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La Tauromaquia, Plate #231815-1816
1815-1816
About the Item
This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya Y Luciente, 1746-1828. the first edition was published in 1816, followed by more editions until 1937. This artwork is from the edition published in 1965 by Edition Jano, Barcelona. The plate mark size is is 9.25 x 13,5 inches, Image size is 8 x 12.25, sheet size is 13 x 18.75 inches, framed is 18.5 x 22.5 inches. it is custom framed in a wooden black frame, with gold color spacer and off white matting. This particular artwork is held in numerous museums worldwide. it is in excellent condition.
- Creation Year:1815-1816
- Dimensions:Height: 18.5 in (46.99 cm)Width: 22.5 in (57.15 cm)Depth: 0.85 in (2.16 cm)
- Medium:
- Movement & Style:
- After:Francisco Goya (1746 - 1928, Spanish)
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: goya/tau/021stDibs: LU66639983022
About the Seller
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La Tauromaquia, Plate #10
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La Tauromaquia, Plate #28
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Located in San Francisco, CA
This artwork titled "La Rosa" 1984 Is an original colors lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed, dated and numbered 29/200 in white pencil by the artist. With the blind stamp of the Publisher/printer, Houston Fine Art Press, Houston at the lower right corner. The size is 30 x 23 inches inches. It is in excellent condition, the colors are fresh and bright, Hanging tape remaining in the back across the upper sheet, and 2 small skinned area at the lower back of the sheet. all these not visible from the front.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
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Year: Circa 1950
Medium: Color etching with aquatint
Edition: Unknown
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Category
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