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Édouard ManetLola De Valence - Etching by Edouard Manet - 18621862
1862
About the Item
Lola De Valence is a black and white etching realized by Edouard Manet (1832-1883) in 1862.
Image dimensions: 18x26 cm.
Etching and aquatint, 6th state, the first to be published, with informations on realization, printing and publication (Société des Aquafortistes).
Fine impression with full margins, in very good conditions.
Signed on the lower left.
According to Harris, there were two different 1862/63 printings of this plate, this one for the Société des Aquafortistes. "Imp. Delâtre, rue Saint-Jacques, 363, Paris," appears to the left of the printed verse, "Paris, Publié par A CADART & LUQUET, Editeurs, 79 Rue Richelieu" appears in the lower right, just below the image. Number "67" appears in the upper right and refers to this as Plate 67 of Eaux-Fortes Modernes, 2nd year, 2nd issue. (The second printing lacks the words"Ed.Manet sculpt.", which is present in this one). The subject of this print by Manet is Lola Melea who was a principal dancer with the Royal Ballet of Madrid. The Ballet appeared in Paris in 1862 at the Hippodrome theatre and Manet asked the dance troupe to pose for him. It follows Manet's interest for the Spanish culture and costumes, as well as for the style of Francisco Goya. He also executed an oil painting of the same subject as well as a lithographic sheet music cover. The painting is now at Musée d'Orsay in Paris.
Ref. Harris 33 (vi/VIII), Guérin 23, Fisher 25.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1862
- Dimensions:Height: 20.87 in (53 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1524461stDibs: LU650315623002
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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