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Aquatint Figurative Prints

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Color:  Gray
Medium: Aquatint
Trichromatic Flower-piece, Richard Hamilton multi color flower still life
Located in New York, NY
According to Gesine Tosin, Richard Hamilton irritated contemporary critics in the 1970s with a series of works -- romantic images of flowers, still lifes and landscapes, interspersed with scatological motifs. "Once exhibited, the critics regarded the paintings as evidence either of a kinky sexual aberration or an early onset of senility." (Hamilton 1982, p.79. ) Trichromatic flower-piece is one of these works, which questioned the categories of high and low art through its appropriated imagery. In the words of Richard Hamilton: “The Shit and Flowers series was was inspired in a sense by Barcelona, walking on the Ramblas where thousands of postcards are displayed. (…) I bought three pictures of flowers. I took them back to Cadaqués and began to play about with them, at first by putting a little paint on the surface.” According to Andrew Kim Tyler: “Working at Atelier Crommelynck, Paris in 1973-4, Hamilton used a traditional still life subject, a bouquet of flowers, to pursue his interest in the combination of photographic images with planes of color and hand-drawn aspects, but subverting the image with addition of a large turd. Perversely he set out to produce by manual means an etching with the characteristics of a commercially made reproduction resulting in Trichromatic flower-piece.” In addition to the edition of Trichromatic Flower-piece, Hamilton printed...
Category

1970s Expressionist Aquatint Figurative Prints

Materials

Engraving, Drypoint, Etching, Aquatint

Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Zen : Water Drops on the Sand - Original handsigned etching - Numbered / 200
Located in Paris, FR
Hiroshi ASADA Zen : Water Drops on the Sand Original etching and aquatint Handsigned in pencil Numbered / 200 On Arches vellum 16.5 x 21 cm (c. 6.5 x 8 in...
Category

Late 20th Century Surrealist Aquatint Figurative Prints

Materials

Aquatint, Etching

14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category

Mid-20th Century American Modern Aquatint Figurative Prints

Materials

Aquatint, Drypoint

The Tyne
Located in Storrs, CT
The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping and more of a sepia coloring, printed on "J.Green & Son' cream-wove paper. Signed in pencil. The image looks down on the open Swing Bridge, from the High-Level Bridge, Newcastle upon Tyne. The boats carry timber and coal. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Loading Barges on the Thames
Located in Storrs, CT
Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 9 3/8 x 15 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on 'J. Whatman' wove paper. Signed in pencil. The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey. Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford, and Rome. The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing. Opened in 1890, the Forth Bridge...
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

347 Series (B. 1511; Ba. 1527), Pablo Picasso
Located in Fairfield, CT
Artist: Pablo Picasso (1881-1973) Title: Jeune fille regardée par une vielle femme et deux hommes dont un gitan Year: 1968 Medium: Etching, aquatint and drypoint on Rives BFK paper Size: 12.5 x 18.5 (plate); 17.75 x 24.25 inches (paper); 20.25 x 30.25 inches (frame) Condition: Excellent Catalogue: B. 1511; Ba. 1527 Inscription: Signed and numbered in pencil Notes: Published by Galerie Louise Leiris, Paris, from the 347 Series. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace and vitality comparable to the accelerated technological and cultural changes of the twentieth century. Each change embodied a radical idea, and might be said that Picasso lived several artistic lifetimes. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce...
Category

1960s Cubist Aquatint Figurative Prints

Materials

Drypoint, Etching, Aquatint

Cheveaux Tirant une Peniche (Horses pulling a Barge)
Located in San Francisco, CA
This artwork "Cheveaux Tirant une Peniche (Horses pulling a Barge)" c.1920 is an original color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943...
Category

Early 20th Century Impressionist Aquatint Figurative Prints

Materials

Aquatint, Etching

Catherina Dorothea Viehman (Six Fairy Tales from the Brothers Grimm) Hockney
Located in New York, NY
Catherina Dorothea Viehman (from Six Fairy Tales from the Brothers Grimm) Etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Paper 1...
Category

1960s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

New England Winter: The Old Homestead.
By Gustave Adolph Hoffman
Located in Storrs, CT
New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...
Category

Late 19th Century American Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Donald Baechler Szechuan Garden 2003 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...
Category

21st Century and Contemporary Pop Art Aquatint Figurative Prints

Materials

Etching, Aquatint

SPARTICO (Bizzarria) (G.A.184), Modern Etching by Marino Marini
Located in Long Island City, NY
Artist: Marino Marini, Italian (1901 - 1980) Title: SPARTICO (Bizzarria) (G.A.184) Year: 1975 Medium: Aquatint Etching, Signed and numbered in Pencil Edition: L/L Image: 14.25 x 19.5...
Category

