Name: "Sweet China Oranges": An 18th Century Engraving from The Cries of London Series
Brand: Francis Wheatley
Rating: 5 (38 reviews)

"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series

View Similar Items

Unknown - "Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition

Sir David Wilkie - Rent Day, English antique engraving after Sir David Wilkie

Pierre-Joseph Redouté - Lilium Superbum

Alfred Agate - Queen of Rewa, 19th century Fiji portrait engraving print

William Henry Pyne - Farm Yards, early 19th century sepia soft ground etching, 1805

William Henry Pyne - Hunting, early 19th century sepia soft ground etching, 1805

William Henry Pyne - Threshing, early 19th century sepia soft ground etching, 1805

Pierre-Joseph Redouté - Crinium Giganteum

Unknown - Charles Wilkes, 19th century American US naval explorer portrait engraving print

Pierre-Joseph Buchoz - A Group of Six Hyacinths

Johann Wilhelm Weinmann - Citrus and Apricots

Unknown - Sir John Ross, Arctic Explorer, 19th century portrait engraving print

About the Item

This is a beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th century London, who worked the streets, hawking their wares. This engraving from the series "Cries of London", originally painted by Francis Wheatley, was published by Colnaghi & Co. in London in 1794. It is entitled: "Sweet China Oranges, Sweet China, Oranges sucrees, oranges fines", Plate No. 3, engraved by Luigi Schiavonetti. "Sweet China Oranges" depicts a man carrying a basket of oranges negotiating with two well dressed women for the price of his oranges. Another basket lies on the ground behind him. The man who has a hole in the right sleeve of his coat is in stark contrast with the upper class women and the well dressed child in the background. A poor woman approaches from the left. This print is presented in a decorative gold-colored wood frame, which measures 20.5" x 16.38" x .88". There is slight discoloration in the margins, but the print is otherwise in very good condition. There are six additional framed engravings from the 'Cries of London' series available on 1stdibs that are presented in similar or identical frames. The reference numbers for the additional 'Cries of London' listings are: LU117326068762, LU117326068742, LU117326068772, LU117326068782, LU117326068802 and LU117326068812. These would make for an attractive and interesting display grouping of two, three or more prints. Additional discounts are available for purchase of a set, with a greater percentage price reduction offered for higher volume. Although there were versions of the "Cries of London" created for centuries, the most well known and popular was this series, created by Francis Wheatley. Wheatley exhibited his 14 paintings of the "Cries" at the Royal Academy between 1792 and 1795. The publishing company Colnaghi & Co. were impressed by his work and agreed to publish a series of engravings after Wheatley's famous paintings. Thirteen of the fourteen paintings were engraved with a stipple technique by some the most noted engravers in England, including: Niccolo Schiavonetti, Giovanni Vendramini and Thomas Gaugain. These colorful prints give a glimpse of 18th century London's commoners, the peddlers, charlatans, street hawkers, milkmaids, and grocers who made their living on the city streets. They advertised their wares with musical shouts or melodic rhymes, which were a constant part of the sights and sounds of the city at that time. Wheatley grew up in Covent Garden among the hawkers with their cries echoing in the streets around the market. The old stone pillars of the market buildings still stand today. Wheatley's wife was also a painter and exhibited at the Royal Academy. She served as the model for the women in several of the scenes. Two years before Wheatley exhibited his paintings at the Royal Academy, the forty-one year old painter had been elected to the Royal Academy over the King’s nominee. The king was upset at this and made sure that Wheatley never again received another of his or his nobles' commissions. The portraits of nobles had previously been Wheatley's main source of income. Ironically, what should have been the crowning glory of his career, instead turned out to be its ruin. Wheatley was declared insolvent in 1793 and struggled to make a living until his death in 1801, when the Royal Academy paid his funeral expenses. Yet in the midst of this turmoil, Wheatley managed to create these wonderful images of street sellers. Although they were seen at the time as of little consequence compared to his aristocratic portraits, are now the works that define his lasting reputation. His “Cries of London” series is considered by many as the most beautiful and most popular prints ever created on this subject.

