Auguste Wahlen

Douran - Lithograph by Auguste Wahlen - 1844

1844

Ainos is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Ainos". The work is part of Suite Moeurs, ...

Marchand Maure is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples du...

Eleuthe is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Eleuthe". The work is part of Suite Moeu...

Roi de Boussa is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples du ...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...

Antique costume print titled 'Douran'. Original antique print of an Arabian man. This print originates from 'Moeurs, usages et costumes de tous les peuples...

Antique costume print titled 'Kurde (Asie)'. Original antique print of a Kurd. This print originates from 'Moeurs, usages et costumes de tous les peuples du monde' by Auguste Wahlen.

Title: "Traditional Eleuth Warrior Attire in 1844 Lithograph" Description: This hand-colored lithograph titled *Eleuthe* (Eleuth) portrays a man from the Eleuth tribe, a subgroup of the Oirat Mongols. The image is part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen's designs, with notable contributions from artists such as Evrard Duverger, L. Markaert, and R. King. The lithograph is enhanced with Arabic gum on vellum paper, adding a bright gloss and deepening the colors. Notable Features of the Attire: - Helmet: The warrior wears a distinctive helmet, possibly crafted from metal or leather, which suggests a readiness for battle. The helmet design is typical of Mongolian and Central Asian tribes, providing protection while maintaining mobility. - Coat: The long, fur-lined coat is characteristic of the Eleuths, suited to the cold climates of Central Asia. The coat is intricately patterned, showcasing both practicality and status. - Sword: The sword hanging by his side is a symbol of his warrior class. The hilt appears to be ornately decorated, hinting at a higher social rank or experience in battle. Cultural and Historical Insight: The Eleuth people were part of the broader Oirat confederation of nomadic Mongols who lived in what is now Xinjiang and parts of Central Asia. Their warrior culture was highly developed, and this lithograph captures the essence of a soldier's dress during the 19th century. The attire shown here reflects both the harsh environment and the martial lifestyle that characterized their existence. Keywords for Searching: People searching for prints like this might use terms such as "Eleuth warrior lithograph," "Wahlen 1844 Mongolian print...