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John SloanUp the Line, Miss?1930
1930
$1,900
£1,422.82
€1,640.66
CA$2,670.53
A$2,917.55
CHF 1,530.54
MX$35,495.62
NOK 19,040.56
SEK 18,028.20
DKK 12,247.83
About the Item
John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellent condition, with full margins (slightly irregular lower edge, typical for the older paper favored by this printer, see note below). On an old laid paper with a circles in shield watermark. 5 1/2 x 7, the sheet 9 1/2 x 12 inches. Archival mounting.
A fine impression.
Only 80 impressions of the edition were printed.
This impression is printed on an old laid paper, of the sort the printer and artist Ernst Roth collected and sometimes used for printing Sloan’s prints. Sloan remarked on this: “Roth is using some wonderful old paper he brought from Europe some years ago. This is very kind of him, as he is a first rate etcher himself.” This sheet may have been pulled from a book of old paper, accounting for the rough bottom edge.
Although this etching was made in 1930, it has the look of one of Sloan’s New York etchings, done much earlier. In fact, it is based on a 1907 drawing Sloan made, and was done when his dealer (Kraushaar) suggested he do some etchings based on his earlier New York drawings.
Sloan’s 1945 note on this etching: “A young lady of Greenwich Village who is about to treat herself to an afternoon drive on Fifth Avenue.”
- Creator:John Sloan (1832-1932, American)
- Creation Year:1930
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531472673
John Sloan
John Sloancame to New York in 1904 and worked for some time as a freelance illustrator. With Robert Henri, he organized an exhibition of a group of urban realist painters, known as "The Eight" or the "Ashcan School," who challenged traditional notions of art. Having moved to the Village in 1912, Sloan lived with his wife Dolly at 240 West 4th Street and at 88 Washington Place.
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A fine impression.
Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...
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