Creator:
Francis Wheatley (1747 - 1801, British)
Creation Year:
1794
Dimensions:
Height: 20.5 in (52.07 cm)Width: 16.38 in (41.61 cm)Depth: 0.88 in (2.24 cm)
Medium:
Engraving
Movement & Style:
Naturalistic
Period:
Late 18th Century
Condition:
Gallery Location:
Alamo, CA
Reference Number:
Seller: # 26781stDibs: LU117326015272

More From This Seller

View All

"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition

Located in Alamo, CA

This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...

Category

Late 19th Century Naturalistic Interior Prints

Materials

Engraving

"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition, 1876

$475

Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London'

By Francis Wheatley

Located in Alamo, CA

This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...

Category

Late 18th Century Naturalistic Figurative Prints

Materials

Engraving

Francis Wheatley
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London', 1795

$775

An Engraving from the Series 'The Cries of London': "Turnips & Carrots"

By Francis Wheatley

Located in Alamo, CA

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

Category

Late 18th Century Naturalistic Figurative Prints

Materials

Engraving

Francis Wheatley
An Engraving from the Series 'The Cries of London': "Turnips & Carrots", 1797

$575

"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London'

By Francis Wheatley

Located in Alamo, CA

This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...

Category

Late 18th Century Naturalistic Figurative Prints

Materials

Engraving

Francis Wheatley
"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London', 1795

$775

"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph

By John James Audubon

Located in Alamo, CA

This rare original first edition Audubon hand-colored imperial folio-sized lithograph entitled "Mud Minimus Aud and Bach, Little Harvest Mouse, Males and Females, Natural Size" was e...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

John James Audubon
"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph, 1845

$3,975

Muse Terpsichore: Framed Hand-colored 19th C. Engraving after 17th C. Painting

Located in Alamo, CA

"Dessine par Gallier" is a hand-colored engraving and etching by Pierre Laurent (1739-1809) and Pierre Audouin (1768-1822) after a painting by Eustache Le Sueur...

Category

Late 18th Century Romantic Figurative Prints

Materials

Engraving, Etching

After Eustache Le Sueur
Muse Terpsichore: Framed Hand-colored 19th C. Engraving after 17th C. Painting, 1803

$675

Mid-19th Century Naturalistic Interior Prints

Materials

Engraving

Rent Day, English antique engraving after Sir David Wilkie, 1820

$580

Lilium Superbum

By Pierre-Joseph Redouté

Located in London, GB

REDOUTÉ, Pierre-Joseph. Lilium Superbum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of b...

Category

19th Century Naturalistic Figurative Prints

Materials

Handmade Paper, Engraving

Lilium Superbum, 1802-16

$3,988

Queen of Rewa, 19th century Fiji portrait engraving print

Located in Melbourne, Victoria

'Queen of Rewa' Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress. From Narrative of the United States...

Category

Mid-19th Century Naturalistic Portrait Prints

Materials

Engraving

Queen of Rewa, 19th century Fiji portrait engraving print, 1849

$150

Farm Yards, early 19th century sepia soft ground etching, 1805

By William Henry Pyne

Located in Melbourne, Victoria

'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...

Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

William Henry Pyne
Farm Yards, early 19th century sepia soft ground etching, 1805, 1805

$120

Hunting, early 19th century sepia soft ground etching, 1805

By William Henry Pyne

Located in Melbourne, Victoria

'Hunting Pl II' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufactur...

Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

William Henry Pyne
Hunting, early 19th century sepia soft ground etching, 1805, 1805

$120

Threshing, early 19th century sepia soft ground etching, 1805

By William Henry Pyne

Located in Melbourne, Victoria

'Threshing' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers,...

Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

William Henry Pyne
Threshing, early 19th century sepia soft ground etching, 1805, 1805

$120

"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series

View Similar Items

Francis Wheatley
"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series
1794

About the Item

More From This Seller

Late 19th Century Naturalistic Interior Prints

"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition, 1876

Late 18th Century Naturalistic Figurative Prints

Francis Wheatley
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London', 1795

Late 18th Century Naturalistic Figurative Prints

Francis Wheatley
An Engraving from the Series 'The Cries of London': "Turnips & Carrots", 1797

Late 18th Century Naturalistic Figurative Prints

Francis Wheatley
"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London', 1795

Mid-19th Century Naturalistic Animal Prints

John James Audubon
"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph, 1845

Late 18th Century Romantic Figurative Prints

After Eustache Le Sueur
Muse Terpsichore: Framed Hand-colored 19th C. Engraving after 17th C. Painting, 1803

You May Also Like

Mid-19th Century Naturalistic Interior Prints

Rent Day, English antique engraving after Sir David Wilkie, 1820

19th Century Naturalistic Figurative Prints

Lilium Superbum, 1802-16

Mid-19th Century Naturalistic Portrait Prints

Queen of Rewa, 19th century Fiji portrait engraving print, 1849

Early 19th Century Naturalistic Figurative Prints

William Henry Pyne
Farm Yards, early 19th century sepia soft ground etching, 1805, 1805

Early 19th Century Naturalistic Figurative Prints

William Henry Pyne
Hunting, early 19th century sepia soft ground etching, 1805, 1805

Early 19th Century Naturalistic Figurative Prints

William Henry Pyne
Threshing, early 19th century sepia soft ground etching, 1805, 1805

Recently Viewed

"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series

View Similar Items

Francis Wheatley"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series1794

About the Item

More From This Seller

Late 19th Century Naturalistic Interior Prints

"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition, 1876

Late 18th Century Naturalistic Figurative Prints

Francis WheatleyFresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London', 1795

Late 18th Century Naturalistic Figurative Prints

Francis WheatleyAn Engraving from the Series 'The Cries of London': "Turnips & Carrots", 1797

Late 18th Century Naturalistic Figurative Prints

Francis Wheatley"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London', 1795

Mid-19th Century Naturalistic Animal Prints

John James Audubon"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph, 1845

Late 18th Century Romantic Figurative Prints

After Eustache Le SueurMuse Terpsichore: Framed Hand-colored 19th C. Engraving after 17th C. Painting, 1803

You May Also Like

Mid-19th Century Naturalistic Interior Prints

Rent Day, English antique engraving after Sir David Wilkie, 1820

19th Century Naturalistic Figurative Prints

Lilium Superbum, 1802-16

Mid-19th Century Naturalistic Portrait Prints

Queen of Rewa, 19th century Fiji portrait engraving print, 1849

Early 19th Century Naturalistic Figurative Prints

William Henry PyneFarm Yards, early 19th century sepia soft ground etching, 1805, 1805

Early 19th Century Naturalistic Figurative Prints

William Henry PyneHunting, early 19th century sepia soft ground etching, 1805, 1805

Early 19th Century Naturalistic Figurative Prints

William Henry PyneThreshing, early 19th century sepia soft ground etching, 1805, 1805

Recently Viewed

Francis Wheatley
"Sweet China Oranges": An 18th Century Engraving from The Cries of London Series
1794

Francis Wheatley
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London', 1795

Francis Wheatley
An Engraving from the Series 'The Cries of London': "Turnips & Carrots", 1797

Francis Wheatley
"New Mackrel": An Engraving From the 18th Century Series 'The Cries of London', 1795

John James Audubon
"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph, 1845

After Eustache Le Sueur
Muse Terpsichore: Framed Hand-colored 19th C. Engraving after 17th C. Painting, 1803

William Henry Pyne
Farm Yards, early 19th century sepia soft ground etching, 1805, 1805

William Henry Pyne
Hunting, early 19th century sepia soft ground etching, 1805, 1805

William Henry Pyne
Threshing, early 19th century sepia soft ground etching, 1805, 1805