Rouault, Portrait, Divertissement (after)

1943

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Repli, Gravures de Henri Matisse, 1947. Publ...

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Repli, Gravures de Henri Matisse, 1947. Publ...

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published by Éditions Raisons d'être, Paris; printed by Mourlot Frères, Paris, April 24, 1952. Excerpted from the folio (translated from French), Printing of this folio was finished on April, Twenty-Four, M.CM.LII for the Éditions Raisons d'être, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Frères who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large vélin d'Arches a la form, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on vélin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative copies on Grand Vélin. HISTORY OF THE EDITION: According to the Minneapolis Institute of Art, This publication was a joint effort by Matisse and author André Rouveyre...

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published b...

Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...

Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate japanese costumes. Signed in the plate. Published by H. Laurens, Paris. Very good condit...

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate japanese costumes. Signed in the plate. Published by H. Laurens, Paris. Very good condit...