Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Bernard Picart
La Nymphe Echo - Etching by B. Picart - 1742

1742

$559.29
£421.81
€480
CA$773.27
A$866.19
CHF 454.96
MX$10,532.63
NOK 5,761.23
SEK 5,468.95
DKK 3,654.07

About the Item

Black and white etching on wire rod paper, representing the Greek myth of the nymph Echo. Wonderful plate with fresh impression and a beautiful use of chiaroscuro, from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author inscribed: "B. Picart del. 1731" under the frame engraved, on the lower-left margin. In very good conditions, except for a usual light yellowing of the margins and some light foxings on margins (beyond the marginal line), two visible stains on the lower margin, some light vertical folds on the right margin in correspondence of the binding with two little rips. The engraved image is in perfect conditions. Le Temple des Muses was an illustrated book of Ovid's more popular fables and other Greek myths published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The wonderful sixty plates engraved by Bernard Picart were a sort of fashionable mythological compendium, useful in the eighteenth century, when the fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. Bernard Picart (Paris, 1673 – Amsterdam, 1733) French engraver best known for his book-illustrations, including the Bible and Ovid. His most famous work is Cérémonies et coutumes religieuses de tous les peuples du monde, published from 1723 to 1743 and was defined: "an immense effort to record the religious rituals and beliefs of the world in all their diversity as objectively and authentically as possible" by Jonathan I. Israel.
  • Creator:
    Bernard Picart (1673 - 1733, French)
  • Creation Year:
    1742
  • Dimensions:
    Height: 17.96 in (45.6 cm)Width: 11.26 in (28.6 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
    1740-1749
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-959111stDibs: LU65036839922

More From This Seller

View All
Phinée - Etching by Bernard Picart - 1742
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Phineus. Beautiful plate with fresh impression and sharp details, from the volume “Le Temple des Muses”, pu...
Category

1740s Old Masters Figurative Prints

Materials

Etching

Salmacis et Hermaphrodite - Etching by Bernard Picart - 1742
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Salmacis and Hermaphroditus. Wonderful plate with very fresh impression and a beautiful use of chiaroscuro,...
Category

1740s Old Masters Figurative Prints

Materials

Etching

Les Alcyons - Etching by Bernard Picart - 1742
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Alcyone. Wonderful plate with very fresh impression and a beautiful use of chiaroscuro, from the volume “Le...
Category

1740s Old Masters Figurative Prints

Materials

Etching

Encelade, from "Temple des Muses" - Original Etching by Bernard Picart - 1742
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Encelade, burried under the Mount Ethna. Beautiful plate with fresh impression, from the volume “Le Temple ...
Category

1740s Old Masters Figurative Prints

Materials

Etching

Landscape - Etching by Étienne Fessard - 1771
By Etienne Fessard
Located in Roma, IT
Étienne Fessard is a Etching print realized by Étienne Fessard in 1771. Good conditions. The artwork id depicted through confident strokes in a well-balanced composition.
Category

1770s Modern Figurative Prints

Materials

Etching

Les Gemeaux Castor et Pollux - Etching by B. Picart - 1742
By Bernard Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of the Dioscuri, Castor and Pollux. Wonderful plate with very fresh impression and an elegant line, from the v...
Category

1740s Old Masters Figurative Prints

Materials

Etching

You May Also Like

Richard Earlom after Lorrain - 1802 Etching, Liber Vertatis Landscape No. 7
Located in Corsham, GB
A fine example of the 1802 strike of Landscape No. 7 from the etched version of the Liber Vertatis. Sculptured by Richard Earlom (1743-1822) after the original from the book by Claud...
Category

19th Century Interior Prints

Materials

Etching

1er Nymphée
By François Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden hut...
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching

Franciscus de Neve C17 engravings: Landscape with Shepherdess/Echo & Narcissus
By Franciscus de Neve
Located in London, GB
Franciscus de Neve (c.1632-1704) 'Landscape with Shepherdess Playing a Tambourine' and 'Echo & Narcissus' Engravings Both signed in the lower margin: 'Franciscus de Neue In. e fecit' and 'Si Stampano in Roma da Gio: Iacomo de Rossi alla Paca' Each 31.5 x 38.5cm (plate) Franciscus (or Frans) de Neve was a Flemish painter and engraver, born in Antwerp in 1632. His father, also an artist, was called by the same name, resulting in some confusion for art historians. The younger de Neve was working in Rome from 1660-1670, producing paintings for the Palazzo Doria-Pamphili (alongside Pietro da Cortona) and was known for his religious subjects, mythological scenes and landscapes. He was part of a network of Dutch and Flemish artists in the city, who helped to promote and support his career. Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples). After 1670 he travelled to Augsburg and Munich, then to Austria and Moravia, where he completed numerous commissions for altarpieces. Towards the end of his life he returned to his native Flanders and became Master of the Guild of Saint Luke. De Neve had a reputation as a gifted landscape painter, and these two engravings show his keen interest in the details of the natural world, as well as the influence of Claude Lorrain in the extensive vistas. The painting of ‘Narcissus and Echo...
Category

17th Century Realist Landscape Prints

Materials

Engraving

'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category

1730s Baroque Figurative Prints

Materials

Engraving

Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...
Category

Mid-18th Century Naturalistic Figurative Prints

Materials

Engraving

Mercury and Argus (2nd State)
Located in Chicago, IL
References: Blum 38 II/IV Robert-Dumesnil 17 I/III Russell 49 II/IV Mannocci 42 IIb/III
Category

17th Century Old Masters Prints and Multiples

Materials

Etching