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Size: Miniature
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie
'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie

'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie

By Pablo Picasso

Located in Santa Cruz, CA

A stone lithograph from Picasso's Sketchbook (Carnet de la California, 1955-1956) which was limited to 1000 copies. Dated, in the design, November 1, 1955 and numbered 13. Different lithograph printed verso, as issued. Unsigned. Accompanied with a copy of the inside cover page and colophone with publishing information. Around 1959, Editions Cercle d’Art published Carnet de la Californie, a facsimile of a sketchbook that Picasso worked on at his house in Cannes, La Californie. Printed at Mourlot Studios in Paris, this edition was prepared for the American market by publisher Harry N. Abrams, New York (1960). With thanks to Claire Lui and the Guggenheim for the below: Carnet de la Californie sheds light on Picasso’s interests and focus at the time. Over and over he returned to the same themes—copies of Old Masters, and drawings of a woman in Turkish clothing...

Category

1950s Cubist Interior Prints

Materials

Laid Paper, Lithograph

Homage to the Square (Geometric Abstraction, Minimalism, Color Theory, 34% OFF)
Homage to the Square (Geometric Abstraction, Minimalism, Color Theory, 34% OFF)

Homage to the Square (Geometric Abstraction, Minimalism, Color Theory, 34% OFF)

By (after) Josef Albers

Located in Kansas City, MO

Josef Albers Homage to the Square (from "Son oeuvre et sa contribution à la figuration visuelle au cours du XXe siècle") 1972 Silkscreen Print in brilliant colors on wove paper Image Size: 8.75 × 8.75 inches(22.23 × 22.23 cm) Sheet Size (approx.): 10.5 × 12 inches (26.67 × 30.48 cm) Framed Size: 13 × 13 × 0.5 inches (33.02 × 33.02 × 1.27 cm) Unsigned; as published Edition: ~1,500; not individually numbered Published by Dessain et Tolra – 1972 Printed with an additional image verso as issued Serigraphs by Herbert Geier, Ingolstadt, Germany & Ives-Sillman, Inc., New Haven, Connecticut, USA The Homage to the Square series is Josef Albers’s most celebrated and influential body of work, produced between 1950 and his death in 1976. Consisting of hundreds of paintings, the series explores the interaction of color through a deceptively simple compositional structure: nested squares arranged concentrically on a flat surface. Despite its geometric restraint, the work is fundamentally about perception—how colors shift, advance, recede, and transform in relation to one another. Albers applied paint directly from the tube using a palette knife, avoiding visible brushwork to eliminate gesture and emphasize color relationships as the primary subject. Each composition is carefully calibrated, demonstrating how identical colors can appear dramatically different depending on their surrounding context. The result is a dynamic visual experience in which depth, vibration, and spatial illusion emerge purely through chromatic interaction. The series reflects Albers’s theoretical contributions, particularly his seminal book Interaction of Color (1963), in which he articulated his belief that color is relative rather than absolute. Rather than expressing emotion through imagery, Albers invites the viewer into an active perceptual process, making the act of seeing itself the central theme. Homage to the Square remains a cornerstone of modernist abstraction and color theory, influencing generations of artists, designers, and architects. Works from the series are held in major museum collections worldwide and continue to be studied for their rigorous investigation of visual perception. Homage to the Square, Josef Albers square...

Category

1970s Abstract Geometric Prints and Multiples

Materials

Screen

original lithograph

original lithograph

By Alexander Redein

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Category

1950s Prints and Multiples

Materials

Lithograph

"Tribe of Zebulun" lithograph

"Tribe of Zebulun" lithograph

By (after) Marc Chagall

Located in Henderson, NV

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Category

1960s Prints and Multiples

Materials

Lithograph

original lithograph

original lithograph

By Jorge Castillo

Located in Henderson, NV

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Category

1970s Surrealist Prints and Multiples

Materials

Lithograph

THE INTRUDER - Arts and Crafts Woodcut
THE INTRUDER - Arts and Crafts Woodcut

THE INTRUDER - Arts and Crafts Woodcut

By Jessie Arms Botke

Located in Santa Monica, CA

JESSIE ARMS BOTKE (1883 – 1971) THE INTRUDER c. 1930 Color woodcut, signed, titled and inscribed “Botke prints” Image 9 ¾ x 11”, sheet 11 7/8 x 14 3/4". On cream laid paper. Califor...

Category

1930s American Modern Animal Prints

Materials

Color

original lithograph

original lithograph

By Joan Miró

Located in Henderson, NV

Medium: original lithograph. Catalogue reference: Mourlot 508. Printed in 1967 for the art revue Derriere le Miroir (issue number 164-165 -- L'Oiseau Solaire, L'Oiseau Lunaire, Etinc...

Category

1960s Abstract Prints and Multiples

Materials

Lithograph

The Kiss - Etching, (Ed. Goupil, 1897)
The Kiss - Etching, (Ed. Goupil, 1897)

The Kiss - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Kiss, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7...

Category

1890s Academic Figurative Prints

Materials

Etching

Pat Sullivan 'Felix the Cat as Artist' 1992- Poster
Pat Sullivan 'Felix the Cat as Artist' 1992- Poster

Pat Sullivan 'Felix the Cat as Artist' 1992- Poster

Located in Brooklyn, NY

Felix the Cat is a funny-animal cartoon character created in the silent film era. The anthropomorphic black cat with his black body, white eyes, and giant grin, coupled with the surr...

