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Édouard ManetLola De Valence1862
1862
$4,000
£3,071.83
€3,520.28
CA$5,631.01
A$6,307.98
CHF 3,287.03
MX$76,944.31
NOK 41,770.63
SEK 39,386.73
DKK 26,274.38
About the Item
Lola De Valence
Etching, 1862
Signed in the plate lower left: “Ed Manet”
Printed on chine collee paper, without watermark
From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt”
From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905
Pencil inscription with title below the plate in the lower margin
Conditiono: Excellent
Image size: 10 7/8 x 6 7/8 inches
Plate size: 18 3/4 x 13 inches
Reference: Harris-Manet 33 iii/III
Guerin-Manet 23 vi/VIII
The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris.
"Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes(Lola Melea), and somehow echoes the Spanish singer , painted in 1860. These two paintings are characteristic of the painter's Hispanic period, during which the latter was strongly influenced bySpanish art and Diego Vélasquez .
Lola de Valence has the distinction of being the first work by Manet to have aroused disapproval of the suggested eroticism of his theme, thus paving the way for the more important scandals of Lunch on the Grass and Olympia "
Courtesy of Wikipedia
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1862
- Dimensions:Height: 10.89 in (27.67 cm)Width: 6.88 in (17.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA115391stDibs: LU14013527302
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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