Items Similar to Triste Os (Sad Bones)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Georges RouaultTriste Os (Sad Bones)1934
1934
About the Item
Triste Os (Sad Bones)
Color etching and aquatint on Montval laid paper, 1934
Monogrammed and dated in the plate (see photo)
Edition: 250
References And Exhibitions:
Plate 8 from the series "Cirque de l'Etoile Filante" (Circus of the Shooting Stars)
The suite was published by Ambrose Vollard, Paris, in 1938
References:
Alan Wofsy, Georges Rouault: The Graphic Work (San Francisco: Alan Wofsy Fine Art, 1975), 326;
Francois Chapon and Isabelle Rouault, Rouault Oeuvre Grave (Monte Carlo: Editions Andre Sauret, 1978), 247
Sheet size: 15-3/4 x 11-3/8"
Plate size: 12-3/8 x 8-1/8"
Georges Rouault
1871-1958
Georges Rouault was born on May 27, 1871 in Paris in a cellar to which his mother had been carried after the house had been struck by a stray shell during an insurrection. His father was a cabinet-maker in a piano factory. His paternal grandfather was a lover of art, an admirer of Manet and Daumier, who hoped the child would become a painter. When Rouault was a teenager he was apprenticed to a stained glass maker. This early contact with stained glass influenced immensely his later career as painter and printmaker. At the same time he attended evening classes at the Ecole des Arts Decoratifs, and studied painting at the Louvre. He entered the Ecole des Beaux Arts under Elie Delaunay, who died soon after. He became the favorite pupil and a close friend of Gustave Moreau.
Moreau died in 1898 and the same year Rouault's parents left France to be with their daughter in Algeria whose husband had just died. Rouault was named Director of the new Musee Gustave Moreau. He turned to painting landscapes; he had a period of bad health which he spent in Evian. Rouault always saw himself as an artisan, an anonymous laborer making devotional images. He used black outline to reinforce the brilliancy of color and expressive gesture in the manner of mosaics or medieval miniatures. He drew freely from various sources in order to give conventual overtones to his modern statement of human dilemma. His preoccupation over the years with the plight of prostitutes, tragicomic clowns and biblical martyrs, who as outcasts from society, suffer the burden of insoluble ethical demands, reflects the existential dread of despair he, as an artist, suffered himself.
In 1908, Rouault married Martha Le Sidoner. They had four children. Rouault exhibited with the Fauves, though he was never closely associated with that movement. His work from then until the end of his life was concerned with printmaking, designing costumes and scenery, illustrating books, etc.
Courtesy: AskArt
Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Sources include:
Lionello Venturi in Rouault catalogue, 1940
Master Paintings from the Phillips Collection
World Artists1950-80 by Claude Marks
- Creator:Georges Rouault (1871-1958, French)
- Creation Year:1934
- Dimensions:Height: 15.75 in (40.01 cm)Width: 11.38 in (28.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA76921stDibs: LU14014814852
Georges Rouault
Executed in 1937, Carlotta belongs to a group of portraits of members of society. Unlike Picasso and Toulouse-Lautrec, who portrayed these individuals with pathos, Rouault’s approach was unapologetic and raw. In the present work several layers of pigment can be discerned; the build-up of translucent and opaque layers of paint creates a three-dimensionality that characterizes the artist’s strongest work. Furthermore, the work is highlighted by the deep swaths of black delineating the subject, representing a signature element of Rouault’s portraiture of this period.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
784 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Fairlawn, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLoin du sourire de Reims (Far from the Smile of Rheims)
By Georges Rouault
Located in Fairlawn, OH
Loin du sourire de Reims (Far from the Smile of Rheims)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Signed with the initials in the plate and dated (see photo...
Category
1920s French School Figurative Prints
Materials
Aquatint
Madame Carmencita, Plate 9
By Georges Rouault
Located in Fairlawn, OH
Madame Carmencita, Plate 9
From: Cirque de l'etoile filante (Circus of the Shooting Star), 1934-1936 (published 1938)
Signed with the artist's initials and dated, lower right of plat...
Category
1930s French School Figurative Prints
Materials
Aquatint
Plate X, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate X, Le Cocu Magnifique
Etching & aquatint, 1968
Unsigned
Edition: From the unsigned edition of 200 impressions printed on Rives BFK paper
There is also a signed edition of 30 im...
Category
1960s French School Figurative Prints
Materials
Etching, Aquatint
Fille dite de joie (They Call Her Daughter of Joy)
By Georges Rouault
Located in Fairlawn, OH
Fille dite de joie (They Call Her Daughter of Joy)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922-1927
Unsigned (as issued)
From: Miserere (Have Mercy), 58 plate...
Category
1920s French School Figurative Prints
Materials
Aquatint
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Figurative Prints
Materials
Aquatint
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Figurative Prints
Materials
Aquatint
You May Also Like
Les Quartier des Gobelins
By Auguste Lepère
Located in Middletown, NY
Paris: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...
Category
Late 19th Century French School Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Femme a l'Estampe
By Manuel Robbe
Located in Middletown, NY
Edition of 100.
Color aquatint and etching, 21 x 14 7/8 inches (531 x 376 mm), wide margins (full). Signed in pencil, lower left image area. Light toning, otherwise in very good cond...
Category
Early 20th Century French School Portrait Prints
Materials
Etching, Aquatint
Jeanne
By Armand Rassenfosse
Located in Middletown, NY
Leipzig: Zeitschrift für Bildende Kunst, 1904
Etching with aquatint printed in brownish black ink on cream laid paper, 9 3/8 x 7 inches (237 x 176 mm), full margins. In good conditio...
Category
Late 19th Century French School Portrait Prints
Materials
Laid Paper, Etching, Aquatint
Les Vieux (The Elders)
By Félix Hilaire Buhot
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 113].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Interior Prints
Materials
Etching, Drypoint, Aquatint
Le Curé de Cucignan
By Félix Hilaire Buhot
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
La diligence de Beaucaire
By Félix Hilaire Buhot
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