Category

1990s Prints and Multiples

Materials

Offset

Untitled (Saturn)
Untitled (Saturn)

Untitled (Saturn)

By Vija Celmins

Located in New York, NY

Signed and numbered (7/50) in pencil, recto Offset lithograph on wove paper 10 x 8.5 inches (25.4 x 21.6 cm) This artwork is offered by CLAMP, New York.

Category

1980s Figurative Prints

Materials

Lithograph, Wove Paper

"Self Portrait" original lithograph

"Self Portrait" original lithograph

By Marc Chagall

Located in Henderson, NV

Medium: original lithograph. Reference: Mourlot 282. Printed in Paris in 1960 at the Mourlot atelier for the frontispiece of the "Chagall Lithographe I" catalogue. Sheet size: 12 1/2...

Category

1960s Portrait Prints

Materials

Lithograph

'Psycho' 1960 Original Vintage Lobby Card Unframed

'Psycho' 1960 Original Vintage Lobby Card Unframed

Located in London, GB

Psycho 1960 Unframed Original Vintage Cinema Lobby Card Extra Large 10x14" inches / 25x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Category

1960s Modern Figurative Prints

Materials

C Print

Detail of the Entrance Vault (bronze green), Engraving
Detail of the Entrance Vault (bronze green), Engraving

Detail of the Entrance Vault (bronze green), Engraving

Located in Paris, IDF

Henry CLEWS (1876–1937) Detail of the Entrance Vault, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stam...

Category

1950s Modern Figurative Prints

Materials

Etching

Light Up I!
Light Up I!

Light Up I!

By Carla Sutera Sardo

Located in New York, NY

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box ...

Category

2010s Figurative Photography

Materials

Photographic Paper

"Ruhende Schiffe (Ships at Rest)" pochoir

"Ruhende Schiffe (Ships at Rest)" pochoir

By (after) Paul Klee

Located in Henderson, NV

Medium: pochoir (after the gouache). Printed in Paris in 1959 at the atelier of Daniel Jacomet and published by the Berggruen Gallery. Image size: 5 3/8 x 7 3/4 inches (138 x 198 mm)...

Category

1950s Prints and Multiples

Materials

Lithograph, Stencil

Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery
Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery

Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery

By Louise Bourgeois

Located in New York, NY

Hand numbered 900/1000 and with the artist's silkscreened initials This long sold out coveted limited edition embroidered handkerchief is based on a larger original, which Bourgeo...

Category

Early 2000s Contemporary More Art

Materials

Cotton, Thread, Mixed Media, Screen

original lithograph

original lithograph

By Georges Braque

Located in Henderson, NV

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). N...

Category

1950s Prints and Multiples

Materials

Lithograph

(after) Edgard Pillet - pochoir, 1952

(after) Edgard Pillet - pochoir, 1952

Located in Henderson, NV

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Category

1950s Prints and Multiples

Materials

Lithograph, Stencil

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Category

1960s Figurative Prints

Materials

Lithograph

Maternity, 1951 - Original Mourlot lithograph
Maternity, 1951 - Original Mourlot lithograph

Maternity, 1951 - Original Mourlot lithograph

By Françoise Gilot

Located in Paris, IDF

Françoise GILOT (1921) Maternity, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francois...

Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

"Georges Besson" lithograph

"Georges Besson" lithograph

By (after) Henri Matisse

Located in Henderson, NV

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 5 1/2 x 3 1/2 inches (140 x 87 mm). Not signed. C...

Category

1950s Portrait Prints

Materials

Lithograph

'Woman In Bagdad' — 1950s Japanese Sôsaku-hanga Signed Woodblock Print
'Woman In Bagdad' — 1950s Japanese Sôsaku-hanga Signed Woodblock Print

'Woman In Bagdad' — 1950s Japanese Sôsaku-hanga Signed Woodblock Print

Located in Myrtle Beach, SC

Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved, self-printed. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp.168-169; Eugene M. Skibbe, Yoshida Toshi 1911-1999: Diversity, Change, and Continuity in the Yoshida Art Tradition, Andon 53, Society for Japanese Arts, 1996, pp. 5-14; Kendall H. Brown, Yoshida Toshi: The Nature of Tranquility, in, A Japanese Legacy: Four Generations of Yoshida Family Artists, The Minneapolis Institute of Arts, 2002, pp. 72-80; p. 91, no. 55 Exhibition: Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints, curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...

Category

1960s Abstract Abstract Prints

Materials

Woodcut

Kusama Pumpkins (Set of Two)
Kusama Pumpkins (Set of Two)

Kusama Pumpkins (Set of Two)

By Yayoi Kusama

Located in NEW YORK, NY

Yayoi Kusama Set of Two Pumpkins: Yellow and Black / Red and White: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot p...

Category

1960s Pop Art Prints and Multiples

Materials

Resin

Light Up!
Light Up!

Light Up!

By Carla Sutera Sardo

Located in New York, NY

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Category

2010s Figurative Photography

Materials

Photographic Paper