Engraving Figurative Prints

Fritz Scholder (United States, 1937-2005) 'Mystery portrait in Barcelona -1', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-006-000 Unframed

Subject : Ancient Greek vase-painting depicting a warrior, seated young man, and young woman. Technique : Copper-line engraving with original hand-colouring Background informatio...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-002 Hand-signed by a...

Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

The Death of Lazarus Engraving, 1593 Feria VI. Post Domin IIII From: Evangelicae Historiae Imagines, Plate 76 Condition: Excellent Sheet size: 9 7/8 x 6 1/8 inches Reference: Referen...

"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...

Hugues Merle was a French painter who mostly depicted sentimental or moral subjects. Samuel Cousins was a highly regarded mezzotint engraver. 350mm by 2...

Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...

This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...

Medium: Mezzotint Year: 2004 Edition: 100 Image Size: 15.5 x 11 inches Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each ...

1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Mezzotint print. Edition of 18, signed, titled and numbered by the artist. Caulfield has exhibited his prints, drawings, installations and artist’s books extensively throughout Cana...

The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...

Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater. Technique : Copper-line engraving with original hand-colourin...

'La Mode de Paris' Wood-engraving with original hand-colouring. French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...

Fritz Scholder (United States, 1937-2005) 'Untitled 1', engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-007-000 Unframed

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...

'La Mode de Paris' Wood-engraving with original hand-colouring. French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...

Juan Alcalde Alonso (Spain, 1918-2020) 'Estudio', lithograph on paper 20.9 x 28.8 in. (53 x 73 cm.) Edition of 225 ID: ALC1002-029-225 Hand-signed...

Margó Venegas (Spain) 'Baile' silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: VEN1174-001-025 Unframed Hand-signed by author

COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum. Technique : Copper-line engraving with original han...

Young Girl by Bernard Sanders (1906-1967) is a classic example of his masterful portraiture. This is a drypoint. It is signed in pencil, titled in the lower left margin, and initial...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

WEINMANN, Johann Wilhelm. Citrus and Apricots Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plate, being one of the earliest examples of colour printing. Johann ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_12 Hand-sign...

The Inside of a Hippah in New Zealand is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook John...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-313-047 Hand-signed by author

Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...

Francesco Battalia, the Stone Eater, 17th century. Born in Rome with three stones in his hands, he lived on a diet of stones and red wine. Performed in London at Bartholomew Fair and...

Matthias Buchinger (German: June 2, 1674 – January 17, 1740), sometimes called Matthew Buchinger in English, was a German artist, magician, calligrapher, and performer who was born w...

A portrait of an eccentric personage Wybrand Lolles known as the Dutch Dwarf who, despite his awkward appearance was remarkably agile and possessed uncommon strength. Lithograph af...

Contemporary figurative black & white mezzotint and drypoint print by Polish artist Ewa Kutylak. Print depicts a man facing a horse. Above them there is a dog in a landscape and bene...

Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil). Limited edition, numbered 235/250 in lower left corner. Signed in pencil by artist in lower rig...

Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...

"Divina Commedia" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (A...

Fernando Bellver Chango (Spain, 1954) 'AEIOU II', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11...

Andre DERAIN Seducting Couple Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

