Items Similar to Up the Line, Miss?
Want more images or videos?
Request additional images or videos from the seller
1 of 2
John SloanUp the Line, Miss?1930
1930
About the Item
John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellent condition, with full margins (slightly irregular lower edge, typical for the older paper favored by this printer, see note below). On an old laid paper with a circles in shield watermark. 5 1/2 x 7, the sheet 9 1/2 x 12 inches. Archival mounting.
A fine impression.
Only 80 impressions of the edition were printed.
This impression is printed on an old laid paper, of the sort the printer and artist Ernst Roth collected and sometimes used for printing Sloan’s prints. Sloan remarked on this: “Roth is using some wonderful old paper he brought from Europe some years ago. This is very kind of him, as he is a first rate etcher himself.” This sheet may have been pulled from a book of old paper, accounting for the rough bottom edge.
Although this etching was made in 1930, it has the look of one of Sloan’s New York etchings, done much earlier. In fact, it is based on a 1907 drawing Sloan made, and was done when his dealer (Kraushaar) suggested he do some etchings based on his earlier New York drawings.
Sloan’s 1945 note on this etching: “A young lady of Greenwich Village who is about to treat herself to an afternoon drive on Fifth Avenue.”
- Creator:John Sloan (1832-1932, American)
- Creation Year:1930
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531472673
John Sloan
John Sloancame to New York in 1904 and worked for some time as a freelance illustrator. With Robert Henri, he organized an exhibition of a group of urban realist painters, known as "The Eight" or the "Ashcan School," who challenged traditional notions of art. Having moved to the Village in 1912, Sloan lived with his wife Dolly at 240 West 4th Street and at 88 Washington Place.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
103 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLes Moissonneurs (The Reapers)
By Alphonse Legros
Located in New York, NY
Alphonse Legros (1837-1921), Les Moissonneurs (The Reapers), etching, c. 1890, signed in pencil lower right margin. Reference: Bliss 464, third state (of 3)...
Category
19th Century American Realist Figurative Prints
Materials
Etching
East Tenth Street Jungle
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), East Tenth Street Jungle, 1934, etching, signed and annotated “Second Proof, First State”, in pencil [also initialed and dated in the plate]. Reference: S...
Category
1930s American Realist Figurative Prints
Materials
Etching
Merry-Go-Round
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower right and inscribed Forty Proofs lower left, [also signed in the plate lower left and inscribed SC]. Reference: Sasowsky 179, fourth state (of 4). In good condition, with margins (a paper loss upper right corner well outside of the platemark, stains from prior hinging, notations in pencil lower margin edge). 10 x 8, the sheet 11 1/2 x 9 1/8 inches.
A very good impression, printed in black on a wove paper with a partial FRANCE watermark.
Sasowsky notes that Marsh printed 15 impressions of this state (and only one or two of the prior states), and considered only 10 of the 15 valuable. His notation “Forty Proofs” is therefore surely an expression of a hoped-for edition size, as opposed to an actual edition size. We have found this quite often the case with Marsh prints – he indicates an edition size but the actual number of impressions printed is considerably smaller.
There is an eerie, almost ominous note in this, as in several of Marsh’s merry-go-round prints...
Category
1930s American Realist Figurative Prints
Materials
Engraving, Etching
Putting on the Coat (front)
By Isabel Bishop
Located in New York, NY
Isabel Bishop (1902-1988), Putting on the Coat, etching, 1943, signed in pencil lower right and titled (Putting on Coat (front)) lower left margins. Reference: Teller 31. In excellen...
Category
1940s American Realist Figurative Prints
Materials
Etching
At the Show
By Jerome Myers
Located in New York, NY
Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...
Category
1920s American Realist Figurative Prints
Materials
Drypoint, Etching
Anshutz on Anatomy
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches.
A fine impression.
Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...
Category
1910s American Realist Figurative Prints
Materials
Etching
You May Also Like
Sniggling for Eel
By Douglas Gorsline
Located in Middletown, NY
Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...
Category
Mid-20th Century American Realist Portrait Prints
Materials
Laid Paper, Drypoint, Etching
The Fifer
Located in Fairlawn, OH
The Fifer
Etching, c. 1875
Unsigned
Provenance: Estate of the Artist
Bt descent in the artist's family
Edition: One of four known impressions
With annotation on...
Category
1870s American Realist Figurative Prints
Materials
Etching
"Young Girl With Hat, " Victorian Portrait Etching signed Frederick M. Spiegle
By Frederick M. Spiegle
Located in Milwaukee, WI
"Young Girl With Hat" is a classical Victorian portrait etching. It is signed in graphite in the lower right by the artist, F.M. Spiegle. It depicts a Victorian girl with curly hair ...
Category
1880s American Realist Portrait Prints
Materials
Etching, Paper
20th century drypoint etching figurative animal print black and white signed
By John Edward Costigan
Located in Milwaukee, WI
"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...
Category
1930s American Realist Figurative Prints
Materials
Drypoint, Etching
November
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of late autumn in New England.
Boston: Estes & Lauriat Editons, 1888.
Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...
Category
Early 20th Century American Realist Landscape Prints
Materials
Laid Paper, Etching
My Ain Fireside, from the portfolio Some Modern Etchings
Located in Middletown, NY
Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...
Category
Late 19th Century American Realist Portrait Prints
Materials
Handmade Paper, Laid Paper, Etching
