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Francisco GoyaNo Quiren - Etching by Francisco Goya - 18631863
1863
$2,364.36
£1,780.12
€2,000
CA$3,263.17
A$3,655.47
CHF 1,901.30
MX$44,589.22
NOK 24,206.07
SEK 22,824.60
DKK 15,226
About the Item
No quiren is an original artwork realized by the great Spanish artist Francisco Goya in 1810.
Original Etching on paper.
The artwork belongs to the famous series "Los Desastres de la Guerra" realized during the years of the Independence Spanish War, published in 1863 and representing the horrors and the despair of the War.
Signature appears upside down in the lower right corner. Titled on the lower central margin "No Quiren" (Not Even Them). Numbered on the lower left corner. Etching N. 9.
Very good conditions.
A Napoleonic soldier tries to rape a girl. Trusting in the solitude of the surroundings (an isolated rural house, a feeling suggested by the primitive noria on the left) he lowered his guard and does not see that an old woman approaches with a dagger. Sexual violence is a recurring theme in the series and appears in other prints of the series as well as in other artists' works. The plastic effectiveness of the scene is based on the struggle of the girl with the soldier (white on black, pictorial and at the same time symbolic), which moves away putting a hand on his face.
- Creator:Francisco Goya (1746 - 1928, Spanish)
- Creation Year:1863
- Dimensions:Height: 9.06 in (23 cm)Width: 12.21 in (31 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1015321stDibs: LU65034413661
Francisco Goya
Francisco José de Goya y Lucientes (1746-1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His works often contained a social message, like in his "Disasters of War" series. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.
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