1970s Cubist Aquatint Figurative Prints

Materials

Aquatint, Etching

Your Friends at the IRS, Aquatint Etching by Warrington Colescott
Located in Long Island City, NY
This etching with aquatint was created by American cartoonist Warrington Colescott (b.1921). Warrington, a storyteller who skips all the dull parts according to curator Gene Baro, is...
Category

1970s Other Art Style Aquatint Figurative Prints

Materials

Aquatint, Etching

From Knoedler's Window MCMXXXV
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Pigeon - Original Etching by Giselle Hallf - Mid-20th Century
Located in Roma, IT
Pigeon is an original etching realized by Giselle Halff in the mid-20th Century Good condition. Pencil signature. Edition of 25 copies signed and dated.
Category

Mid-20th Century Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Twixt Dawn and Day
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category

Early 20th Century Modern Aquatint Figurative Prints

Materials

Aquatint

Heath Land, Heath Pond and Heath View Diptych
Located in Deddington, GB
Heath Land, Heath Pond and Heath View Diptych Overall image size cm : H28 x W32 Overall sheet size cm : H52 x W52 Phil Greenwood Heath Land Limited Ed...
Category

2010s Contemporary Aquatint Figurative Prints

Materials

Paper, Etching, Aquatint

Crying Mask with Unicorn, Variant #1
Located in San Francisco, CA
This artwork titled "Crying Mask with Unicorn" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 21.85 x 17.5 inches, sheet size is 30 x 20.75 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Category

Late 20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

OBSEQUIO á el MAESTRO (‘A gift for the master’)
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

1790s Old Masters Aquatint Figurative Prints

Materials

Etching, Aquatint

Patitcha
Located in London, GB
Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...
Category

1940s Modern Aquatint Figurative Prints

Materials

Aquatint

A Cart Race
Located in Fairlawn, OH
A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Condition: Excellent Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category

1780s Romantic Aquatint Figurative Prints

Materials

Aquatint

Plums: George Brookshaw's Framed Hand-colored 19th C. Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category

Early 19th Century Academic Aquatint Figurative Prints

Materials

Aquatint

Owl and Pussycat and Blue Cat Fest diptych
Located in Deddington, GB
Overall size- H71 x W71 Owl and Pussycat by Rebecca Denton [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:25 cm x W:25 c...
Category

21st Century and Contemporary Contemporary Aquatint Figurative Prints

Materials

Aquatint, Paper, Etching

Pastourelle
Located in San Francisco, CA
This artwork titled "Pastourelle" c.1990 is a color etching and aquatint by French artist Charlotte Reine, b.1956. It is hand signed, titled and number...
Category

Late 20th Century Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

¿De qué mal morirá? - Etching by Francisco Goya - 1799
Located in Roma, IT
¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Mooncatcher, Breathe and Moongazers Triptych
Located in Deddington, GB
Mooncatcher, Breathe and Moongazers Triptych by Rebecca Denton [2019] limited_edition Etching on Paper Edition number 1 Image size: H:50.5 cm x W:50.5 ...
Category

21st Century and Contemporary Contemporary Aquatint Figurative Prints

Materials

Etching, Aquatint, Paper

Red Olent Red
By Shigeki Kuroda
Located in San Francisco, CA
Artist: Shigeki Kuroda (Japanese, b.1943) Title: Red Olent Red Year: circa 1990 Medium: Soft ground etching and aquatint Paper: Nippon watermarked pape...
Category

Late 20th Century Abstract Aquatint Figurative Prints

Materials

Aquatint, Etching

Copta Insecta by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 14. Image of a young girl with a traditional tea pot and ramen noodle cup. While the images have some resemblance to traditional Japa...
Category

2010s Contemporary Aquatint Figurative Prints

Materials

Aquatint, Etching

Crazy Eight (Tennis), Pop Art Intaglio Etching
Located in Long Island City, NY
Crazy Eight Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching with Aquatint, signed and numbered in pencil Edition of 300 Size: 31 x 20.5 in. (78.74 x 52.07 cm)
Category

1970s Pop Art Aquatint Figurative Prints

Materials

Intaglio, Aquatint

Paysage de Normandie
Located in San Francisco, CA
This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by t...
Category

Early 20th Century Impressionist Aquatint Figurative Prints

Materials

Aquatint

Antonio Lopez Saenz Aquatint "Hombres y Sillos" (Men and Chairs)
Located in Detroit, MI
SALE ONE WEEK ONLY Antonio Lopez Saenz is a brilliant iconic creative artist from Mazatlan, Mexico. The aquatint “Hombres y Sillos” (Men and Chai...
Category