"Weddigen" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

José Hernández Muñoz (Spain, 1944) 'Bestiario IV', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series number: 5/25 ID: HER1076-060 Hand-signed in pencil, COA (Certificate of Authenticity) issued by gallery. Pristine condition, unframed. Artist biography The painter JOSÉ HERNÁNDEZ was born in Tangiers in January 1944. He alternates his studies between the Spanish Institute and the French School in Tangiers. He becomes interested in mathematics and competitive sport. He enjoys long distance running and draws relentlessly. After a fruitful period in which he draws and paints from life, he becomes interested in experimenting with different painting materials, which leads him to a wider knowledge of a number of different oil and watercolour techniques. He exhibits his first works at the Librairie des Colonnes in Tangiers in 1962, and receives support from friends, artists and writers who encourage him to explore new fields in the arts. In 1964 he settles in Madrid, where he currently works and resides. It is in Madrid that he presents his first solo exhibition in 1966 at Galería Edurne. Since then numerous exhibitions both within and outside of Spain have taken place. In 1967 he publishes his first etchings and lithographs. His work as an engraver, which complements his painting and leads him to produce many bibliophilic books in collaboration with writers and poets, contemporaries and classics. Since 1971 he has also completed a considerable number of projects as an illustrator of widely distributed books. Since 1974 he has collaborated in a number of theatrical projects as a stage and costume designer for both classic and contemporary plays. At present, he is a voted-in member of the Real Academia de Bellas Artes de San Fernando in Madrid, he has been awarded the Honorary Medal of the Real Academia de Bellas Artes de Santa Isabel de Hungría in Seville, and is a member of the European Academy of Sciences, Fine Arts and Literature in Paris. Individual shows 1962 Tánger, Marruecos. Librairie des Colonnes. 1966 Madrid. Galería Edurne. 1967 Madrid. Galería Seiquer. 1969 Madrid. Galería Iolas-Velasco. 1970 Chicago, Illinois, USA. Deson-Zaks Gallery. 1971 Madrid. Galería Iolas-Velasco. 1973 Palma de Mallorca. Sala Pelaires. La Laguna, Tenerife. Sala Conca. Madrid. Galería Iolas-Velasco. 1974 Pamplona. Caja de Ahorros de Navarra. 1975 Barcelona. Galería Ciento. Valencia. Galería Val i 3O. Alicante. Galería Italia. Madrid. Grupo Quince. Castellón. Galería Canem. 1976 Valladolid. Galería Carmen Durango. 1977 París, Francia. Galerie Octave Negru. Burgos. Galería Mainel. 1978 Madrid. Galería Biosca. 1979 Córdoba. Galería Juan de Mena. Málaga. Colectivo PALMO. París, Francia. Galerie Negru, FIAC. 1980 Bruselas, Bélgica. Galerie Isy Brachot. Madrid. Galería Tórculo. 1981 La Laguna, Tenerife. Sala Conca. París, Francia. Galerie Octave Negru. Munich, Alemania. Galerie Godula Buchholz. Granada, Galería Laguada. 1982 Madrid. Museo Español de Arte Contemporáneo. 1983 Lódz, Polonia. Biuro Wystaw Artystycznych, Galeria Balucka. Leganés, Madrid. Sala Municipal de Exposiciones. Alicante. Galería Italia. Cali, Colombia. Museo de Arte Moderno La Tertulia. 1984 Madrid. Galería Biosca, ARCO. Madrid. Galería Biosca. New Haven, Conn. USA. Yale University. Tokio, Japón. Art Front Gallery. Fredrikstad, Noruega. Galleri Gamlebyen. 1985 Bilbao. Museo de Bellas Artes. La Laguna, Tenerife. Sala Conca. Varna, Bulgaria. Museo de la Historia y de las Artes. Playa del Inglés, Gran Canaria. Galería Radach Novaro. 1986 Alcalá de Henares, Madrid. Capilla del Oidor. Oviedo. Museo de Bellas Artes de Asturias. Vitoria. Museo de Bellas Artes de Alava. Zaragoza. Palacio de la Lonja. Talence, Francia. Château Margaut. Las Palmas de Gran Canaria. Salas Vegueta y Balos. Albacete. Museo de Albacete. Madrid. Palacio de Velázquez de El Retiro. 