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Damien Hirst
Damien Hirst, 'I Love You' Butterfly, Fuchsia/Gold, 2015

2015

Price Upon Request

About

The 'I Love You' Butterfly in Fuchsia and Gold is a limited edition silkscreen print by Damien Hirst. This uplifting artwork features a foil block iridescent butterfly, surrounded by a gold leaf heart and set on the crisp white background of somerset satin 410gsm paper. The detailed and immaculate artwork is signed numbered by the Artist in pencil on the lower corners. The 'I Love You' Butterfly is in the limited edition of only 14 works, created in 2015. Incorporating Hirst’s iconic imagery of the butterfly in it’s exquisite beauty and fleeting mortality, the ‘I Love You’ Butterfly is a symbol for love, hope and life. The artwork comes in a custom made museum caliber black glossy lacquer frame and is completed with UV non-glare glass. The framed dimensions measure: 43.75 x 31.75 x 2.15 in. / 111 × 80.6 × 5.5 cm. The 'I Love You' Butterfly arrives ready to install with the Arton seal of approval for authenticity, quality and exquisite condition. Questions on this piece? Send us a note, or call us directly. Damien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. His varied practice, which includes installation, sculpture, painting, and drawing, explores the complex relationships between life, death, art, religion, and science. Hirst was born in Bristol in 1965 and grew up in Leeds, England. In 1984, he moved to London, where he worked in construction before enrolling at Goldsmiths University of London, in 1986 to study fine art. While at Goldsmiths, Hirst organized the independent student exhibition Freeze, which has become legendary as the originating moment of the Young British Artists (YBAs). Freeze, which exhibited Hirst’s first spot paintings, launched Hirst and 15 of his fellow students to fame, making their place in art history. In 1991, Charles Saatchi, offering to fund Hirst’s artwork, mounted the first Young British Artists (YBA) exhibition at the Saatchi Gallery in London. Among the works exhibited was The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark submerged in a formaldehyde vitrine, which became an overnight sensation. As a result of the show, Hirst was nominated for that year's Turner Prize. Hirst again won the Turner Prize in 1995 for his piece, Mother and Child Divided, which consists of a cow and a calf each bisected and held within its own glass case. Hirst is well recognized for his spot paintings, medicine cabinet motifs, brightly colored spin paintings, kaleidoscopic butterflies, and diamond-encrusted skulls. Since 1987, over 80 solo Damien Hirst exhibitions have taken place worldwide and his work has been included in over 260 group shows. He has permanent sculptural installations across the globe and is the UK's richest living artist. Hirst continues to work and create art in the present day, with his recent focus primarily on paintings. To learn more about Damien Hirst and see other available artworks for acquisition, please visit our website.

Details

  • Creator
  • Creation Year
    2015
  • Dimensions
    Height: 44 in. (111.76 cm)Width: 33 in. (83.82 cm)Depth: 2 in. (5.08 cm)
  • Medium
  • Movement & Style
  • Period
  • Framing
    Framing Options Available
  • Condition
  • Gallery Location
    New York, NY
  • Reference Number
    1stDibs: LU83517288562

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Ships From: New York, NY
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About Damien Hirst (Artist)

British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.”


     In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.


     Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production. Belonging to his ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.


     In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).

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