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Édouard ManetLes Gitanos - Etching by Edouard Manet - 18621862
1862
About the Item
Les Gitanos is a black and White etching realized by Edouard Manet in 1862.
Titled in the lower.
Second state and lifetime impression realized by Société des Aquafortistes, with featured title "Les Gitanos", and, at the left, "Manet Sculpt."
Very good impression with wide margins and a very fresh inking.
Ref. Cat. Harris, n.18, p. 86; Cat. Guérin 21; Cat. Bareau-Berès 32; Cat. Fisher 16.
Realized by Cadart for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1862
- Dimensions:Height: 20.87 in (53 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1500401stDibs: LU650314894162
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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