Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Charles-Nicolas II Cochin
Hercule Gaulois, ou L’Éloquence

1729

About the Item

A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two blocks in beige and olive with etching and aquatint on cream laid paper, 11 1/8 x 10 inches (281 x 252 mm) (plate), full margins with the text printing clearly below in olive ink. In very good condition with no visible defects other than one pinpoint sized spot of foxing on the verso, left sheet center. Charles Nicolas Cochin Père did the etching, Vincent Le Sueur did the chiaroscuro woodcut. After a Drawing by Raffaello Sanzio. (The supposed Raphael drawing on which the print is based is now identified as “school of,” but the print remains as beautiful despite the re-attribution). The Cabinet Crozat was a collection of prints after drawings in the collection of Pierre Crozat, then known as one of the finest collections in the world. Many of the prints, which were by various hands, were made in the unusual combination of etching with chiaroscuro woodcut superimposed upon it. In this case, Cochin did the etching and Le Sueur the chiaroscuro woodcut. Registration must have been a problem, but here, at least, the plate and the blocks are almost perfectly aligned.
  • Creator:
    Charles-Nicolas II Cochin (1715 - 1790, French)
  • Creation Year:
    1729
  • Dimensions:
    Height: 11.13 in (28.28 cm)Width: 10 in (25.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Middletown, NY
  • Reference Number:
    Seller: BH6061stDibs: LU1979212804712

More From This Seller

View All
Holy Family with Two Saints, after Parmigianino
By Antonio Da Trento
Located in Middletown, NY
Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...
Category

16th Century Old Masters Figurative Prints

Materials

Ink, Laid Paper, Woodcut

Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Laid Paper, Woodcut

Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category

17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

Portrait of Carlos de Colonna, Marques de la Espinar
By Paulus Pontius
Located in Middletown, NY
(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression. __________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...
Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Engraving

Venetian School: Neoclassical banquet scene with angels and putti.
Located in Middletown, NY
Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...
Category

18th Century Old Masters Figurative Prints

Materials

Handmade Paper, Ink, Laid Paper

Peasant with a Crooked Back
By Adriaen van Ostade
Located in Middletown, NY
Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...
Category

Late 17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

You May Also Like

St. Simon from Les Grands Apôtres Debout Original 17th Century Etching
By Jacques Callot
Located in Soquel, CA
St. Simon from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" Original 17th Century Etching by Jacques Callot. This portrait of St. Simon depicts him standing in a street, holding a book and leaning on a saw. The saw is typical of St. Simon's depictions as he was said to have been martyred by being sawed in half. Very good impression of this print, with bold lines and high contrast. This leaflet contains the words "Callot fec." in the bottom right, shorthand for the Latin fecit, meaning Callot made this. This edition contains no publishers mark or numbering on the piece, indicating that it is from the first printing state. Jacques Callot was born in the Duchy of Lorraine around 1592 to an important family in the court. He started an apprenticeship as a goldsmith at the age of 15, but later began learning etching. He is known for his technical skill in etching and for developing the echoppe style etching needle. Callot's etchings featured religious figures as well as soldiers, common people, beggars, and court individuals. His series "The Miseries and Misfortunes of War," published while Lorraine was invaded during the Thirty Years War, later influenced Goya's "Los Desastres de la Guerra...
Category

17th Century Old Masters Figurative Prints

Materials

Ink, Laid Paper, Etching

"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Located in Soquel, CA
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45 Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...
Category

1980s Contemporary Portrait Prints

Materials

Rice Paper, Laid Paper, Woodcut

Old Master Print Heads of Two Apostles after Raphael
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Rochester, NY
Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 
Category

Early 19th Century Old Masters Figurative Prints

Materials

Paper

ÀSÁLĘ (Nightfall) - 21st Century, Contemporary, Figurative, Africa, Hut, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Figurative Prints

Materials

Canvas, Linocut

Indelible Scar - 21st Century, Contemporary, Figurative, Africa, People, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Figurative Prints

Materials

Canvas, Linocut

Perception - 21st Century, Contemporary, Figurative, Africa, Women, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Figurative Prints

Materials

Canvas, Linen, Ink, Linocut

Recently Viewed

View All