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Kees van Dongen"The Green Kimono -La Garconne Series, " a Color Pochoir1925
1925
About the Item
This color pochoir was created in 1925 on Arches paper and depicts two women in Japanese kimonos.
T he print is a bookplate pulled from a book that was issued in a numbered edition of 750. The book was numbered 738/750, but the print is unnumbered
Archival framing with 23k gold; 23k gold fillet, silk mat, and museum glass.
9 3/4" x 7" paper
6 1/4" x 4 1/8" image
19 1/2" x 17 framed
Kees van Dongen
(b. 1877, Delfshaven – d. 1968 Monte Carlo)
He is considered a Fauvist, but his style is still nevertheless closely related to the German Expressionists. He is appreciated for his unique coloring, especially in his portraits but also in his likenesses and landscapes. Kees van Dongen died on May 28, 1968, in Monte Carlo.
Pochoir or stencil has been used to print limited edition art in the late 19th c. in Paris. This technique is the predecessor to the silkscreen printing process also known as serigraphy. Basically, the inks are passed through a cut out flat form. If multiple colors are required, the artist creates multiple stencils or cut out forms for which the ink is passed through onto a paper that is placed underneath the stencil.
- Creator:Kees van Dongen (1877-1968, Dutch)
- Creation Year:1925
- Dimensions:Height: 19.5 in (49.53 cm)Width: 17 in (43.18 cm)
- More Editions & Sizes:the book was numbered 738/750 but the print is unnumberedPrice: $11,310
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 12707g1stDibs: LU605312861452
Kees van Dongen
The Dutch painter Kees van Dongen began his career as a poor young artist with no formal training who happened to encounter art by chance. Van Dongen’s distinctive style later earned him a place amongst the most fashionable artists of his generation. He was particularly famous in Paris during the 20s and 30s and was best known for depicting the modern woman. At the beginning of his career, van Dongen painted dancers and cabaret girls. Eventually, he moved to a studio, where he would host parties and balls and began to paint society women.
Van Dongen’s work can be found in the world’s most prestigious collections, such as the Musée d’Art Moderne de la Ville de Paris, the Hermitage in Saint Petersburg, the Museo Thyssen-Bornemisza of Madrid, the Museum of Modern Art in New York or the Stedelijk Museum in Amsterdam.
(Biography provided by Stern Pissarro Gallery)
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