Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Franz Hogenberg
Quiloa, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575

1575

About the Item

"Quiloa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed atlas in the history of world cartography and the first atlas totally dedicated to topographical views. The first volume of this collection was published at Cologne in 1572; the others following in 1575, 1581, 1588 and 1598. The sixth and final volume appeared in 1617, just before the extensive devastation wreaked by the Thirty Years’War. “The most original and magnificent of all city-atlases, which drew on the work of accomplished topographical artists; and…reproduced it in pictorial compositions of great charm and individuality”. R.A.Skelton This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
  • Creator:
    Franz Hogenberg (1540 - 1590, Flemish)
  • Creation Year:
    1575
  • Dimensions:
    Height: 5.12 in (13 cm)Width: 5.91 in (15 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Period:
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: J-719501stDibs: LU65034559221

More From This Seller

View All
The Domes - Lithograph by Felice Ludovisi - 1968
Located in Roma, IT
The Domes is a modern artwork realized by Felice Ludovisi in 1968. China and penmarker drawing on paper. Hand signed and dated on the lower margin. ...
Category

1980s Contemporary Figurative Prints

Materials

Paper, Aquatint

Cathedral - Etching and Aquatint by Franco Gentilini - 1970s
By Franco Gentilini
Located in Roma, IT
Etching and Aquatint. Edition 70/120. 65x45 cm. Excellent condition.
Category

1970s Contemporary Figurative Prints

Materials

Etching, Aquatint

Lonely Flag - Original Print by Leo Guida - 1972
By Leo Guida
Located in Roma, IT
Lonely Flag is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Hand signed with pencil by the artist. Leo Guida (1992 - 2017). Sensitive to curren...
Category

1970s Contemporary Figurative Prints

Materials

Aquatint, Etching

Night Landscape - Original Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Night Landscape is an original artwork realized in 1970 by the Italian Contemporary artist Leo Guida (1992 - 2017). Etching and aquatint on ivory-colored paper, with a cardboard ...
Category

1970s Contemporary Figurative Prints

Materials

Aquatint, Etching

Der Kreml - Original Lithograph on paper - 1850s
Located in Roma, IT
Ancient View of the Kremlin (original title: Der Kreml) is an original modern artwork realized in Germany in the first half of the 19th Century. Original B/W Lithograph on Ivory Pa...
Category

1970s Modern Figurative Prints

Materials

Aquatint, Etching

Landscape - Etching and Aquatint on Paper by L. Caracciolo After C. Lorrain
Located in Roma, IT
Landscape is an original etching and aquatint on paper realized by Claudio di Lorena. Signed on the plate, on the lower left. plate no. 183, lower on the right, edition "L. Caraccio...
Category

1810s Figurative Prints

Materials

Etching, Aquatint

You May Also Like

Temple of the Dea Tussis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category

Early 19th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

Early 19th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

Meaux Cathedral II
By John Marin
Located in Middletown, NY
Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...
Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Recently Viewed

View All