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David Avery
Because It Is There

2000

About the Item

Signed, titled and numbered from the edition of 30. One of several recent prints by Avery that continue to win awards and purchase by museums and public collections. Surrealistic image of skeletal looking over the shoulder of a printmaker as he works at his printing press. Memento Mori for printmakers. The title of this work is derived from the writings of Bruno Schulz, who wondered if the substance of what we call reality could really be substantial enough to support the immensity of ideas whose integrity demands the resistance to incarnation. As the etching progressed, I began to think of it as a kind of summation of my work up until the present, and you may find quotations here and there from earlier pieces, as well as references to various outside influences and some goings-on of late. David Avery continues to explore the expressive and technical possibilities inherent in black and white line etching. His work is included in the collections of the Fogg Museum at Harvard University, the New York Public Library, the Achenbach Foundation for the Graphic Arts, the Stanford University Library among others, and has been noted in the New York Times. Even though “black and white doesn’t sell”, he has eschewed the use of color, finding the subtleties and tonalities of black and white most capable of creating the psychological mood that allows his work to be effective.
  • Creator:
    David Avery (1952, American)
  • Creation Year:
    2000
  • Dimensions:
    Height: 6.5 in (16.51 cm)Width: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palm Springs, CA
  • Reference Number:
    1stDibs: LU308213221262

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