People Animal Prints

The Herding in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the p...

Ancient Roman painting - The offering scene with the angel from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nic Billy and Nic. Vanni in the 1...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Gio. Morghen in the 18th century. Signed on the plate. Good conditio...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th century. Signed on the plate. Good conditi...

Ancient Roman painting - The offering and reverence scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana...

Roman Countryside and shepherds is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 2...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

The Shepherd playing in Roman Countrysideis an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition ...

The rustic house in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of ...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Heads of birds is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and t...

The Flight is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In ...

The Crab is an Contemporary artwork realized in 1973 by the italian artist Leo Guida. Original mixed colored etching and aquatint Hand signed, titled and dated on the lower right m...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

Homo Ludens is an original etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the editi...

Edition of 120 units and several Artist's proofs. Published in the Portafoglio "Tunisiaca 1995: d'aprés Auguste Lumière". Signed and numbered by the Artist in the bottom with pen....

Diana is an original black and white etching realized by Leo Guida. Hand-signed and dated in pencil, on the lower right. Title on the bottom center. The state of preservation is...

Homage to Picasso is an original mixed media drawing on paper realized by Gian Paolo Berto, in 1975 Good conditions except for some light folds along the margins. Hand signed on t...

Homo Ludens is an original etching artwork, realized by Sergio Barletta in 1991. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbered on ...

The Insect is an original offset print on ivory-colored paper, realized by Anonymous Artist, in Mid 20th Century. The state of preservation of the artwork is excellent. Not signed....

Composition is an etching artwork on cardboard realized by Leo Guida in 1973. Hand-signed in pencil and dated on the lower right. Nubred, edition I/V. The state of preservation is go...

Buffalo Skull is an original lithography artwork on ivory paper realized by Carlo Coleman (1807-1874) in 1850. Signed on the plate and dated. Image dime...

Dromedary is an original lithograph, Hand-colored on paper realized by an Anonymous artist of the XIX century, Titled on the lower center. In very good condition. The artwork repre...

Frog is an original etching artwork, realized by Marcel Guillard (1896 -?). The state of preservation is very good. The artwork represents a lying down frog on the front and mounta...

Insects is an original etching artwork on paper realized in 1954 by Christian D’ Espic (1901-1978). Hand-signed on the lower right, dated on the lower left. The State of preservat...

Sea Creature is an original etching artwork on paper realized by Christian Despic (1901-1978), numbered, edition of 35/80 prints, Hand-signed on the lower right in pencil. The state...

Bird is an original etching artwork, realized in 1959 by Marcel Guillard ( 1896-?). Hand-signed and dated in blue color pencil on the lower. The state of preservation is very good. ...

Image dimensions: 20.5 x 27 cm. The Rest is a black and white etching realized by Nazareno Gattamelata in the second half of XX century. Hand signed by the artist on the lower righ...

Squirrels with Hazelnuts is a color lithograph in 1860. Written in pencil under the composition: grave Haselmañs. Dated 1860, p.24. Good conditions, except for usual signs of aging...

Exotic Animals is a color lithograph realized by the German atist E. Hochdanz in 1866. Image dimensions: 19.9 x 15.3 cm. Under the plate: Art Anst.v E....

Image dimensions: 24.7 x 32 cm Etching, ink and aquatint. Not signed. Leo Guida: Artist sensitive to current issues, artistic movements and historical techniques, Leo Guida has bee...

Beautiful Artist's Proof. Hand signed, dated and titled. by the Artist with pencil on the bottom. Etching, aquatint. IV state. Leo Guida: Artist sensitive to current issues, artisti...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Mexican Artists of russian origin, was married to Diego Rivera from 1911 to 1921, the series for sale are illustrations for book, “Peter and the Wolf...

Berber Woman is a beautiful colored lithograph on paper, realized in 1988 by the Yugoslav artist, Jovan Vulic (1951). This contemporary artwork is ...

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...

Hand signed. This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official a...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

Swimmers, 2022 Katherine Bernhardt Screenprint in colours, on Somerset Velvet White wove Signed, titled, dated and numbered from the edition of 125 From the portfolio Greenpeace 50...

Serigraph on paper. Hand signed and numbered by the artist. Image size: 27.5 x 31.5 in. Matted size: approx. 37 x 47 in. Edition of 300. Artwork appears to be in excellent conditio...

This poster, produced for the 1978 International Meeting of Fine Art Dealers in Washington, features prominently one of Claude Weisbuch's dynamic images: Le Condottiere. It is an original color lithograph advertising his new works, and is one of only twenty-five that bears the artist's signature in the lower right. In line with Weisbuch's interest in the Renaissance and Baroque in Europe, this image looks back to the early modern period. Condottieri were Italian captains...

Another Cock and Bull Story is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LXXXV/C (there were also 275 Arabic and 20 AP...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Hand signed, titled, dated and numbered by the artist. Image size 22 x 28 inches. Sheet size 28 x 34 inches. Custom framed as pictured. From the main edition of 150. Artwork i...

The single letter "M", from the alphabet, illustrated by mischievous monkeys . All letters from Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in foli...

TIEFENG JIANG “Mountain Ghost” Circa 1990s Serigraph on paper. Signed and numbered ##/293. Image Size: Approximately 32” x 32” Framed: 43.5” x 43.5”x 2.25” Tie Feng Jiang was born i...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork size: 30 x 33 in....

Limited Edition Lithograph (available in multiple editions and AP-Artist Proof). Pencil-signed, dated and numbered by the artist. Good Condition.

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Maurice Estève - Composition - Original Lithograph Colorful Abstraction 1969 From the art review XXe Siecle Dimensions: 32 x 24 inches Edition: G. di Sa...