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Keith Haring
Keith Haring lithograph 1990 (Keith Haring Against All Odds)

1990

$300

About

Keith Haring Against All Odds, 1990: Single sided lithographic sheet from the limited edition 1990 Keith Haring artist book published by Bebert House, Rotterdam in collaboration with Mera & Don Rubell. Medium: Offset lithograph in colors on thick Rivoli paper. Dimensions: 8.5 x 10.25 inches. Unsigned from a limited edition of 2,500. Very good overall condition. Published by Bebert House, Rotterdam in collaboration with Mera & Don Rubell. 1990. In Against All Odds Haring was concerned with earth and the “dismal task of trying to save it – against all odds.” The original drawings were created by Haring during the course of one afternoon whilst listening to Marvin Gaye and Bob Marley. Related Categories Keith Haring Planet Earth. Keith Haring prints. Vintage Keith Haring. Keith Haring Ploitical. Keith Haring Against All Odds. Keith Haring Mera and Don Rubell.

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About the Artist

Keith Haring

Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.

Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.

To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing. 

“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”

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