1987 Granada. Hospital Real. Leganés, Madrid. Sala Municipal de Exposiciones. 1988 Bremen, Alemania. Werkstatt El Patio Galerie. 1989 París, Francia. Galería Tórculo, SAGA. Madrid. Galería Biosca. Madrid. Galería Tórculo. 1990 Madrid. Galería Tórculo, ARCO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés. 1991 Hamburgo, Alemania. Galerie Levy. Burgos. Casa del Cordón. 1992 Vitoria. Sala San Prudencio. Alcoy, Alicante. Centre Cultural D'Alcoi. Murcia. Centro de Arte Palacio Almudí. Basilea, Suiza. Galería Levy, ART BASEL 92. Madrid. Colegio Oficial de Médicos. 1993 Barbizon, Francia. Galerie Triade. 1994 París, Francia. Galerie Michèle Broutta. La Coruña. Fundación Caixa Galicia. Santiago de Compostela, La Coruña. Fundación Caixa Galicia. Nueva York, USA. The Godwin-Ternbach Museum. Córdoba. Galería de Arte La Caja. 1995 Madrid. Galería Levy. Granada. Palacio de la Madraza. Alicante. Galería Italia. Hamburgo, Alemania. Galerie Levy. Madrid. Instituto de Cultura de México. 1996 París, Francia. Galerie Michèle Broutta. Marsella, Francia. Galerie L'Echoppe. Badajoz. Galería Ceberino Franco. Toledo. Galería Tolmo. 1997 Madrid. Centro Cultural del Conde Duque, Sala de Bóvedas. Marbella, Málaga. Museo del Grabado Español Contemporáneo. Tánger, Marruecos. Instituto Cervantes. Navacerrada, Madrid. Galería Nolde. Rabat, Marruecos. Instituto Cervantes. Casablanca, Marruecos. Instituto Cervantes. Zaragoza. Sala Luzán CAI. Tetuán, Marruecos. Instituto Cervantes. 1998 Lisboa, Portugal. Instituto Cervantes. Munich, Alemania. Instituto Cervantes. Santiago de Compostela, La Coruña. Fundación Eugenio Granell. Varsovia, Polonia. Instituto Cervantes. Nagoya, Japón. Artgraph Gallery. Tokio, Japón. Han Garo Gallery. Bilbao. Galería Juan Manuel Lumbreras. Cádiz. Galería Benot. 1999 Santa Cruz de Tenerife. Centro de Arte La Recova. Barcelona. Galería 3 Punts. Bad Frankenhausen, Alemania. Panorama Museum. La Coruña. Museo Unión Fenosa. Cuenca. Galería La Escalera. León. Sala de exposiciones Junta de Castilla y León. 2000 Dublín, Irlanda. Graphic Studio Gallery. Madrid, Galería Leandro Navarro. Amman, Jordania. Instituto Cervantes. 2001 Santa Cruz de Tenerife, Galería Mácula. Madrid, Galería Estiarte. Alicante, Galería Italia. 2002 Logroño, Galería Pedro Torres. Akita, Japón. Gallery Mini-Exhibition. Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana. Londres, Gran Bretaña. Instituto Cervantes. 2003 Manchester, Gran Bretaña. Instituto Cervantes. Barcelona, Galería 3 Punts. Málaga, Salas de Exposiciones del Palacio Episcopal. Issoudin, Francia. Musée de L’Hospice Saint Roch. Venecia, Italia. Galleria Del Leone. Valdepeñas, Museo Gregorio Prieto. Paris, Francia. Galerie Michèle Broutta Lyon, Francia. Instituto Cervantes. 2004 Almansa, Albacete, Alzira, Ibi, Villena, Requena, Exposición Itinerante Girarte. Betanzos, A Coruña. Centro Internacional de Estampa Contemporánea. 2006 Málaga, Sala de Exposiciones Edificio Rectorado. Universidad de Málaga. Madrid, Galería Leandro Navarro. 2007 Pinto, Madrid. Centro Infanta Cristina. Madrid, Galería Tibeca. Zaragoza, Museo Provincial Fuendetodos, Zaragoza. Sala Ignacio Zuloaga. Pamplona, Galería Fermín Echauri. 2008 Galería Michele Broutta, París. Galería 3punts, Barcelona. Francia, Bienal Cercle St. Leonard de Noblat. Madrid, Real Casa de la Moneda. 2009 Espacio Nolde, Navacerrada, Madrid. Group shows 1962 Tánger, Marruecos. Casino. 1965 Madrid. Galería Edurne, "Dibujantes Españoles siglos XVIII, XIX y XX". Fuenterrabía, Guipúzcua. Castillo de Carlos V, "Arte Actual". 1967 Barcelona. "I Bienal Internacional de Pintura". 1968 Barcelona. "MAN-68". 1970 La Habana, Cuba. Galería La Habana, "Dibujantes Europeos". Madrid. Galería Seiquer. 