Carlos Antonini

Vaso Antico (Urn)

1781-1790

Abraham Munting (1626 – 1683) Naauwkeurige Beschryving der Aardgewassen Leiden and Ultrech, Germany, 1696 Publishers: Pieter vander Aa and Francois Halma Folio, 15 ¼ “ x 10 ¼ “ ...

ROMA A. Aquaroni. Engraving. Modern Hand-Color. Rome, 1750. Ever wonder what pre-dated the postcard? By the mid-eighteenth century, travel and exploration had become a we...

Abraham Munting (1626 – 1683) Naauwkeurige Beschryving der Aardgewassen Leiden and Ultrech, Germany, 1696 Publishers: Pieter vander Aa and Francois Halma Folio, 15 ¼ “ x 10 ¼ “ ...

CLAUDE PARADIN (c1510-1573) Devises Heroiques et Emblemes Woodcut. Paris, 1614. The emblem has played an important role throughout history. Found on ...

MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. 400 Plates. Image Size 4.5” x 5.25” Unframed. ...

MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. Matthew Merian was one of the most prolifica...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60 A very fine impression. A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope. Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

The complete set of eleven engravings by Jean Arp, Hans Bellmer, Victor Brauner, Paul Delvaux, Marcel Duchamp, Wilhelm Freddie, Wifredo Lam, René Magritte, André Masson, Roberto Matt...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA VIDA ES SUEÑO. Printed signature and date, as issued Catalog. OFFICIAL CATALOG GRAPHYC WORKS BY ALBERT FIELD Page...

8-foot "Thank You" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing . Signed and dated in graphite on front l...