Charles Amedee de Noe (CHAM)

Actualités, Old Angle - Original Lithograph by Cham - 1865

1865

Actualités, Hiver is an amusing satirical illustration by the French illustrator and caricaturist, Cham (alias Count Amédée de Noé, 1818-1879) realized in 1882. Beautiful Hand-color...

Beautiful b/w lithograph on ivory colored paper. Amusing satiric illustrations by the distinguished French draftsman and caricaturist, Cham (alias Count Amédée de Noé, 1818-1879). Plate n. 2, titled "La famille", from the series "Études sociales", Aubert, Paris. With a smart printed captures under the image: "Mais si l...

Colored lithograph with pouchoir details on ivory colored paper. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804-1866). Plate 54, from the series Les Débardeurs, Aubert and C.ie, Paris, 1848. Numbered on plate on lower-left corner. With the amusing and smart printed...

Modes de 1864 is an original lithograph on paper realized by Amodee de Noe, also known as Cham. Hand-signed on the lower right in black marker. Numbered, edition 180. on the top right. Titled, with a description, on the bottom center: LE MUSCADIN DE 1798 - ROBE A LA...

"VALMY! (L'Estampe Moderne)" is a print watermarked PL BAS after a drawing by Adolphe Willette. It depicts a general with his army and a young girl. 15 3/4" x 12" art 23" x 19 1/4" frame Adolphe Léon Willette (30 July 1857 – 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondisement of Paris for the September 1889 legislative elections. Biography Willette was born in Châlons-sur-Marne. He studied for four years at the École des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil, and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more "charming" side of love, often pure and sometimes extremely materialistic. Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being a violent though at the same time a generous partisan of political ideas, furiously compassionate with love and pity for the people whether they be ground down under the heel of political oppression, or are merely the victims ot unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cemoi", "Pierrot", "Louison", "Bebe", and "Nox", but more often under his own name. He illustrated Melandri's Les Pierrots and Les Giboulles d'avril, Le Courrier français, and published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several "brasseries artistiques" with wall-paintings, stained glass, &c., notably Le Chat noir and La Palette d'or, and he painted the highly imaginative ceiling for La Cigale...

Caregiver of the Sick: Compassion in Action, Plate 60 * This striking lithograph features a caregiver of the sick, clad in solemn black robes adorned with vivid red crosses on th...

Antique print titled 'France XVIIth Cent - France XVIIe, Siecle - Frankreich XVIItes Jahr'. Chromolithograph of French 17th century scenes. This print originates from 'Le Costume His...

The circa 1840 engraving "Attaque de l'Hôtel de Ville - Trois Glorieuses" was engraved by Jean-Pierre-Marie Jazet after an original painting by H. Lecomte. This artwork vividly captu...