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Joana Vasconcelos
Trafaria-Praia, Contemporary, 21st Century, Limited Edition, Art, Tiles, Blue

2013

$3,742.56
$5,847.7536% Off
£2,791.40
£4,361.5636% Off
€3,200
€5,00036% Off
CA$5,131.50
CA$8,017.9736% Off
A$5,764.66
A$9,007.2836% Off
CHF 3,067.89
CHF 4,793.5736% Off
MX$71,282.24
MX$111,378.5036% Off
NOK 37,382.54
NOK 58,410.2236% Off
SEK 36,143.55
SEK 56,474.3036% Off
DKK 24,346.39
DKK 38,041.2336% Off
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About the Item

Joana Vasconcelos Trafaria-Praia 2013 Viúva Lamego Hand-painted Tin-glazed Ceramic Tiles 42 × 56 cm (16.5 × 22 in), Unframed Limited Edition of 100 Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher and in the original box PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Joana Vasconcelos’ creative process is based on the appropriation and at the same time decontextualization of pre-existent objects and everyday realities in combination with the materialization of concepts that challenge the pre-arranged routines of the quotidian affinities. "I like to create a space for discovery, a first moment where you capture what is obvious in the piece, where you can consume it in the first instant. But as you come closer, you discover there’s more to it and you start to deconstruct it." — Joana Vasconcelos For the 55th Venice Biennale Joana Vasconcelos created a floating pavilion in the form of a typical Lisbon ferry boat. The work's title was Trafari Praia, it addressed the historical relationship between Portugal and Italy, which evolved through trade, diplomacy, and art. The exterior of the boat was covered with panels of tin-glazed, blue and white, hand painted ceramic tiles, called ‘azulejos’, which depicted a contemporary view of Lisbon’s skyline. The work takes its inspiration from another large-scale panel of azulejos, ‘The Great Panorama of Lisbon’, which depicts the city before the legendary earthquake of 1755 and is a quintessential expression of the golden age, when the baroque-style azulejos were produced in Portugal. This edition is a cutout of this beautiful scene which depicts the Tower of Belém and parts of the historical city. “They are blue and white tiles that make up a drawing of the city today. There’s an old factory that still produces them the same way it did before, hand-painted, very traditional. I like their texture and tactile quality.„ —Joana Vasconcelos JOANA VASCONCELOS Joana Vasconcelos (born 1971, Paris) is a Portugeese artist whose main interest lies in reviving the surrealistic ready-made, mixing it with a certain sense of Noveau Réalisme and Pop, she often starts out from ingenious operations of displacement. The Portuguese artist Joana Vasconcelos was born in Paris in 1971. As an artist Vasconcelos is interested in reviving the surrealistic ready-made, mixing it with a certain sense of Noveau Réalisme and Pop, she often starts out from ingenious operations of displacement. This can be seen in her site-specific art shows which are artistic interventions over pre-existent areas. “I am inspired by everyday life and my perspective is led by a critical observation of the world around me. My creative process is based upon the appropriation, contextualization, and subversion of pre-existent objects and everyday realities.” —Joana Vasconcelos Joana Vasconcelos places her works in dialog and confrontation with different spaces, decorations, themes, and histories. In her art, Vasconcelos appropriates, decontextualizes, and subverts pre-existent objects and everyday realities to challenge the prearranged routines of daily life. Her work engages in an investigation of gender, class, and national identities through the media of sculpture, installations, assemblages, video, and photography. This way of conceiving art becomes particularly clear in her show in the gardens and the inside of the chateau of Versailles in 2012 and in her project for the 55th Venice Biennale (2013), which determined the affirmation of her career within the international art circuit
  • Creator:
    Joana Vasconcelos (1971, Portuguese)
  • Creation Year:
    2013
  • Dimensions:
    Height: 16.54 in (42 cm)Width: 22.05 in (56 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zug, CH
  • Reference Number:
    1stDibs: LU1562211081132

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