1971 Panamá, Panamá. La Paz, Bolivia. Santiago de Chile, Chile. Buenos Aires, Argentina. "Arte de España sobre papel". Sevilla. Museo de Arte Contemporáneo, "Gráfica Española Actual". Baracaldo, Vizcaya. "I Muestra de Artes Plásticas". Pamplona. "Muestra de Arte Contemporáneo". Palma de Mallorca. Sala Pelaires, "Picasso-90". Madrid. Galería Vandrés, "Eros en el Arte Español Contemporáneo". 1972 Santa Cruz de Tenerife. Colegio Oficial de Arquitectos,"Homenaje a J.L. Sert". Santillana del Mar, Cantabria.Torre del Merino. París, Francia. Palais Galliéra, "Biennale de l'Estampe". Ibiza. Museo de Arte Contemporáneo, "Ibizagrafic". Santiago de Chile, Chile. Museo de Arte Contemporáneo Quinta Normal. Madrid. Galería Sen. Exposición homenaje a Manuel Repila 1973 Elche, Alicante. Museo de Elche. "Encuentros". Ljubljana, Yugoslavia. "X Bienal Internacional de Grabado". Tokio, Japón. Museo de Arte Contemporáneo, "Grabado Español Contemporáneo". Madrid. Instituto Alemán, "Grabado Español Contemporáneo". La Laguna, Tenerife. Sala Conca. Palma de Mallorca. Colegio Oficial de Arquitectos,"Miró-80". Baracaldo, Vizcaya. "II Muestra de Artes Plásticas". Madrid. Galería Iolas-Velasco, "Homenaje a Miró". Copenhague, Dinamarca. Kunstforeningen, "Nutidig Spansk Kunst". Madrid. Galería Juana Mordó, "Homenaje a Manolo Millares". Madrid. Galería Internacional. 1974 Cracovia, Polonia. "V Bienal Internacional de Grabado". Barcelona. Colegio Oficial de Aparejadores, "Mostra d'Art Realitat". Rijeka, Yugoslavia. Museo de Arte Moderno, "IV Exposición de Dibujo Original". Segovia. "I Bienal Internacional del Grabado y Arte Seriado". París, Francia. Salon International d'Art Contemporain. Frechen, Alemania. Kunstverein, "III Exposición Internacional de Grabado". 1975 Jyväskylä, Finlandia. "Graphica Creativa". Palma de Mallorca. Sala Pelaires. 1976 Nuremberg, Alemania. "Grafische Minaturen des 20". Tokio, Kyoto, Japón. Museo Nacional de Arte Moderno, "X Bienal Internacional de Grabado". Biella, Italia. "Premio Internazionale per l'incisione". Cracovia, Polonia. "VI Bienal Internacional de Grabado". Venecia, Italia. Bienal Internacional de Arte Contemporáneo "España: Vanguardia Artística y Realidad Social 1936-1976". Frechen, Alemania. "IV Exposición Internacional de Grabado". París, Francia. Galerie Octave Negru. 1977 Leipzig, Alemania. Ausstellung Internationale Buchkunst. Barcelona. Fundación Joan Miró, "España: Vanguardia Artística y Realidad Social 1936-1976". Nueva York, USA. Bronx Museum of Arts. "I New York Drawing Biennial". Barcelona. Fundación Joan Miró, Exposición Museo Internacional Salvador Allende. Madrid. Galería Juana Mordó, "EMISA". 1978 Leverkusen, Alemania. “Volkshochschule, Grafik aus Lädern des Mittelmeeraumes". Sevilla. Escuela Superior de Bellas Artes, "I Exposición de Pintores Andaluces Contemporáneos". Madrid. Galería Ponce, "Gráfica Fantástica". Christchurch, Nueva Zelanda. "Christchurch Festival International of Drawings". 1979 Madrid. Congreso de Andalucía. Nuremberg, Alemania. Kunsthalle, "14 Europäische Künstler zum Thema Menschenbild". Heidelberg, Alemania. "I Biennale der Europäische Künstler Grafik Heidelberg". Lódz, Polonia. "Biennale Malych Formy Grafiki". Bradford, Inglaterra. "British International Print Biennial". Nuremberg, Alemania. Kunsthalle, "I Trienal Internacional de Jóvenes Dibujantes ". Gainesville, Florida, USA University of Florida, "Contemporary Spanish Prints". 1980 Madrid. Galería Biosca, "Pequeño Formato". Madrid. Galería Juana Mordó, "Miscelánea". Columbus, Georgia, USA. Museum of Arts and Sciences,"Contemporary Spanish Prints". Austin, Texas, USA. University of Texas, "Contemporary Spanish Prints". Chattanooga y Knoxville, Tennessee, U.S.A. University of Tennessee, "Contemporary Spanish Prints". Biella, Italia. "Premio Internazionale per l'incisione". Cleveland, Ohio, USA. Institute of Art, " Contemporary Spanish Prints". Minneapolis, Minnesota, USA. University of Minnesota,"Contemporary Spanish Prints". Madrid. Club de Amigos de la Unesco, "Andalucía hoy". Madrid, Librería Fuentetaja, "Técnica de estampación en hueco". Segovia, La Casa del Siglo XV, "Obra Gráfica". 