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Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish1703
1703
About the Item
Artist: (after) Anthony van Dyck (Dutch, 1599-1641)
Title: "Dominus Nicolaus Vander Borcht"
Year: 1703 (first or second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: likely Cornelis Vermeulen, Antwerp, Belgium
Publisher: likely Cornelis Vermeulen, Antwerp, Belgium
Reference: Hollstein No. 89.II; New Hollstein No. 378.II; Muller No. 557; Le Blanc No. 12
Sheet size: 21.25" x 14.94"
Image size: 19.57" x 13.82"
Condition: Trimmed close to platemark. Toning to sheet. Light soiling to upper left in margins. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by Flemish artist Cornelis Martinus Vermeulen (1644-1708) after a painting by Dutch artist Anthony van Dyck (1599-1641) which is within the permanent collection of the Rijksmuseum, Amsterdam, Netherlands. Our example here from the 1700's is either the first or second state of three. The final and third state was printed in the 1800's and has a "7" printed lower right in margin. Printed from one copper plate in one color: black. There are examples of this work in many permanent museum collections.
Biography:
Sir Anthony van Dyck (Dutch: 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy silk merchant in Antwerp, Anthony painted from an early age. He was successful as an independent painter in his late teens and became a master in the Antwerp Guild on 18 October 1617. By this time, he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work.
Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings of mainly other artists and other famous contemporaries. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the Archduchess Isabella, Habsburg Governor of Flanders. At the request of Charles I of England he returned in 1632 to London as the main court painter.
With the exception of Holbein, van Dyck and his contemporary Diego Velázquez were the first painters of pre-eminent talent to work mainly as court portraitists, revolutionizing the genre. Van Dyck is best known for his portraits of the aristocracy, most notably Charles I, and his family and associates. He was the dominant influence on English portrait-painting for over 150 years. He also painted mythological, allegorical and biblical subjects, including altarpieces, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. His influence extends into the modern period. The Van Dyke beard is named after him. During his lifetime, Charles I granted him a knighthood, and he was buried in St Paul's Cathedral, an indication of his standing at the time of his death.
- Creation Year:1703
- Dimensions:Height: 21.25 in (53.98 cm)Width: 14.94 in (37.95 cm)
- Medium:
- Movement & Style:
- After:Anthony van Dyck (1599 - 1641, Flemish)
- Period:1700-1709
- Condition:(Very Good).
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121214678172
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Limited edition: Unknown
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Notes:
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Notes:
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Limited edition: Unknown
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Notes:
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Notes:
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