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ArmanGrey Mood, Arman1978
1978
$2,200
$2,75020% Off
£1,699.88
£2,124.8520% Off
€1,965.22
€2,456.5320% Off
CA$3,108.76
CA$3,885.9520% Off
A$3,486.68
A$4,358.3520% Off
CHF 1,825.92
CHF 2,282.4020% Off
MX$42,366.56
MX$52,958.2020% Off
NOK 23,186.13
NOK 28,982.6620% Off
SEK 21,982.08
SEK 27,477.6120% Off
DKK 14,669.36
DKK 18,336.7120% Off
About the Item
Artist: Arman (1929-2005)
Title: Grey Mood
Year: 1978
Edition: 54/150, plus proofs
Medium: Silkscreen on Arches paper
Size: 30 x 22.25 inches
Condition: Good
Inscription: Signed and numbered by the artist.
Notes: Published by Master Editions.
ARMAN (1929-2005) Arman is known as one of the most important international object artists and a co-founder and member of the Nouveau Réalisme. He is among the top artists in the list of "Top 100" artists of world-renown. A leader of Abstract Expressionism, his works offer an incredible opportunity for enormous appreciation in value. Some of Arman's original works of art sell today in the hundreds of thousands of dollars. His prints and posters have been used to promote international music events world-wide. He has had over 30 one-man shows in museums all over the world, many TV interviews, and innumerable articles about his work have been published.
- Creator:Arman (1928 - 2005, French)
- Creation Year:1978
- Dimensions:Height: 30 in (76.2 cm)Width: 22.25 in (56.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342113964352
Arman
Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris. In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time. Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century. His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris. Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York He died in 2005 in New York.
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