Katie Edwards

Sleep Eat Ride and Biking Adventures

2021

Finale [2021] Limited Edition Figurative Screen Print on Paper Edition number 45 Image size: H:62 cm x W:43.2 cm Paper size : H:70 cm x W:50 cm x D:0.1cm Sold Unframed Please note th...

Katie Edwards Exploring The Alpines Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm Free Shipping Please note that in situ images are purely an indication of...

A limited edition silkscreen print on 320 gsm colourplan paper, hand printed. Edition of 45. Unframed. Signed by the artist in pencil. 70 x 50 cm ADDITIONAL INFORMATION: The Climb b...

Lisa Takahashi. Breeze Signed by the artist Linocut print Limited edition of 100 Image size is H: 61cm x W:89cm Paper size is H: 70cm x W:100cm x D:0.1c...

Werner Bronkhorst Going Tandem, 2024 Gicleé print on Hahnemuhle Daguerre Canvas, framed in Tasmanian Oak 42.5 × 32 cm (16 7/10 × 12 3/5 in) Edition of 42 Hand-signed and numbered...

It was a beautiful day. I was happy to see many people cycling. My friends and I, we were riding our bikes on the bicycle lane. Men, women, young and old were so happy cycling, picni...

Acrylic on canvas Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban b...

Going North in the Work of Jessica Houston By L. Sasha Gora Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...