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Jim Dine
Red Pants II

1999

$14,500

About

This piece is an original soft-ground etching, drypoint, and sandpaper and power tool abrasion with extensive hand coloring in acrylic and charcoal by Jim Dine, done in 1999. It is hand signed, dated, and numbered in pencil 4/20 from the edition of 20 on Dieu Donne Papermill handmade paper. There are also 3 artist proofs and one trial proof. This piece measures 55.5 x 32 inches and the framed dimensions are 58.5 x 37 inches. This piece is referenced as number 136 in "Jim Dine Prints: A Catalogue Raisonne" by Elizabeth Carpenter.

Details

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  • Shipping
    $499 Standard Front Door Shipping
    to United States 0, arrives in 3-6 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: Chatsworth, CA
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    A return for this item may be initiated within 3 days of delivery.

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About the Artist

Jim Dine

The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.

Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.

More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.

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About the Seller
5 / 5
Located in Chatsworth, CA
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Established in 1975
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