Miniature Figurative Prints

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Etching on paper, épreuve d'artiste, 1974 LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948,...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

Uses and Customs - Gioncatore and Ciociare is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Mario AVATI Aeolus and Sailboat in the moonlight Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent ...

Portrait is an original woodcut on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is excellent. Monogrammed...

Medium: Intaglio and Chine Colle Year: 2024 Image Size: 12 x 9 inches Edition of 15 Signed, titled and numbered by the artist. A young Japanese woman contemplating her image in a mi...

Marc Chagall (1887-1985) - Les Amoureux au soleil rouge Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent ...

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Oriental Warrior is an original print realized in the first half of the XIX century by Utagawa Kunisada. Beautiful colored woodblock print. This wonderful woodcut by Utagawa Kunisa...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

The European Macabre Dance N.38 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Signed, titled, and numbered from the edition of 15. Image of a young girl with a crown and brooch. While the images have some resemblance to traditional Japanese Ukiyo-e prints, the...

Decorative motifs of the Chinese Renaissance is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs of the Chines...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the...

Signed, titled and numbered in pencil, 32/40. an hommage to Giuseppe Arcimboldo, a 16th century artist best known for creating imaginative portrait heads made entirely of such objec...

The Chairis a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. Not signed and not numbered, as issued. The artwork is depicted through confid...

Self- Portrait is an etching on creamy-colored paper realized by Jean-Pierre Norblin de La Gourdaine artist in the Early 19th Century. Good Conditions. The artwork is depicted thr...

Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...

Ancient View of Athens is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: ...

Des Piferari devant une Madone is a Lithograph realized by Antoinette Haudebourt-Lescot. Signed on plate and titled on the lower margin. Passpartout included cm 50x32.5 Good condi...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune fille au noeud noir (Young Girl with the Black Ribbon), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), originates from the 1926 edition published by Au Sans Pareil, Paris, and printed by Lacouriere, Paris, 1926. Jeune fille au noeud noir reflects Laurencin's poetic vision and her lyrical treatment of form and femininity, embodying the grace and delicacy that defined her distinctive style during the height of the Parisian avant-garde. Executed as an etching on velin d'Annonay, des freres Montgolfier paper, this work measures 7.5 x 5.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the fine craftsmanship of Lacouriere, Paris. Artwork Details: Artist: Marie Laurencin (1883–1956) Title: Jeune fille au noeud noir (Young Girl with the Black Ribbon), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin) Medium: Etching on velin d'Annonay, des freres Montgolfier paper Dimensions: 7.5 x 5.5 inches (19 x 14 cm) Inscription: Unsigned and unnumbered as issued Date: 1926 Publisher: Au Sans Pareil, Paris Printer: Lacouriere, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), published by Au Sans Pareil, Paris; printed by Lacouriere, Paris, 1926 Notes: Excerpted from the album (translated from French), XX examples on tank velin, with a double sequence of engravings, including one in the first state. These examples, reserved for Friends of the publisher and printed in their name, are numbered from I to XX; XXXV examples; LX examples on Holland Van...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Charles Bragg, American (1931 - 2017) - David, Year: circa 1970, Medium: Etching, signed, numbered in pencil, Edition: 300, Image Size: 8 x 6 inches, Size: 12.5 x 10 in. (31.75 x 2...

Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...

Pochard is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. ...

Persian Cloth in 19th Century is a Hand-colored lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Wildlife is an etching realized by Jean Le Pautre in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Artist: Peter Max (1937) Title: God Bless America Year: 2002 Edition: 201/300, plus proofs Medium: Lithograph on archival paper Size: 12.5 x 9 inches Condition: Excellent Inscription...

This artwork titled "Night Eyes I" c1980 is a color screen print on Wove paper by Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) 1939-2016. It is hand signed, titled and numbered 215/275 in pencil by the artist. The image size is 10 x 8 inches, sheet size is 17 x 14 inches. It is in excellent condition, has never been framed. About the artist: Crow Indian artist Penni Anne Cross, (Alawa-sta-we-ches) was born in Washington state in 1939. She first studied with her portrait-painter mother, before beginning more formal studies in 1968. Her work is commercially oriented, sentimentalizing her paintings of Native Americans...

Indian Giant Squirrel is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and w...

"Swimmers" is an original linoleum print by Clarice George Logan. It features five figures enjoying a swim, jumping off from a small boat. Image: 4.94" x 6" Framed: 13.87" x 14.87" Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von Neumann...

Uses and Customs - Consular Street in the Entrance of the City of Pompei is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peop...

The Actor Nakamura Shikan II is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1850. Original woodcut print chuban format, 1850. Signed Hirosada. Publisher: Kagawa. From the series "Kokon yujin ki" (Transcription on past and present heroes). The actor Nakamura Shikan II as Danshichi Kurobei in the play Natsumatsuri Naniwa kagami. Excellent impression, fresh in colour, with blindstamping (floral design), visible wood grain (grey kimono...

"Kiosk in Paris" British Linocut 1/50 European Modernism Swiss Vorticism Deco Lill Tschudi (Swiss, 1911-2004) Kiosk in Paris (Coppel LT 29) Linocut...

Duck on the Lake is an original modern artwork realized in the 19th Century. Original Etching on paper. Mint condition. Duck on the Lake is an excellent artwork realized in the...

Green Finch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stu...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...

The Capitol is a beautiful lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century. It represents the incredible landscape of the communal site of t...

L'Inspecteur Général "Revizor" is a litograph realized by Hermann Paul in 1897-98, for the Theatre Magazine "L'Art et la Scène". Signed on Plate. Edition Grande Imprimerie Centrale,...

Monogram of the artist on plate. From the series: "La Vie de Sainte Monique". Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impres...

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

Tal para Qual is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the Thi...

History of Injustice is an original Screen Print realized by Ibrahim Kodra in 1980s. Very good condition on a white cardboard. Hand signed with pencil by the artist on the lower ri...

BARBIER, George. Nijinsky in Petrouchka. London, C. W. Beaumont, 1913. ‘The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in h...

Edition 1/13 Signed to lower right Ananda Kesler was born in Haifa, Israel. In 2002 she received her BA in Fine Art from the University of Iowa. She has continued her art education...

Meeting of two samurai is an original modern artwork realized by Utagawa Kuniyasu in 1820. Woodcut Print Oban Dyptich Format. Meeting of two samurai ...

Le Cerf De Corse is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et par...