1981 Lincoln, Nebraska, USA. University of Nebraska "Contemporary Spanish Prints". Iowa City, Iowa, USA. University of Iowa, "Contemporary Spanish Prints". Alburquerque, Nuevo Mexico, USA. University of New Mexico,"Contemporary Spanish Prints". Madrid. Galería Biosca. Madrid. Galería Tórculo, "Expo-síntesis". Fontainebleau, Francia. Musée d'Art Figuratif, "L'Art Fantastique Aujourd'hui". Palma de Mallorca. Sala Pelaires, "El Dibuix". Madrid. Escuela Superior de Bellas Artes, "El realismo en la pintura actual española". 1982 Sevilla. Museo de Arte Contemporaneo, "ANDANA 2". Madrid. Centro Cultural de la Villa, "ANDANA 3". Fredrikstad, Noruega. Bienal Internacional de Grabado. 1983 Lódz, Polonia."Biennale Malych Formy Grafiki". Bilbao. Museo de Arte Moderno, "Rompecabezas Andaluz". Madrid. Centro Cultural del Conde Duque, "Muestra Plástica de Artistas sobre la Violencia". Estocolmo, Suecia. Liljevalchs Konstall, "Spansk Egen-Art". Taipei, Taiwan. "Exposición Internacional de Grabado: 1983". 1984 Madrid, Casa de Velázquez. Alcorcón, Madrid. Sala Municipal. "I Muestra de Grabado". Fontainebleau, Francia. "Pensionnaires 1984 Casa de Velázquez" (Invitado de Honor). Oslo, Noruega. Kunstnernes Hus, "Spansk Egen-Art". Cracovia, Polonia. "X Bienal Internacional de Grabado". Berlín, Alemania RDA. "Intergrafik 84". Colmenar Viejo, Madrid. Sala de Arte Picasso, "José Hernández y Gérard Puvis". 1985 Madrid. Expometro, "Arte y Trabajo". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Arlequin aujourd'hui". París, Francia. Galerie Île des Arts, "L'imaginaire". Varna, Bulgaria. "III Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". 1986 Madrid. Museo Español de Arte Contemporáneo, "Obra Gráfica de los Premios Nacionales de Artes Plásticas 1980-1985". Cali, Colombia. Museo de Arte Moderno La Tertulia, "Premios Nacionales de España". Angers, Francia. "V Salon d'Automne". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Les Vanités du XVII siècle à nos jours". Sevilla. Museo de Arte Contemporáneo, "I Bienal Iberoamericana de Arte Seriado". Alicante. Fundación Caja del Mediterráneo, "Poemas pintura". (Exposición Itinerante). 1987 Madrid. Palacio de Cristal del Retiro, "Artistas por la Paz". Madrid. Calcografía Nacional, "Diez pintores en Negro". Varna, Bulgaria. "IV Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". Biella, Italia. "Premio Internazionale per l'incisione". La Laguna, Tenerife. Sala Conca. Valladolid. Palacio del Marqués de Villena, "Artistas por la Paz". Salamanca. Universidad de Salamanca, "Grabados". 1988 Malbork, Polonia. "XII Miedzynarodowe Biennale Ekslibrisu Wospótczesnego". París, Francia. École Nationale Superieure des Beaux-Arts, Galerie du Palais des Études, "La Gravure Contemporaine à la Chalcographie Nationale de Madrid". Valencia. Galería El Ensanche. Madrid. Instituto Francés, "Le radeau de l'esprit dit non aux fauxmonnayeurs de la mode artistique". 1989 Leipzig, Alemania. "Internationale Buchkunst-Ausstellung Leipzig 1989". Madrid. Galería Levy, "El Arte Surrealista?". Sevilla. Caja de Ahorros de San Fernando "Existencias: 14 Maestros del Realismo". Teruel. Museo Provincial, "En torno a Luis Buñuel /El Collage Surrealista en España". Madrid. Galería Sephira. Madrid. Galería Alfama, "Pintores y Escultores de la Real Academia de Bellas Artes de San Fernando". Talence, Francia. Centre Culturel Medocine, "Arte Español Contemporáneo". 