Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Francesco Cecchini
The Sacrifice - Original Etching by F. Cecchini After A. Tofanelli - 1821

1821

About the Item

“Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 1770 - Rome 1834), as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò / Franco Cecchini incise. Roma”. This original print is numbered on plate in Roman numerals on right margin: “Tom II. /Tav. V" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (.) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Sagrifizio Trionfale, Bassorilievo con figure maggiori del naturale Translated Title: Triumphal Sacrifice, Bas-relief with figures greater than the natural This old master’s original prints shows a precious piece of the Borghese's collection, a wonderful bas-rilief with a very detailed scene of a sacrifice. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Agostino Tofanelli (Lucca 1770 - Rome 1834) Son of the engraver Andrea, Agostino Tofanelli studied with his father and his brother Stefano. In 1781 he settled in Rome to attend the courses of the Accademia del Nudo. Until the early years of the century it had a good name with a prestigious client as a draftsman and engraver; in 1807 he was appointed custodian of the Capitoline Museum, a position he held until his death. The first important assignments as a painter I saw in Rome in Palazzo Spada (1808) and in the renovation of the apartments of the Quirinale (Salon de Musique of the Empress, 1812). In 1813 he was appointed member of the Accademia di San Luca to follow the interventions in Palazzo Taverna , in the Palazzi Vaticani and in the chapel of the Quirinale. In Lucca, he was also commissioned by Maria Luisa di Borbone , for family portraits and works of biblical theme.
  • Creator:
    Francesco Cecchini (1750 - 1811, Italian)
  • Creation Year:
    1821
  • Dimensions:
    Height: 17.33 in (44 cm)Width: 23.23 in (59 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1015891stDibs: LU65034441541

More From This Seller

View All
Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with some folding. ...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. ...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Head of Camel - Etching by Stefano Della Bella - 17th Century
By Stefano Della Bella
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century. Monogrammed “SDB fec.” Plate 8,1x8,5...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

Rest on the Flight into Egypt - Etching by Giambattista Tiepolo - 1750
By Giovanni Battista Tiepolo
Located in Roma, IT
This etching on laid paper is the 13th plate of the series of 27 entitled Idee pittoresche sopra la fugga in Egitto di Giesù, Maria e Gioseppe executed by Giambattista Tiepolo and pu...
Category

1780s Old Masters Figurative Prints

Materials

Etching

The Old Sporting School - Etching by Joseph Banks - 1837
Located in Roma, IT
The Old Sporting School is an artwork, realized by the artist Joseph Banks in 1837. Etching colored. Titled and signed on plate . Beautiful engraving with contemporary colouring. E...
Category

1830s Old Masters Figurative Prints

Materials

Etching

Bathsheba Receiving David's Letter - Etching after Adriaen Collae - 17th Century
By Adriaen Collaert
Located in Roma, IT
This etching, the prototype of which is attributed to Adriaen Collaert (ca. 1560-1618), is taken from the Theatrum Biblicum by Claes Jansz. Visscher, first published in Amsterdam in ...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

You May Also Like

The Smoker at the Window by David Deuchar, after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category

19th Century Old Masters Portrait Prints

Materials

Etching

The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category

17th Century Old Masters Landscape Prints

Materials

Laid Paper, Etching

The Quacksalver
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category

Mid-17th Century Old Masters Figurative Prints

Materials

Laid Paper, Etching

Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category

17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Laid Paper, Etching

A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category

Mid-17th Century Old Masters Figurative Prints

Materials

Etching, Laid Paper

Recently Viewed

View All