensions: 33 x 46 cm
Luxury impression from the portfolio published by Sciaky....
Category
1960s Cubist Animal Prints
Materials
Lithograph
JAWS-B by Pierre Jacob
Located in Saint Ouen, FR
Lithographic print / Black ink printed on 240gr JOHANOT paper.
This version borrows the codes of the comic book, to represent a woman-eating shark.
References used for this print: S...
Category
2010s Animal Prints
Materials
Paper
(after) Max Ernst - Blue Bird - Stencil
Located in Collonge Bellerive, Geneve, CH
Max Ernst (after) - Blue Bird - Stencil
Published in the deluxe art review, XXe Siecle, 1958
Dimensions: 32 x 25 cm
Publisher: G. di San Lazzaro.
Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age.
In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school.
Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico.
During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements.
It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks.
In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance.
In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery.
Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists.
When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...
Category
1950s Surrealist Animal Prints
Materials
Stencil
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Figurative Prints
Pierre Jacob - Minotaure-Manga-B
Located in Saint Ouen, FR
"Minotaure-Manga-B ".
Lithographic print / Black ink printed on 240gr JOHANOT paper.
Dimensions : 56 x 38 cm
signed and numbered at 6 copies by the artist
The prints were made in...
Category
2010s Animal Prints
Materials
Paper, Acrylic
Pierre Jacob - Minotaure-Manga-A
Located in Saint Ouen, FR
"Minotaure-Manga-A ".
Lithographic print / Black ink printed on 240gr JOHANOT paper.
Dimensions : 56 x 38 cm
signed and numbered at 6 copies by the artist
The prints were made in...
Category
2010s Animal Prints
Materials
Acrylic, Paper
Fear Ridden by Orovida Pissarro, 1926 - Etching Print
Located in London, GB
Fear Ridden by Orovida Pissarro (1893 - 1968)
Etching
12.8 x 17.5 cm (5 x 6 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Final state no. 12/23 and titled ...
Category
1920s Figurative Prints
Materials
Etching
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