1990 Las Palmas de Gran Canaria. Centro Atlántico de Arte Moderno, "Arte Internacional en las Colecciones Canarias". Madrid. Sala de Exposiciones de la Comunidad de Madrid, "Madrid, El Arte de los 60". Madrid. Galería Sephira, "Cinco Realidades". Madrid. Galería Levy. 1991 Madrid. Galería Levy. París, Francia. Musée Chantillon. Hamburgo, Alemania. Galerie Levy, "Le Chat dans la Peinture". Tokyo, Kyoto, Osaka, Yokohama, Japón. Museo Takashimaya, "Realismos: Arte Contemporáneo Español". Madrid. Galería Heller, "Realismo, Realistas, Realidades, en papel". Huesca. Diputación Provincial de Huesca, "Arte Contemporáneo en la Escuela". Alicante. Galería Italia, "Dibujos y pinturas sobre papel". 1992 Tokyo, Japón. Galería Heller. TOKYO ART EXPO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés, "Anatomía y Dibujo". Madrid. Galería Levy. Sevilla. Convento de Santa Inés, "XLI Exposición de Otoño". 1993 Madrid. Galería Levy, ARCO. Argentina, Uruguay, Bolivia, Paraguay, Instituto de Cooperación Iberoamericana, "Territorios de Papel". Nueva York, U.S.A. Tamenaga Gallery, "Contemporary Spanish Realism". Madrid. Galería Ra del Rey. 1994 Madrid. Galería Levy, ARCO. Burgos. Casa del Cordón, "Colección Lorenzana". Dublin, Irlanda. Graphic Studio Dublin Gallery, "Contemporary Spanish Prints". Madrid. Galerie Michèle Broutta, ESTAMPA '94. Madrid. Centro Cultural del Conde Duque, "Realismos". Colera, Gerona. Galería d'Art Horizon "Exposició d'Exlibris d'Homenatge a Walter Benjamin". Venecia, Italia. Centro Culturale di Esposizione e Comunicazione,"Du Fantastique au Visionnaire". 1995 París, Francia. Galería Levy, FIAC. Valdepeñas, Ciudad Real. Museo Fundación Gregorio Prieto, "V Certamen Nacional de Dibujo". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "II Premios Nacionales de Grabado 1994". Nueva York, USA. Galería Heller, INTERNATIONAL ART FAIR. Madrid. Galería Levy, ARCO. Madrid. Galerie Michèle Broutta, ESTAMPA '95. La Coruña. "IV Mostra Unión Fenosa". 1996 Madrid. Fundación Cultural Mapfre Vida, "Postrimerías". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "Colección Pangea/95". Madrid. Galerie Michèle Broutta, ESTAMPA '96 . Zaragoza. Palacio de la Lonja y Caja de Ahorros de la Inmaculada,"Después de Goya, una mirada subjetiva". Coulommiers, Francia. Chapelle des Capucins. "Ex-votos". Madrid. Galería Leandro Navarro, "25 Años". 1997 Barcelona. Galería Maragall, "Homenaje a Goya". Madrid. Real Academia de Bellas Artes de San Fernando, "Arte Vivo/Los Pintores de la Academia". Le Bouscat, Francia. Ermitage Compostelle, "L'imaginaire Contemporain". Bilbao. Galería A'G."Realismos". Andorra. Sala de Exposiciones Govern d'Andorra, "Cent Ex-Libris en Homenatge a Walter Benjamin" Barcelona. Palau del Mar, Museo de Historia de Cataluña, "Solidaritat i Art: Milà 1972-Barcelona 1997". Becerril de la Sierra, Madrid. Galerie. "Festival de Grabado Alberto Durero". París, Viaduc des Arts, "Les états de la gravure". Santiago de Compostela, La Coruña. Auditorio de Galicia, "Realidade, Realismos". Ljubljana, Slovenia, "22 international biennial of graphic art". 1998 Kanagawa, Japón, “International Print Triennial ‘98”. Madrid, Museo Postal y Telegráfico, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Nemours, Francia, “Les Girouettes”. París, Francia, Galerie Alain Daune. “Les peintres du fantastique”. Madrid, M.E.A.C., “Homenaje a Aurelio Biosca”. Oviedo, Galería Dasto. “Libros de Artista”. Madrid, Galería Rayuela. 1999 Biella, Italia, “Premio Internazionale Biella per l’Incisione XIV edizione 1999.” Granada, Hospital Real, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Huesca, Sala de Exposiciones de la Diputación de Huesca. “Luis Buñuel, el ojo de la libertad.” Madrid, Galerie Michèle Broutta, ESTAMPA '99 . Málaga, Sociedad Económica, “Ciento y... postalicas a Federico García Lorca (1898-1998)” Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana, “De Picasso a nuestros días”. 2000 Maracaibo, Venezuela. Centro de Arte Lía Bermúdez...

Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...

"The two Armies being engaged by break of day, Jupiter sends Iris to bid Hector retire from the Fight, and not return till Agamemnon's wounds had obliged him, to withdraw from the Fi...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Juan Alcalde Alonso (Spain, 1918-2020) 'El maldito', 2003 silkscreen on paper 22.9 x 19.7 in. (58 x 50 cm.) Edition of 100 ID: ALC1002-035-100 Hand-signed by author Excellent conditi...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings. This arresting portrait of a raven's body is executed in moody shades of black and grey. A tangle of short, sharp marks swirls against the white background, resembling flying birds. At the top, hand written text reads: "dead bird...

An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...

Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...

"His Timmer Staff" is an image of herding pigs by William Strang. It is a fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Binyon 119 One...

Juan Alcalde Alonso (Spain, 1918-2020) 'La calle', ca. 2000 - 2010 silkscreen on paper 20.5 x 26 in. (52 x 66 cm.) Edition of 225 ID: ALC1002-052-225 Hand-signed by author Excellent ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-006 Hand-signed by a...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_9 Hand-signe...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Peter The Wild Boy Peter the Wild Boy, Found in the woods of Haemlin', 1821. Portrait of Peter the Wild Boy (c1713-1785) who was found in 1725 living an entirely feral existence in ...

Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...