Items Similar to Antiquities of Herculaneum-Letter U - Etching by Giovanni Mignani - 18th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Giovanni MignaniAntiquities of Herculaneum-Letter U - Etching by Giovanni Mignani - 18th Century18th Century
18th Century
About the Item
Antiquities of Herculaneum - Letter of the Alphabet U, from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century.
Good conditions except for some foxings due to the time.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy).
It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe.
Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici.
The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites.
The engravings are of high quality and the accompanying text shows a large scholarship.
They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli and Giovanni Battista Casanova.
The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th century society for the classical culture and Art in particular.
Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs.
Ref.:
National Gallery (Washington), Mark J. Millard Architectural, IV (2000), no. 1;
L. Garcia y Garcia, Nova bibliotheca pompeiana (2 v., 1998);
Royal Institute of British Architects, British Architectural Library ... Early printed books, 1 (1994), no. 112.
U. Pannuti, 'Incisori e disegnatori della Stamperia Reale di Napoli nel secolo XVIII: la pubblicazione delle Antichità di Ercolano', in Xenia antiqua, 9 (2000), p. 151-178;
V. Trombetta, 'L'edizione de Le Antichità di Ercolano esposte' in Rendiconti dell'Accademia di Archeologia, lettere e belle arti di Napoli , 59 (1984), p.151-172.
- Creator:Giovanni Mignani
- Creation Year:18th Century
- Dimensions:Height: 2.76 in (7 cm)Width: 2.76 in (7 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1497641stDibs: LU650314762292
undefined
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2017
7,511 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Grasse, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllCernophores Dancer with Basket, Plat - Etching by Filippo Morghen - 18th Century
By Filippo Morghen
Located in Roma, IT
Cernophores dancer with Basket, Plate, Crown from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th Century.
Signed ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions exc...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Basilica e Monasterio di S.Paolo Fuori le Mura by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Basilica e Monasterio di S.Paolo Fuori le Mura is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions ...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Chiesa di S.Carlo ed Ambrogio al Corso - Etching by G. Vasi - 18th century
By Giuseppe Vasi
Located in Roma, IT
Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except f...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins and Foxings.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Colleggio Nazzareno - Etching by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Colleggio Nazzareno is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for margins with som...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
You May Also Like
Crucifixion: 18th Century Etching by Conrad Metz after Daniele da Volterra
Located in Alamo, CA
"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching, Aquatint
Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757.
This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Figurative Prints
Materials
Etching, Engraving, Drypoint
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
1770s Old Masters Figurative Prints
Materials
Etching
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
By William Hogarth
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Interior Prints
Materials
Engraving, Etching