Cindy Wolsfeld

Boys, Boys, Boys, Screenprint by Cindy Wolsfeld

1982

Donning a furry green coat, the female figure in this print holds her hands to the sides of her head as she opens her mouth. Kiki Kogelnik’s captivating rendering of a woman in an ex...

A New York City street scene by Lester Johnson circa 1980. Artist: Lester Johnson, American (1919 - 2010) Title: Street Scene Year: circa 1980 Medium: ...

Artist: Ronald Stein Title: Lessons of the Camp Year: 1967 Medium: Serigraph, signed in pencil Edition: Proof Size: 26 x 40 inches

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: War Baby Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Size: 39 in. x 26 in. (99.06 cm x 66.0...

Margaret Roleke's work explores sensationalism, consumerism and the crazy contradictions and relationships that develop when popular culture mixes with war and religion. The Trump presidency has pushed her to be further involved as a political activist and artist. Many new pieces deal with protest and resistance. But the major theme which she has been exploring for several years is gun violence. Using spent shotgun shells and brass, as well as, paper targets in much of her work, from a distance the viewer is not sure what these colorful spent shotgun pieces are. Only upon closer examination does one realize that they are actually made from spent bullets. The environmental plastic waste is also an issue she explores in her work. A percentage of all of Roleke's sales are donated to organizations that work for gun control. Roleke's new silkscreens and cyanotypes deal with the issues of putting families in cages, and the dismantling of the ideas of life, liberty and justice for all...

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

"Detente" according to the artist: "These two silkscreen prints were made in 1987, edition of 5 prints. They were published by Kent Fine Art, NYC. Signed and numbered they sell for $...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Signed, dated and numbered on the reverse. Edition of 204...