1980s Contemporary Aquatint Figurative Prints

Materials

Aquatint

Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Antonio Lopez Saenz Aquatint "Pareja" (Partner)
Located in Detroit, MI
SALE ONE WEEK ONLY Antonio Lopez Saenz is a brilliant iconic creative artist from Mazatlan, Mexico. The aquatint “Pareja” (Partner) was created in...
Category

1980s Contemporary Aquatint Figurative Prints

Materials

Aquatint

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category

Early 19th Century Academic Aquatint Figurative Prints

Materials

Aquatint

Marche aux Legumes a Pontoise
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category

1890s Impressionist Aquatint Figurative Prints

Materials

Aquatint

Plate X, Le Cocu Magnifique
Located in Fairlawn, OH
Plate X, Le Cocu Magnifique Etching & aquatint, 1968 Unsigned Edition: From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 im...
Category

1960s French School Aquatint Figurative Prints

Materials

Aquatint, Etching

Correciòn - Etching by Francisco Goya - 1799
Located in Roma, IT
Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatint on paper. The etching is pa...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Al Conde Palatino from "Los Caprichos”- Etching by F. Goya - 1799
Located in Roma, IT
Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Donde va Mama from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

LA SORCIERE - (The Witch)
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category

1930s Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and a...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Bayfront Park, Miami, Florida
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Aquatint Figurative Prints

Materials

Aquatint, Etching

Bird - Original Etching and Aquatint by Giselle Hallf - Mid-20th Century
Located in Roma, IT
Bird is an original etching and aquatint by Giselle Hallf in the half of the 20th Century. Good conditions. Numbered, Edition 25/25. The artwork is depicted through strong strokes...
Category

Mid-20th Century Contemporary Aquatint Figurative Prints

Materials

Aquatint, Etching

Allà Và Eso from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquat...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799
Located in Roma, IT
Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquati...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

Y se le Quema la Casa - Etching by Francisco Goya - 1799
Located in Roma, IT
Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published in 1799. Etching on paper. The etching is part of the rare First Edition of "Los Ca...
Category

1790s Modern Aquatint Figurative Prints

Materials

Etching, Aquatint

La Baie de Trépassés
Located in New York, NY
An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...
Category

1930s Expressionist Aquatint Figurative Prints

Materials

Color, Aquatint

Qual la Descañona from Los Caprichos - Etching by F. Goya - 1799
Located in Roma, IT
Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. ...
Category

1790s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Bird and Cat - Original Print by Helène Neveur - 1970s
Located in Roma, IT
Bird and Cat View is an original Etching and Dry point realized by Helène Neveur in the 1970s. Good conditions. Numbered. Edition 11/70 The artwork is...
Category

1970s Contemporary Aquatint Figurative Prints

Materials

Aquatint, Etching

Italian Surrealist Aquatint Etching Enrico Baj Pop Art Nude Mod Cherubs Angels
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...
Category

20th Century Surrealist Aquatint Figurative Prints

Materials

Etching, Aquatint

Chromatic Composition, Aquatint Etching by Max Papart
Located in Long Island City, NY
Chromatic Composition by Max Papart, French (1911–1994) Date: circa 1980 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 2/60 Image Size: 24.5 x ...
Category

1980s Modern Aquatint Figurative Prints

Materials

Aquatint, Etching

Monkey - Original Etching by Leo Guida - 1973
Located in Roma, IT
Image dimensions: 19 x 15.5 cm. Hand signed, dated and numbered by the artist with pencil. Artist's proof. Etching, aquatint, black ink. Edition of III prints in Roman Numerals. Go...
Category

1970s Contemporary Aquatint Figurative Prints

Materials

Aquatint, Etching

Quai aux Fleurs
Located in San Francisco, CA
This artwork titled "Quai aux Fleurs" 1922 in an original soft ground etching with aquatint on paper by noted Czech artist Tavik Frantisek Simon, 1877-...
Category

Early 20th Century Impressionist Aquatint Figurative Prints

Materials

Aquatint, Etching

Art Deco French signed Lithograph manner of Icart
Located in FR
Art Deco signed Lithograph from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 22 Original print produced for the ar...
Category

1920s Art Deco Aquatint Figurative Prints

Materials

Aquatint, Lithograph

UNTITLED
Located in Aventura, FL
Aquatint on Strathmore Bristol paper. Hand signed, dated and numbered by the artist. From the main edition of 35. Artwork size 16 x 13 inches. Custom framed as pictured. Frame siz...
Category

Early 2000s Contemporary Aquatint Figurative Prints

Materials

Paper, Aquatint

Aquatint figurative prints for sale on 1stDibs.

Find a wide variety of authentic Aquatint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Francisco Goya, Peter Doig, Pablo Picasso, and Frans Hogenberg. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Aquatint figurative prints, so small editions measuring 0.04 inches across are also available

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